{"id":165078,"date":"2025-08-03T06:01:37","date_gmt":"2025-08-03T06:01:37","guid":{"rendered":"https:\/\/www.pandasilk.com\/cheongsam-vs-hanfu-understanding-the-key-differences-in-chinese-traditional-dress\/"},"modified":"2026-02-17T21:27:02","modified_gmt":"2026-02-18T05:27:02","slug":"cheongsam-vs-hanfu-understanding-the-key-differences-in-chinese-traditional-dress","status":"publish","type":"post","link":"https:\/\/www.pandasilk.com\/cs\/cheongsam-vs-hanfu-understanding-the-key-differences-in-chinese-traditional-dress\/","title":{"rendered":"Cheongsam vs. Hanfu: Porozum\u011bn\u00ed kl\u00ed\u010dov\u00fdm rozd\u00edl\u016fm v tradi\u010dn\u00edm \u010d\u00ednsk\u00e9m od\u011bvu"},"content":{"rendered":"

Bohat\u00e1 a rozs\u00e1hl\u00e1 tapis\u00e9rie \u010d\u00ednsk\u00fdch d\u011bjin je utk\u00e1na z nes\u010detn\u00fdch kulturn\u00edch vl\u00e1ken a jen m\u00e1lokter\u00e1 jsou tak vizu\u00e1ln\u011b okouzluj\u00edc\u00ed jako tradi\u010dn\u00ed od\u011bvy. Kdy\u017e lid\u00e9 p\u0159em\u00fd\u0161lej\u00ed o \u010d\u00ednsk\u00e9m od\u011bvu, \u010dasto se jim vybav\u00ed dva v\u00fdrazn\u00e9 od\u011bvy: elegantn\u00ed, p\u0159il\u00e9hav\u00fd Cheongsam a spl\u00fdvav\u00fd, \u00e9terick\u00fd Hanfu. A\u010dkoli jsou oba oslavov\u00e1ny jako symboly \u010d\u00ednsk\u00e9 kultury, jedn\u00e1 se o odli\u0161n\u00e9 od\u011bvy odd\u011blen\u00e9 stalet\u00edmi historie, filozofi\u00ed designu a kulturn\u00edm kontextem. Zam\u011bnit jeden za druh\u00fd znamen\u00e1 p\u0159ehl\u00e9dnout jedine\u010dn\u00fd p\u0159\u00edb\u011bh, kter\u00fd ka\u017ed\u00fd z nich vypr\u00e1v\u00ed. Porozum\u011bt rozd\u00edl\u016fm mezi Cheongsamem a Hanfu nen\u00ed jen lekc\u00ed z d\u011bjin m\u00f3dy; je to cesta do rozmanit\u00e9 a se vyv\u00edjej\u00edc\u00ed identity samotn\u00e9 \u010c\u00edny. Tento \u010dl\u00e1nek poskytne podrobn\u00e9 srovn\u00e1n\u00ed, kter\u00e9 prozkoum\u00e1 jejich historick\u00fd p\u016fvod, principy designu, kulturn\u00ed v\u00fdznam a sou\u010dasnou relevanci.<\/p>\n

1. Historick\u00fd p\u016fvod a dynastick\u00e9 ko\u0159eny<\/h3>\n

Nejz\u00e1sadn\u011bj\u0161\u00ed rozd\u00edl mezi Hanfu a Cheongsamem spo\u010d\u00edv\u00e1 v jejich \u010dasov\u00e9m za\u0159azen\u00ed. Poch\u00e1zej\u00ed z naprosto odli\u0161n\u00fdch obdob\u00ed a etnick\u00fdch skupin, co\u017e hluboce ovlivnilo jejich v\u00fdvoj.<\/p>\n

