{"id":165358,"date":"2025-08-03T05:25:32","date_gmt":"2025-08-03T05:25:32","guid":{"rendered":"https:\/\/www.pandasilk.com\/literary-stitches-the-cheongsam-in-chinese-and-diasporic-literature\/"},"modified":"2026-02-17T21:27:47","modified_gmt":"2026-02-18T05:27:47","slug":"literary-stitches-the-cheongsam-in-chinese-and-diasporic-literature","status":"publish","type":"post","link":"https:\/\/www.pandasilk.com\/cs\/literary-stitches-the-cheongsam-in-chinese-and-diasporic-literature\/","title":{"rendered":"Liter\u00e1rn\u00ed stehy: \u010cchongsam v \u010d\u00ednsk\u00e9 a diasporick\u00e9 literatu\u0159e"},"content":{"rendered":"

\u010cchong-sam<\/a>, neboli \u010dchi-pchao, je mnohem v\u00edc ne\u017e pouh\u00fd kus oble\u010den\u00ed. Se sv\u00fdm vysok\u00fdm mandar\u00ednsk\u00fdm l\u00edmcem, p\u0159il\u00e9havou siluetou a jemn\u00fdmi pankou (zap\u00edn\u00e1n\u00edm na knofl\u00edky) je to od\u011bv vpleten\u00fd do samotn\u00e9 struktury modern\u00edch \u010d\u00ednsk\u00fdch d\u011bjin. Je to siln\u00fd kulturn\u00ed symbol, pl\u00e1tno, na kter\u00e9 byly prom\u00edt\u00e1ny p\u0159\u00edb\u011bhy modernity, tradice, revoluce a identity. Vzniknuv\u0161\u00ed z dynamick\u00e9ho, kosmopolitn\u00edho kvasu \u0160anghaje 20. let 20. stolet\u00ed, \u017eil \u010dchong-sam mnoho \u017eivot\u016f: jako uniforma osvobozen\u00e9 „nov\u00e9 \u017eeny“, relikt bur\u017eoazn\u00ed dekadence, nostalgick\u00fd embl\u00e9m ztracen\u00e9 vlasti a sporn\u00fd znak \u017eenskosti. V \u010d\u00ednsk\u00e9 a diasporick\u00e9 literatu\u0159e tato ikonick\u00e1 r\u00f3ba p\u0159esahuje svou materi\u00e1ln\u00ed formu a st\u00e1v\u00e1 se mocn\u00fdm liter\u00e1rn\u00edm prost\u0159edkem, kter\u00fd auto\u0159i pou\u017e\u00edvaj\u00ed k prozkoum\u00e1n\u00ed slo\u017eit\u00fdch vnit\u0159n\u00edch \u017eivot\u016f sv\u00fdch postav a rozs\u00e1hl\u00fdch historick\u00fdch sil, kter\u00e9 je formuj\u00ed. Jej\u00ed p\u0159\u00edtomnost \u2013 nebo dokonce jej\u00ed n\u00e1padn\u00e1 nep\u0159\u00edtomnost \u2013 na str\u00e1nk\u00e1ch m\u016f\u017ee mnoh\u00e9 vypov\u00eddat, odhaluj\u00edc nap\u011bt\u00ed mezi jednotlivcem a spole\u010dnost\u00ed, minulost\u00ed a p\u0159\u00edtomnost\u00ed, vlast\u00ed a diasporou.<\/p>\n