Hanfu (\u6c49\u670d)<\/strong>, co\u017e lze p\u0159elo\u017eit jako „od\u011bv n\u00e1roda Chan“, nen\u00ed jedin\u00fd kus oble\u010den\u00ed, ale komplexn\u00ed syst\u00e9m od\u00edv\u00e1n\u00ed, kter\u00fd nosila v\u011bt\u0161inov\u00e1 chanovsk\u00e1 etnick\u00e1 skupina v \u010c\u00edn\u011b po v\u00edce ne\u017e t\u0159i tis\u00edcilet\u00ed. Jeho historie sah\u00e1 od polomytick\u00e9 vl\u00e1dy \u017dlut\u00e9ho c\u00edsa\u0159e (cca 2698 p\u0159. n. l.) p\u0159es dynastie \u0160ang, \u010cou, Chan, Tchang, Sung a Ming a\u017e po p\u00e1d dynastie Ming v roce 1644. Ka\u017ed\u00e1 dynastie p\u0159idala sv\u00e9 vlastn\u00ed stylistick\u00e9 variace, ale z\u00e1kladn\u00ed komponenty z\u016fstaly konzistentn\u00ed. Hanfu p\u0159edstavoval ustaven\u00fd spole\u010densk\u00fd a ritu\u00e1ln\u00ed \u0159\u00e1d, p\u0159i\u010dem\u017e r\u016fzn\u00e9 styly, barvy a l\u00e1tky nazna\u010dovaly hodnost, spole\u010densk\u00e9 postaven\u00ed a p\u0159\u00edle\u017eitost. Jeho v\u00fdvoj byl n\u00e1hle p\u0159eru\u0161en v 17. stolet\u00ed, kdy vl\u00e1dnouc\u00ed Mand\u017euov\u00e9 zalo\u017eili dynastii \u010cching a na\u0159\u00eddili vlastn\u00ed styl obl\u00e9k\u00e1n\u00ed pro mu\u017ee, co\u017e v podstat\u011b zp\u016fsobilo, \u017ee Hanfu na stalet\u00ed upadl z hlavn\u00edho proudu u\u017e\u00edv\u00e1n\u00ed.<\/p>\n

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Cheongsam (\u957f\u886b)<\/strong>, tak\u00e9 \u0161iroce zn\u00e1m\u00fd pod sv\u00fdm kantonsk\u00fdm n\u00e1zvem Qipao (\u65d7\u888d)<\/strong>, m\u00e1 mnohem nov\u011bj\u0161\u00ed p\u016fvod. Jeho p\u0159edch\u016fdcem byl changpao, voln\u00e1, do „A“ se roz\u0161i\u0159uj\u00edc\u00ed r\u00f3ba, kterou nosily mand\u017eusk\u00e9 \u017eeny za dynastie \u010cching (1644\u20131912). N\u00e1zev Qipao doslova znamen\u00e1 „korouhevn\u00ed r\u00f3ba“, odkaz na mand\u017eusk\u00fd spole\u010densk\u00fd a vojensk\u00fd syst\u00e9m „Korouhevn\u00edk\u016f“. Tato ran\u00e1 verze byla skromn\u00e1 a konzervativn\u00ed, navr\u017een\u00e1 tak, aby zakr\u00fdvala postavu. Cheongsam<\/a>, jak ho zn\u00e1me dnes, je inovac\u00ed 20. stolet\u00ed. V kosmopolitn\u00edm tavic\u00edm kotli \u0160anghaje ve 20. a 30. letech 20. stolet\u00ed byl tradi\u010dn\u00ed changpao radik\u00e1ln\u011b p\u0159epracov\u00e1n. Pod vlivem z\u00e1padn\u00edho krej\u010dovstv\u00ed a modernizuj\u00edc\u00ed se spole\u010dnosti se prom\u011bnil v elegantn\u00ed, p\u0159il\u00e9hav\u00fd a \u010dasto odhaluj\u00edc\u00ed od\u011bv, kter\u00fd oslavoval \u017eenskou postavu. Tato modernizovan\u00e1 verze se stala m\u00f3dn\u00ed senzac\u00ed a symbolem nov\u00e9 \u010d\u00ednsk\u00e9 \u017eenskosti.<\/p>\n

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2. Filozofie designu a z\u00e1kladn\u00ed komponenty<\/h3>\n

Estetika a konstrukce Hanfu a Cheongsamu odr\u00e1\u017eej\u00ed zcela odli\u0161n\u00e9 sv\u011bty, ve kter\u00fdch vznikly.<\/p>\n

Filozofie designu Hanfu je zako\u0159en\u011bna v tradi\u010dn\u00ed \u010d\u00ednsk\u00e9 kosmologii a spole\u010densk\u00fdch ide\u00e1lech. Typicky je konstruov\u00e1n pomoc\u00ed ploch\u00e9, dvourozm\u011brn\u00e9 st\u0159ihov\u00e9 techniky, kde se pou\u017e\u00edvaj\u00ed cel\u00e9 \u0161\u00ed\u0159ky l\u00e1tky s minim\u00e1ln\u00edm tvarov\u00e1n\u00edm. Silueta je voln\u00e1 a spl\u00fdvav\u00e1, navr\u017een\u00e1 pro pohodl\u00ed a skromnost, s vrstvami, kter\u00e9 vytv\u00e1\u0159ej\u00ed pocit elegance a velkoleposti. Struktura se \u010dasto skl\u00e1d\u00e1 ze dvou hlavn\u00edch \u010d\u00e1st\u00ed: svrchn\u00edho od\u011bvu zvan\u00e9ho yi (\u8863) a spodn\u00edho od\u011bvu podobn\u00e9ho sukni zvan\u00e9ho shang (\u88f3). Charakteristick\u00fdm rysem je k\u0159\u00ed\u017eov\u00fd l\u00edmec vp\u0159edu (jiaoling youren), kde se lev\u00fd l\u00edmec p\u0159ekl\u00e1d\u00e1 p\u0159es prav\u00fd. Zap\u00edn\u00e1n\u00ed se neprov\u00e1d\u00ed knofl\u00edky, ale slo\u017eit\u00fdmi \u0161erpami a tkani\u010dkami, co\u017e zd\u016fraz\u0148uje bezprobl\u00e9mov\u00fd a organick\u00fd pocit.<\/p>\n

Cheongsam naopak vyzn\u00e1v\u00e1 modern\u00ed, trojrozm\u011brnou filozofii designu siln\u011b ovlivn\u011bnou z\u00e1padn\u00ed haute couture. Jeho hlavn\u00edm c\u00edlem je zd\u016fraznit postavu toho, kdo jej nos\u00ed. Mezi kl\u00ed\u010dov\u00e9 komponenty, kter\u00e9 definuj\u00ed Cheongsam, pat\u0159\u00ed:<\/p>\n

    \n
  • Mand\u017eusk\u00fd l\u00edmec (li ling \u7acb\u9886):<\/strong> Vysok\u00fd, tuh\u00fd l\u00edmec, kter\u00fd elegantn\u011b r\u00e1muje krk.<\/li>\n
  • Asymetrick\u00fd rozparek (dajin \u5927\u895f):<\/strong> \u0160ikm\u00fd rozparek p\u0159es hru\u010f, zap\u00ednan\u00fd \u0159adou ozdobn\u00fdch uzlov\u00fdch knofl\u00edk\u016f (pankou \u76d8\u6263).<\/li>\n
  • P\u0159il\u00e9hav\u00fd st\u0159ih:<\/strong> Dosahuje se pomoc\u00ed \u0161ipek, p\u0159esn\u00e9ho krej\u010dovstv\u00ed a n\u011bkdy zip\u016f, aby vytvo\u0159il t\u011bsn\u00fd st\u0159ih.<\/li>\n
  • Vysok\u00e9 postrann\u00ed rozparky (kai cha \u5f00\u8869):<\/strong> P\u0159idan\u00e9 pro estetick\u00fd \u00fa\u010dinek i snadnost pohybu, jejich\u017e v\u00fd\u0161ka se \u010dasto m\u011bnila s m\u00f3dn\u00edmi trendy.<\/li>\n<\/ul>\n