1. Modernistick\u00fd manifest: \u010cchong-sam v republik\u00e1nsk\u00e9 \u0160anghaji<\/h3>\n

Zlat\u00fd v\u011bk \u010dchong-samu, od 20. do 40. let 20. stolet\u00ed, se \u010dasov\u011b shodoval s obdob\u00edm obrovsk\u00fdch spole\u010densk\u00fdch a kulturn\u00edch ot\u0159es\u016f v \u010c\u00edn\u011b. V ru\u0161n\u00e9 metropoli \u0160anghaje se \u010dchong-sam vyvinul z voln\u011bj\u0161\u00edho, skromn\u011bj\u0161\u00edho od\u011bvu do p\u0159il\u00e9hav\u00fdch \u0161at\u016f, jak je zn\u00e1me dnes. Pro spisovatele t\u00e9to \u00e9ry se \u010dchong-sam stal typick\u00fdm symbolem „nov\u00e9 \u017eeny“ (\u65b0\u5973\u6027) \u2013 vzd\u011blan\u00e9, nez\u00e1visl\u00e9 a ve\u0159ejn\u011b viditeln\u00e9. Byl to od\u011bvn\u00ed manifest svobody od feud\u00e1ln\u00edho, svazuj\u00edc\u00edho oble\u010den\u00ed minulosti.<\/p>\n

\u017d\u00e1dn\u00fd autor nezachytil slo\u017eit\u00fd vztah mezi \u017eenou a jej\u00edm \u010dchong-samem tak byst\u0159e jako Eileen Chang (\u5f20\u7231\u73b2). V jej\u00edm d\u00edle nen\u00ed oble\u010den\u00ed nikdy jen dekorativn\u00ed; je to druh\u00e1 k\u016f\u017ee, kter\u00e1 odhaluje touhy, klamy a spole\u010densk\u00e9 postaven\u00ed postavy. V jej\u00ed slavn\u00e9 novele Lust, Caution<\/em> (\u8272\uff0c\u6212) jsou \u010dchong-samy, kter\u00e9 nos\u00ed protagonistka Wang \u0164ia-\u010d‘, \u00fast\u0159edn\u00ed pro jej\u00ed prom\u011bnu z naivn\u00ed studentky ve zku\u0161enou \u0161pionku. Jej\u00ed pe\u010dliv\u011b popsan\u00e9 \u0161aty jsou jej\u00ed zbroj\u00ed i jej\u00ed zbran\u00ed. Jednoduch\u00fd, \u0161kol\u00e1ck\u00fd modr\u00fd \u010dchong-sam zna\u010d\u00ed jej\u00ed po\u010d\u00e1te\u010dn\u00ed nevinnost, zat\u00edmco sv\u016fdn\u00e9, polopr\u016fhledn\u00e9 a exkluzivn\u011b st\u0159i\u017een\u00e9 \u010dchong-samy, kter\u00e9 nos\u00ed pozd\u011bji, jsou n\u00e1stroji \u0161pion\u00e1\u017ee, navr\u017een\u00fdmi k polapen\u00ed jej\u00edho c\u00edle. Pro Wang \u0164ia-\u010d‘ je \u010dchong-sam kost\u00fdm, kter\u00fd j\u00ed umo\u017e\u0148uje jej\u00ed v\u00fdkon, ale nakonec ji v n\u011bm i uv\u011bzn\u00ed, rozmaz\u00e1vaje hranici mezi jej\u00edm prav\u00fdm j\u00e1 a rol\u00ed, kterou mus\u00ed hr\u00e1t.<\/p>\n

\"Lust<\/p>\n\n\n\n\n\n\n\n\n
Fiktivn\u00ed \u0161atn\u00edky Eileen Chang<\/th>\n<\/th>\n<\/tr>\n<\/thead>\n
D\u00edlo<\/strong><\/td>\nSymbolika \u010dchong-samu<\/strong><\/td>\n<\/tr>\n
Lust, Caution<\/em> (\u8272\uff0c\u6212)<\/td>\nP\u0159edstavuje prom\u011bnu, klam a zneu\u017eitou \u017eenskost. V\u00fdvoj \u010dchong-sam\u016f Wang \u0164ia-\u010d‘ mapuje jej\u00ed cestu od studentky k \u0161pionce a jej\u00ed prom\u011bnlivou identitu.<\/td>\n<\/tr>\n
Red Rose, White Rose<\/em> (\u7d05\u73ab\u7470\u8207\u767d\u73ab\u7470)<\/td>\nPou\u017eit k kontrastu dvou \u017eensk\u00fdch archetyp\u016f. „\u010cerven\u00e1 r\u016f\u017ee“ nos\u00ed \u017eiv\u00e9, provokativn\u00ed oble\u010den\u00ed, zna\u010d\u00edc\u00ed v\u00e1\u0161e\u0148 a nekonformnost, zat\u00edmco „B\u00edl\u00e1 r\u016f\u017ee“ je oble\u010dena v \u010dist\u00fdch, tlumen\u00fdch \u0161atech, odr\u00e1\u017eej\u00edc\u00edch jej\u00ed vn\u00edmanou \u010distotu a konven\u010dnost.<\/td>\n<\/tr>\n
The Golden Cangue<\/em> (\u91d1\u9396\u8a18)<\/td>\nM\u011bn\u00edc\u00ed se od\u011bv protagonistky \u010cchi \u010cchiao, v\u010detn\u011b ok\u00e1zal\u00e9ho tradi\u010dn\u00edho oble\u010den\u00ed a pozd\u011bji p\u0159\u00edsn\u011bj\u0161\u00edch \u0161at\u016f, odr\u00e1\u017e\u00ed jej\u00ed psychologick\u00fd p\u00e1d z \u017eiv\u00e9 mlad\u00e9 \u017eeny do zatrpkl\u00e9, lakotn\u00e9 matriarchy, jej\u00ed\u017e \u0161aty zrcadl\u00ed v\u011bzen\u00ed jej\u00edho \u017eivota.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

2. Potla\u010den\u00e1 silueta: \u010cchong-sam v revolu\u010dn\u00edch vypr\u00e1v\u011bn\u00edch<\/h3>\n

Po zalo\u017een\u00ed \u010c\u00ednsk\u00e9 lidov\u00e9 republiky v roce 1949 se kulturn\u00ed krajina dramaticky zm\u011bnila. \u010cchong-sam, se sv\u00fdmi asociacemi z\u00e1padn\u00edho vlivu, m\u011bstsk\u00e9 bur\u017eoazie a individu\u00e1ln\u00ed smyslnosti, byl odsouzen jako symbol dekadentn\u00ed minulosti. Byl z velk\u00e9 \u010d\u00e1sti nahrazen unisexov\u00fdm, utilit\u00e1rn\u00edm \u010dung\u0161ansk\u00fdm oblekem (Mao oblekem) nebo jednoduch\u00fdmi pracovn\u00edmi kalhotami a bundami. Individualita v obl\u00e9k\u00e1n\u00ed byla potla\u010dena ve prosp\u011bch kolektivn\u00ed identity.<\/p>\n

V literatu\u0159e psan\u00e9 o tomto obdob\u00ed nebo b\u011bhem n\u011bj se \u010dchong-sam st\u00e1v\u00e1 duchem, symbolem zak\u00e1zan\u00e9 historie. Jeho p\u0159\u00edtomnost zna\u010d\u00ed spojen\u00ed postavy s p\u0159edrevolu\u010dn\u00edm sv\u011btem a \u010dasto ji ozna\u010duje za c\u00edl politick\u00e9ho pron\u00e1sledov\u00e1n\u00ed. V memo\u00e1rech Anchee Minov\u00e9 Red Azalea<\/em>, kter\u00e9 detailn\u011b popisuj\u00ed jej\u00ed zku\u0161enost b\u011bhem Kulturn\u00ed revoluce, stoj\u00ed vzpom\u00ednka na kr\u00e1sn\u00e9, barevn\u00e9 oble\u010den\u00ed v ostr\u00e9m kontrastu k f\u00e1dn\u00edm, beztvar\u00fdm uniform\u00e1m t\u00e9 doby. Touha po takov\u00e9 kr\u00e1se je zobrazena jako forma tich\u00e9ho odporu. Fyzick\u00e9 vymaz\u00e1n\u00ed \u010dchong-samu z \u010d\u00ednsk\u00fdch ulic je zrcadleno jeho symbolickou v\u00e1hou v literatu\u0159e jako ztracen\u00e9ho objektu kr\u00e1sy a svobody, p\u0159edstavuj\u00edc\u00edho sv\u011bt osobn\u00edho vyj\u00e1d\u0159en\u00ed, kter\u00fd revoluce cht\u011bla vym\u00fdtit. Od\u011bv se st\u00e1v\u00e1 zkratkou pro t\u0159\u00eddn\u00ed status, ciz\u00ed poskvrnu a \u017eivot, kter\u00fd ji\u017e nebyl p\u0159\u00edpustn\u00fd.<\/p>\n