    3. Srovn\u00e1vac\u00ed pohled na kl\u00ed\u010dov\u00e9 vlastnosti<\/h3>\n

    Pro jasn\u00e9 ilustrov\u00e1n\u00ed rozd\u00edl\u016f poskytuje n\u00e1sleduj\u00edc\u00ed tabulka srovn\u00e1n\u00ed charakteristick\u00fdch vlastnost\u00ed Hanfu a modern\u00edho Cheongsamu vedle sebe.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
    Vlastnost<\/th>\nHanfu<\/th>\nCheongsam<\/th>\n<\/tr>\n<\/thead>\n
    Doba vzniku<\/strong><\/td>\nStarov\u011bk\u00e1 \u010c\u00edna (dynastie \u0160ang, cca 1600 p\u0159. n. l.) a\u017e dynastie Ming (1644 n. l.)<\/td>\nDynastie \u010cching (mand\u017eusk\u00e1 r\u00f3ba), v\u00fdrazn\u011b modernizov\u00e1n ve 20. a 40. letech 20. stolet\u00ed za \u00e9ry \u010c\u00ednsk\u00e9 republiky.<\/td>\n<\/tr>\n
    Etnick\u00e1 skupina<\/strong><\/td>\nChanov\u00e9 (\u010c\u00ed\u0148an\u00e9).<\/td>\nMand\u017eusk\u00fd p\u016fvod, pozd\u011bji \u0161iroce p\u0159ijat a upraven Chany.<\/td>\n<\/tr>\n
    Silueta<\/strong><\/td>\nVoln\u00e1, spl\u00fdvav\u00e1 a vrstven\u00e1, zakr\u00fdvaj\u00edc\u00ed tvar t\u011bla.<\/td>\nP\u0159il\u00e9hav\u00e1, jednoduch\u00e1, zd\u016fraz\u0148uj\u00edc\u00ed k\u0159ivky t\u011bla.<\/td>\n<\/tr>\n
    Konstrukce<\/strong><\/td>\nPloch\u00fd, dvourozm\u011brn\u00fd st\u0159ih zalo\u017een\u00fd na \u0161\u00ed\u0159ce l\u00e1tky. Minim\u00e1ln\u00ed krej\u010dovstv\u00ed.<\/td>\nTrojrozm\u011brn\u00fd st\u0159ih se \u0161ipkami, zipy a tvarovan\u00fdmi \u0161vy.<\/td>\n<\/tr>\n
    L\u00edmec<\/strong><\/td>\nTypicky k\u0159\u00ed\u017eov\u00fd l\u00edmec (jiaoling), s levou stranou p\u0159es pravou.<\/td>\nVysok\u00fd, stojac\u00ed mand\u017eusk\u00fd l\u00edmec.<\/td>\n<\/tr>\n
    Ruk\u00e1vy<\/strong><\/td>\nCharakteristicky dlouh\u00e9 a \u0161irok\u00e9, \u010dasto spl\u00fdvaj\u00edc\u00ed daleko za ruce.<\/td>\nVelmi se li\u0161\u00ed (bez ruk\u00e1v\u016f, kr\u00e1tk\u00e9, dlouh\u00e9), ale obecn\u011b jsou p\u0159il\u00e9hav\u00e9.<\/td>\n<\/tr>\n
    Zap\u00edn\u00e1n\u00ed<\/strong><\/td>\nL\u00e1tkov\u00e9 \u0161erpy a skryt\u00e9 tkani\u010dky.<\/td>\nOzdobn\u00e9 uzlov\u00e9 knofl\u00edky (pankou), \u010dasto dopln\u011bn\u00e9 skryt\u00fdmi zipy nebo patentkami.<\/td>\n<\/tr>\n
    Z\u00e1kladn\u00ed filozofie<\/strong><\/td>\nZt\u011bles\u0148uje tradi\u010dn\u00ed konfuci\u00e1nsk\u00e9 hodnoty, harmonii s p\u0159\u00edrodou a spole\u010denskou hierarchii.<\/td>\nP\u0159edstavuje modernost, f\u00fazi V\u00fdchodu a Z\u00e1padu a \u017eenskou eleganci.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    4. Kulturn\u00ed v\u00fdznam a modern\u00ed obrozen\u00ed<\/h3>\n

    Dnes oba od\u011bvy za\u017e\u00edvaj\u00ed siln\u00e9 obrozen\u00ed, ale zauj\u00edmaj\u00ed odli\u0161n\u00e9 kulturn\u00ed prostory.<\/p>\n

    Znovuo\u017eiven\u00ed Hanfu je poh\u00e1n\u011bno Hnut\u00edm Hanfu (\u6c49\u670d\u8fd0\u52a8), grassroots spole\u010densk\u00fdm a kulturn\u00edm fenom\u00e9nem, kter\u00fd za\u010dal na po\u010d\u00e1tku 21. stolet\u00ed. Pro jeho zast\u00e1nce je no\u0161en\u00ed Hanfu zp\u016fsob, jak se znovu spojit s p\u0159ed\u010dchingskou chanovskou identitou, vyj\u00e1d\u0159it kulturn\u00ed hrdost a historick\u00e9 pov\u011bdom\u00ed. Je to vyj\u00e1d\u0159en\u00ed odporu proti historick\u00e9mu narativu, kter\u00fd tuto formu od\u011bvu vymazal. Hanfu je nyn\u00ed b\u011b\u017en\u011b k vid\u011bn\u00ed na kulturn\u00edch festivalech, historick\u00fdch rekonstrukc\u00edch, promoc\u00edch a dokonce jako ka\u017edodenn\u00ed od\u011bv rostouc\u00edho po\u010dtu mlad\u00fdch nad\u0161enc\u016f, co\u017e d\u00e1le popularizuje glob\u00e1ln\u00ed dosah \u010d\u00ednsk\u00fdch historick\u00fdch televizn\u00edch dramat.<\/p>\n