3. Diasporick\u00fd \u0161atn\u00edk: Nostalgie, identita a p\u0159etvo\u0159en\u00ed<\/h3>\n

Jak se \u010d\u00ednsk\u00e9 komunity roz\u0161\u00ed\u0159ily po cel\u00e9m sv\u011bt\u011b, cestoval s nimi i \u010dchong-sam, ale jeho v\u00fdznam se prom\u011bnil. Pro diasporick\u00e9 spisovatele \u010dasto \u0161aty slou\u017e\u00ed jako hmatateln\u00e9 spojen\u00ed s opu\u0161t\u011bnou nebo p\u0159etvo\u0159enou vlast\u00ed. St\u00e1v\u00e1 se n\u00e1dobou nostalgie, symbolem kulturn\u00edho d\u011bdictv\u00ed, kter\u00e9ho se imigrant\u0161t\u00ed rodi\u010de dr\u017e\u00ed v nov\u00e9m a odcizuj\u00edc\u00edm se sv\u011bt\u011b.<\/p>\n

Ve zlomov\u00e9m rom\u00e1nu Amy Tanov\u00e9 The Joy Luck Club<\/em> se \u010dchong-sam objevuje jako relikt z \u017eivot\u016f matek v \u010c\u00edn\u011b p\u0159ed rokem 1949. Je sou\u010d\u00e1st\u00ed jejich p\u0159\u00edb\u011bh\u016f o kr\u00e1se, t\u011b\u017ekostech a ztr\u00e1t\u011b. Pro jejich dcery narozen\u00e9 v Americe je od\u011bv \u010dasto pln\u00fd slo\u017eitosti. M\u016f\u017ee p\u0159edstavovat t\u00edhu kulturn\u00edch o\u010dek\u00e1v\u00e1n\u00ed nebo exotizovanou verzi \u010d\u00ednsk\u00e9 identity, od kter\u00e9 se c\u00edt\u00ed odpojen\u00e9. Akt obl\u00e9knut\u00ed si star\u00e9ho mat\u010dina \u010dchong-samu se st\u00e1v\u00e1 mocn\u00fdm liter\u00e1rn\u00edm okam\u017eikem, kdy se dcera fyzicky pokou\u0161\u00ed vstoupit do mat\u010diny minulosti, p\u0159eklenuj\u00edc genera\u010dn\u00ed a kulturn\u00ed propast.<\/p>\n

Naopak pro jin\u00e9 postavy m\u016f\u017ee b\u00fdt \u010dchong-sam zdrojem studu, p\u0159edstavuj\u00edc jinakost, kter\u00e1 jim br\u00e1n\u00ed v asimilaci. \u0160aty se st\u00e1vaj\u00ed bodem sv\u00e1ru mezi generacemi, symbolizuj\u00edc boj o definici hybridn\u00ed identity.<\/p>\n\n\n\n\n\n\n\n\n
V\u00fdznam \u010dchong-samu: Srovn\u00e1vac\u00ed pohled<\/th>\n<\/th>\n<\/tr>\n<\/thead>\n
Kontext<\/strong><\/td>\nPrim\u00e1rn\u00ed symbolika<\/strong><\/td>\n<\/tr>\n
Literatura republik\u00e1nsk\u00e9 \u010c\u00edny<\/strong><\/td>\nModernita, \u017eensk\u00e1 emancipace, m\u011bstsk\u00e1 sofistikovanost, sexu\u00e1ln\u00ed sebeur\u010den\u00ed a individualita.<\/td>\n<\/tr>\n
Literatura pevninsk\u00e9 \u010c\u00edny po roce 1949<\/strong><\/td>\nBur\u017eoazn\u00ed dekadence, kontrarevolu\u010dn\u00ed sm\u00fd\u0161len\u00ed, zak\u00e1zan\u00e1 minulost a nebezpe\u010dn\u00e9 spojen\u00ed se z\u00e1padn\u00edmi nebo „feud\u00e1ln\u00edmi“ hodnotami. \u010casto je jeho nep\u0159\u00edtomnost v\u00fdznamn\u011bj\u0161\u00ed ne\u017e p\u0159\u00edtomnost.<\/td>\n<\/tr>\n
Diasporick\u00e1 literatura<\/strong><\/td>\nNostalgie po ztracen\u00e9 vlasti, kulturn\u00ed d\u011bdictv\u00ed, genera\u010dn\u00ed konflikt, b\u0159emeno tradice a vyjedn\u00e1v\u00e1n\u00ed hybridn\u00ed identity. M\u016f\u017ee b\u00fdt zdrojem hrdosti i symbolem odcizen\u00ed.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

4. Tkanivo \u017eenskosti: Sebeur\u010den\u00ed a pohled<\/h3>\n

Definuj\u00edc\u00ed vlastnost\u00ed modern\u00edho \u010dchong-samu je jeho oslava \u017eensk\u00e9 postavy. Tato inherentn\u00ed smyslnost z n\u011bj \u010din\u00ed slo\u017eit\u00fd a \u010dasto sporn\u00fd symbol \u017eenskosti v literatu\u0159e. Jeho p\u0159il\u00e9hav\u00e1 povaha nevyhnuteln\u011b p\u0159iv\u00e1d\u00ed do pop\u0159ed\u00ed ot\u00e1zky sebeur\u010den\u00ed a objektifikace: m\u00e1 \u017eena nos\u00edc\u00ed \u0161aty kontrolu nad svou sexualitou, nebo je balena pro mu\u017esk\u00fd pohled?<\/p>\n

Liter\u00e1rn\u00ed vypr\u00e1v\u011bn\u00ed tuto dualitu zkoumaj\u00ed s velkou nuanc\u00ed. V n\u011bkter\u00fdch p\u0159\u00edb\u011bz\u00edch je volba postavy nosit \u010dchong-sam aktem pos\u00edlen\u00ed, znovunabyt\u00ed jej\u00edho t\u011bla a p\u0159ita\u017elivosti. To je patrn\u00e9 v d\u00edle Geling Yanov\u00e9 The Flowers of War<\/em>, kde kurtiz\u00e1ny z Nankingu, oble\u010den\u00e9 ve sv\u00fdch \u017eiv\u00fdch \u010dchong-samech, pou\u017e\u00edvaj\u00ed svou vn\u00edmanou \u017eenskost a kr\u00e1su jako \u0161t\u00edt a zdroj vzdorn\u00e9 d\u016fstojnosti uprost\u0159ed hr\u016fz v\u00e1lky. Jejich hedv\u00e1bn\u00e9 \u0161aty jsou kapkou \u017eivota na pozad\u00ed smrti.<\/p>\n