    Cheongsam na druh\u00e9 stran\u011b nikdy skute\u010dn\u011b nezmizel. Dlouho byl jak v \u010c\u00edn\u011b, tak mezin\u00e1rodn\u011b etablov\u00e1n jako typick\u00fd „\u010d\u00ednsk\u00fd od\u011bv“. Jeho obraz je spojen s glamourem star\u00e9 \u0160anghaje, eleganc\u00ed postav jako byla Soong Mej-ling a ikonick\u00fdmi filmov\u00fdmi okam\u017eiky. Dnes se nos\u00ed p\u0159edev\u0161\u00edm p\u0159i form\u00e1ln\u00edch p\u0159\u00edle\u017eitostech, jako jsou svatby, galave\u010dery a diplomatick\u00e9 akce. Slou\u017e\u00ed tak\u00e9 jako sofistikovan\u00e1 uniforma v sektoru luxusn\u00edho pohostinstv\u00ed. P\u0159izp\u016fsobivost Cheongsamu mu umo\u017enila z\u016fstat relevantn\u00edm, p\u0159i\u010dem\u017e sou\u010dasn\u00ed design\u00e9\u0159i neust\u00e1le reinterpretuj\u00ed jeho klasickou podobu. Platformy v\u011bnovan\u00e9 um\u011bn\u00ed tohoto od\u011bvu, jako je PandaSilk.com<\/strong>, ukazuj\u00ed neuv\u011b\u0159itelnou rozmanitost modern\u00edho cheongsamu, od tradi\u010dn\u00edch kus\u016f z hedv\u00e1b\u00ed po ka\u017edodenn\u00ed verze z bavlny, co\u017e dokazuje jeho trvalou p\u0159ita\u017elivost a p\u0159izp\u016fsobivost.<\/p>\n

    5. Volba mezi Hanfu a Cheongsamem<\/h3>\n

    Pro ty, kte\u0159\u00ed se zaj\u00edmaj\u00ed o prozkoum\u00e1n\u00ed \u010d\u00ednsk\u00e9ho tradi\u010dn\u00edho od\u011bvu, volba mezi Hanfu a Cheongsamem z\u00e1vis\u00ed do zna\u010dn\u00e9 m\u00edry na p\u0159\u00edle\u017eitosti a poselstv\u00ed, kter\u00e9 si p\u0159ej\u00ed sd\u011blit.<\/p>\n

      \n
    • Zvolte Hanfu<\/strong> pro ud\u00e1losti, kter\u00e9 oslavuj\u00ed \u010d\u00ednskou historii a tradi\u010dn\u00ed kulturu, jako je Festival st\u0159edu podzimu nebo \u010d\u00ednsk\u00fd Nov\u00fd rok. Je ide\u00e1ln\u00ed pro tematickou fotografii, historick\u00e9 akce nebo pro jednotlivce, kte\u0159\u00ed cht\u011bj\u00ed vyj\u00e1d\u0159it hlubok\u00e9 spojen\u00ed se starov\u011bkou \u010d\u00ednskou civilizac\u00ed. Bu\u010fte p\u0159ipraveni na slo\u017eit\u011bj\u0161\u00ed proces obl\u00e9k\u00e1n\u00ed zahrnuj\u00edc\u00ed vrstvy a \u0161erpy.<\/li>\n
    • Zvolte Cheongsam<\/strong> pro form\u00e1ln\u00ed ud\u00e1losti vy\u017eaduj\u00edc\u00ed eleganci a sofistikovanost, jako je ve\u010de\u0159e, svatba nebo form\u00e1ln\u00ed recepce. Je to celosv\u011btov\u011b uzn\u00e1van\u00fd symbol gr\u00e1cie a je mnohem jednodu\u0161\u0161\u00ed na no\u0161en\u00ed. Jeho univerz\u00e1lnost znamen\u00e1, \u017ee m\u016f\u017eete naj\u00edt styl vhodn\u00fd pro t\u00e9m\u011b\u0159 jak\u00e9koli form\u00e1ln\u00ed nebo polofom\u00e1ln\u00ed prost\u0159ed\u00ed.<\/li>\n<\/ul>\n