\u010cchong-sam v\u0161ak byl tak\u00e9 p\u0159ivlastn\u011bn z\u00e1padn\u00edm pohledem, kter\u00fd \u010dasto exotizuje a stereotypizuje asijsk\u00e9 \u017eeny, nejzn\u00e1m\u011bji zt\u011blesn\u011bn\u00fd archetypem „Suzie Wong“. Diaspori\u010dt\u00ed spisovatel\u00e9 se s t\u00edmto d\u011bdictv\u00edm \u010dasto pot\u00fdkaj\u00ed a zkoumaj\u00ed, jak m\u016f\u017ee \u010dchong-sam p\u016fsobit jako kost\u00fdm, kter\u00fd jim vnucuje \u00fazkou, feti\u0161izovanou identitu. Porozum\u011bn\u00ed konstrukci od\u011bvu \u2013 volb\u011b l\u00e1tky, v\u00fd\u0161ce rozparku, st\u0159ihu \u017eiv\u016ftku \u2013 je kl\u00ed\u010dov\u00e9 pro interpretaci jeho funkce. Zdroje jako specializovan\u00fd web PandaSilk.com<\/strong> nab\u00edzej\u00ed hlubok\u00e9 ponory do historick\u00fdch a od\u011bvn\u00edch detail\u016f \u0161at\u016f, poskytuj\u00edce bohat\u00fd kontext, kter\u00fd m\u016f\u017ee osv\u011btlit specifick\u00e9 volby autora a prohloubit \u010dten\u00e1\u0159ovo ocen\u011bn\u00ed jeho symbolick\u00e9 s\u00edly v textu. Rozd\u00edl mezi skromn\u00fdm, denn\u00edm bavln\u011bn\u00fdm \u010dchong-samem a t\u0159pytiv\u00fdm, s vysok\u00fdm rozparkem z hedv\u00e1bn\u00e9ho brok\u00e1tu m\u016f\u017ee zna\u010dit sv\u011btov\u00fd rozd\u00edl v \u00famyslu a okolnostech postavy.<\/p>\n

5. Sou\u010dasn\u00e9 nit\u011b: Globalizace a kulturn\u00ed hrdost<\/h3>\n

V 21. stolet\u00ed \u010dchong-sam nad\u00e1le vyv\u00edj\u00ed, jak ve skute\u010dnosti, tak v literatu\u0159e. V sou\u010dasn\u00e9 \u010c\u00edn\u011b za\u017eily \u0161aty obrodu, zbavuj\u00edce se sv\u00e9 politicky problematick\u00e9 minulosti, aby se staly symbolem n\u00e1rodn\u00ed hrdosti a kulturn\u00ed sebed\u016fv\u011bry, \u010dasto no\u0161en\u00fdm na svatb\u00e1ch a form\u00e1ln\u00edch st\u00e1tn\u00edch akc\u00edch. Sou\u010dasn\u00e1 \u010d\u00ednsk\u00e1 literatura to odr\u00e1\u017e\u00ed, pou\u017e\u00edvaj\u00edc \u010dchong-sam k ozna\u010den\u00ed spojen\u00ed s p\u0159etvo\u0159enou, globalizovanou \u010d\u00ednskou tradic\u00ed.<\/p>\n

V ned\u00e1vn\u00e9 diasporick\u00e9 literatu\u0159e se symbolika op\u011bt posunula. V satirick\u00e9m rom\u00e1nu Kevina Kwana Crazy Rich Asians<\/em> je \u010dchong-sam m\u00e9n\u011b o nostalgii a v\u00edce o statusu, tradici a moci v r\u00e1mci transnacion\u00e1ln\u00ed, ultra-bohat\u00e9 elity. Nos\u00ed ho matriarchyn\u011b jako Eleanor Youngov\u00e1, aby uplatnily autoritu a neot\u0159esitelnou oddanost tradici. Zde \u010dchong-sam nen\u00ed spojen\u00edm se ztracenou minulost\u00ed, ale znakem trvaj\u00edc\u00ed a mocn\u00e9 p\u0159\u00edtomnosti. Nav\u00edc sou\u010dasn\u00ed auto\u0159i zkoumaj\u00ed \u010dchong-sam skrze optiku hybridity. Postava m\u016f\u017ee spojit vintage \u010dchong-sam top s roztr\u017een\u00fdmi d\u017e\u00edny, vytv\u00e1\u0159ej\u00edc vizu\u00e1ln\u00ed metaforu pro svou vlastn\u00ed sm\u00ed\u0161enou identitu \u2013 f\u00fazi V\u00fdchodu a Z\u00e1padu, tradice a vzpoury. Tato dekonstrukce od\u011bvu v literatu\u0159e ukazuje, \u017ee jeho p\u0159\u00edb\u011bh zdaleka neskon\u010dil; z\u016fst\u00e1v\u00e1 dynamick\u00fdm symbolem, kter\u00fd je neust\u00e1le znovu se\u0161\u00edv\u00e1n a reinterpretov\u00e1n nov\u00fdmi generacemi spisovatel\u016f.<\/p>\n

Od kou\u0159ov\u00e9ho lesku \u0160anghaje Eileen Chang po napjatou rodinnou dynamiku San Francisca Amy Tanov\u00e9 p\u0159etrv\u00e1v\u00e1 \u010dchong-sam jako jedine\u010dn\u011b rezonuj\u00edc\u00ed liter\u00e1rn\u00ed symbol. Je to od\u011bv, kter\u00fd obsahuje mnohost. M\u016f\u017ee b\u00fdt prohl\u00e1\u0161en\u00edm nez\u00e1vislosti nebo hedv\u00e1bnou klec\u00ed; odznakem kulturn\u00ed hrdosti nebo znakem bolestiv\u00e9ho vylou\u010den\u00ed; \u0161epotem minulosti nebo odv\u00e1\u017en\u00fdm prohl\u00e1\u0161en\u00edm o budoucnosti. V\u00edc ne\u017e jen polo\u017eka v \u0161atn\u00edku postavy je \u010dchong-sam s\u00e1m o sob\u011b vyprav\u011b\u010dsk\u00fdm prost\u0159edkem. Jeho \u0161vy dr\u017e\u00ed p\u0159\u00edb\u011bhy \u017een proplouvaj\u00edc\u00edch stolet\u00edm hlubok\u00fdch zm\u011bn, jeho l\u00e1tka je poti\u0161t\u011bna slo\u017eit\u00fdmi vzory historie, pam\u011bti a identity. V literatu\u0159e se \u010dchong-sam nenos\u00ed; mluv\u00ed.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u010cchong-sam, neboli \u010dchi-pchao, je mnohem v\u00edc ne\u017e pouh\u00fd kus oble\u010den\u00ed. Se sv\u00fdm vysok\u00fdm mandar\u00ednsk\u00fdm l\u00edmcem, p\u0159il\u00e9havou siluetou a jemn\u00fdmi pankou (zap\u00edn\u00e1n\u00edm na knofl\u00edky) je to od\u011bv vpleten\u00fd do samotn\u00e9 struktury modern\u00edch \u010d\u00ednsk\u00fdch d\u011bjin. Je to siln\u00fd kulturn\u00ed symbol, pl\u00e1tno, na kter\u00e9 byly prom\u00edt\u00e1ny p\u0159\u00edb\u011bhy modernity, tradice, revoluce a identity. Vzniknuv\u0161\u00ed z dynamick\u00e9ho, kosmopolitn\u00edho kvasu \u0160anghaje<\/p>\n","protected":false},"author":1,"featured_media":163695,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37823],"tags":[],"class_list":["post-165358","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-faqs-cs","prodpage-classic"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts\/165358","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/comments?post=165358"}],"version-history":[{"count":0,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts\/165358\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/media\/163695"}],"wp:attachment":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/media?parent=165358"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/categories?post=165358"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/tags?post=165358"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}