      Zat\u00edmco Hanfu je pono\u0159en\u00edm se do starov\u011bk\u00e9ho sv\u011bta, Cheongsam je poklonou modern\u00ed, synkretick\u00e9 eleganci. Jeden je historick\u00fd od\u011bvn\u00ed syst\u00e9m, druh\u00fd m\u00f3dn\u00ed \u0161aty.<\/p>\n

      Z\u00e1v\u011brem lze \u0159\u00edci, \u017ee jak Hanfu, tak Cheongsam jsou neoceniteln\u00fdmi poklady \u010d\u00ednsk\u00e9 kultury, ka\u017ed\u00fd se svou vlastn\u00ed jedine\u010dnou identitou a p\u0159\u00edb\u011bhem. Hanfu je starov\u011bk\u00fd, v\u00edceslo\u017ekov\u00fd od\u011bvn\u00ed syst\u00e9m n\u00e1roda Chan, symbol tis\u00edcilet\u00e9 dynastick\u00e9 historie o\u017eiven\u00fd modern\u00edm kulturn\u00edm hnut\u00edm. Cheongsam je relativn\u011b modern\u00ed, jednod\u00edln\u00e9 \u0161aty poch\u00e1zej\u00edc\u00ed z mand\u017eusk\u00fdch ko\u0159en\u016f, ale vytvo\u0159en\u00e9 v tavic\u00edm kotli \u0161anghajsk\u00e9ho 20. stolet\u00ed, zt\u011bles\u0148uj\u00edc\u00ed f\u00fazi v\u00fdchodn\u00ed tradice a z\u00e1padn\u00ed modernity. Oce\u0148ovat je znamen\u00e1 oce\u0148ovat hloubku a dynamiku \u010d\u00ednsk\u00fdch d\u011bjin. Nejsou zdaleka zam\u011bniteln\u00e9, stoj\u00ed jako odli\u0161n\u00e9, ale stejn\u011b kr\u00e1sn\u00e9 pil\u00ed\u0159e \u010d\u00ednsk\u00e9ho od\u011bvn\u00edho d\u011bdictv\u00ed, kter\u00e9 i nad\u00e1le inspiruj\u00ed a okouzluj\u00ed lidi po cel\u00e9m sv\u011bt\u011b.<\/p>\n","protected":false},"excerpt":{"rendered":"

      Bohat\u00e1 a rozs\u00e1hl\u00e1 tapis\u00e9rie \u010d\u00ednsk\u00fdch d\u011bjin je utk\u00e1na z nes\u010detn\u00fdch kulturn\u00edch vl\u00e1ken a jen m\u00e1lokter\u00e1 jsou tak vizu\u00e1ln\u011b okouzluj\u00edc\u00ed jako tradi\u010dn\u00ed od\u011bvy. Kdy\u017e lid\u00e9 p\u0159em\u00fd\u0161lej\u00ed o \u010d\u00ednsk\u00e9m od\u011bvu, \u010dasto se jim vybav\u00ed dva v\u00fdrazn\u00e9 od\u011bvy: elegantn\u00ed, p\u0159il\u00e9hav\u00fd Cheongsam a spl\u00fdvav\u00fd, \u00e9terick\u00fd Hanfu. A\u010dkoli jsou oba oslavov\u00e1ny jako symboly \u010d\u00ednsk\u00e9 kultury, jedn\u00e1 se o odli\u0161n\u00e9 od\u011bvy<\/p>\n","protected":false},"author":1,"featured_media":163710,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37823],"tags":[],"class_list":["post-165078","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-faqs-cs","prodpage-classic"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts\/165078","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/comments?post=165078"}],"version-history":[{"count":0,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts\/165078\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/media\/163710"}],"wp:attachment":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/media?parent=165078"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/categories?post=165078"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/tags?post=165078"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}