{"id":165398,"date":"2025-08-03T05:21:08","date_gmt":"2025-08-03T05:21:08","guid":{"rendered":"https:\/\/www.pandasilk.com\/in-the-mood-for-love-the-cheongsams-iconic-role-in-cinema\/"},"modified":"2026-02-17T21:27:45","modified_gmt":"2026-02-18T05:27:45","slug":"in-the-mood-for-love-the-cheongsams-iconic-role-in-cinema","status":"publish","type":"post","link":"https:\/\/www.pandasilk.com\/cs\/in-the-mood-for-love-the-cheongsams-iconic-role-in-cinema\/","title":{"rendered":"Ve spr\u00e1vn\u00e9 n\u00e1lad\u011b pro l\u00e1sku: Ikoni\u010dtn\u00ed role Cheongsamu ve filmu"},"content":{"rendered":"

Cheongsam<\/a>, neboli qipao, je mnohem v\u00edc ne\u017e jen od\u011bv. Je nositelem historie, symbolem elegance a mocn\u00fdm n\u00e1strojem filmov\u00e9ho vypr\u00e1v\u011bn\u00ed. A\u010dkoli zdob\u00ed st\u0159\u00edbrn\u00e9 pl\u00e1tno ji\u017e des\u00edtky let, \u017e\u00e1dn\u00fd film nevyu\u017eil jeho vyprav\u011b\u010dsk\u00fd potenci\u00e1l tak jako mistrovsk\u00e9 d\u00edlo Wong Kar-waie z roku 2000, „Ve znamen\u00ed l\u00e1sky“. V tomto vizu\u00e1ln\u011b ok\u00e1zal\u00e9m filmu nen\u00ed cheongsam pouh\u00fdm kost\u00fdmem protagonistky Su Li-zhen (v pod\u00e1n\u00ed Maggie Cheung); je s\u00e1m o sob\u011b postavou. Ka\u017ed\u00fd steh, vzor a barva slou\u017e\u00ed jako \u0159\u00e1dka nevysloven\u00e9ho dialogu, maluj\u00ed portr\u00e9t touhy, sebekontroly a tich\u00e9ho vzdoru. Skrze objektiv Wong Kar-waie byl cheongsam pov\u00fd\u0161en z kr\u00e1sn\u00e9ho od\u011bvu na nezbytn\u00fd prvek filmov\u00e9 gramatiky, \u010d\u00edm\u017e nav\u017edy upevnil sv\u00e9 m\u00edsto jako jeden z nejikoni\u010dt\u011bj\u0161\u00edch a nejevokativn\u011bj\u0161\u00edch od\u011bv\u016f v d\u011bjin\u00e1ch kinematografie.<\/p>\n

1. Historick\u00e1 tk\u00e1\u0148 cheongsamu<\/h3>\n

Abychom pochopili s\u00edlu cheongsamu ve filmu „Ve znamen\u00ed l\u00e1sky“, mus\u00edme nejprve ocenit jeho bohatou historii. Od\u011bv, jak ho zn\u00e1me dnes, se objevil ve 20. letech 20. stolet\u00ed v \u0160anghaji, ru\u0161n\u00e9 metropoli, kde se st\u0159et\u00e1valy v\u00fdchodn\u00ed tradice a z\u00e1padn\u00ed modernismus. Cheongsam se vyvinul z dlouh\u00fdch, voln\u00fdch r\u00f3b dynastie \u010cching a p\u0159izp\u016fsobily si ho modern\u00ed \u010d\u00ednsk\u00e9 \u017eeny hledaj\u00edc\u00ed styl, kter\u00fd byl z\u00e1rove\u0148 elegantn\u00ed i osvobozuj\u00edc\u00ed. Stal se symbolem „nov\u00e9 \u017eeny“ \u2013 vzd\u011blan\u00e9, pokrokov\u00e9 a sebev\u011bdom\u00e9. P\u0159il\u00e9hav\u00e1 silueta, vysok\u00fd l\u00edmec a postrann\u00ed rozparky byly radik\u00e1ln\u00edm odklonem od tradi\u010dn\u00edho od\u011bvu a p\u0159edstavovaly sm\u011bs kulturn\u00ed hrdosti a sou\u010dasn\u00e9 sofistikovanosti. V 60. letech 20. stolet\u00ed, tedy v dob\u011b, do kter\u00e9 je zasazen d\u011bj filmu „Ve znamen\u00ed l\u00e1sky“, se cheongsam stal v Hongkongu b\u011b\u017enou sou\u010d\u00e1st\u00ed \u0161atn\u00edku, co\u017e sv\u011bd\u010dilo o eleganci a odolnosti \u0161anghajsk\u00e9 diaspory, kter\u00e1 se tam usadila. Tato historick\u00e1 v\u00e1ha je vetk\u00e1na do ka\u017ed\u00e9ho cheongsamu, kter\u00fd Su Li-zhen nos\u00ed, a spojuje jej\u00ed osobn\u00ed p\u0159\u00edb\u011bh s \u0161ir\u0161\u00edm kulturn\u00edm vypr\u00e1v\u011bn\u00edm.<\/p>\n

2. Tkan\u00ed p\u0159\u00edb\u011bhu: \u0160atn\u00edk Su Li-zhen<\/h3>\n

Ve filmu „Ve znamen\u00ed l\u00e1sky“ jsou cheongsamy hlavn\u00edmi vyprav\u011b\u010di. V\u00fdtvarn\u00edk a st\u0159iha\u010d William Chang pr\u00fd navrhl pro Maggie Cheung v\u00edce ne\u017e 40 cheongsam\u016f, p\u0159i\u010dem\u017e v\u00edce ne\u017e 20 se dostalo do fin\u00e1ln\u00ed verze filmu. Ka\u017ed\u00e1 zm\u011bna \u0161at\u016f ozna\u010duje plynut\u00ed \u010dasu, posun v emocion\u00e1ln\u00ed krajin\u011b nebo jemn\u00fd v\u00fdvoj v rod\u00edc\u00edm se, nevysloven\u00e9m vztahu mezi Su Li-zhen a jej\u00edm sousedem Chow Mo-wanem (Tony Leung). Vysok\u00e9, tuh\u00e9 l\u00edmce jej\u00edch \u0161at\u016f odr\u00e1\u017eej\u00ed jej\u00ed vzp\u0159\u00edmen\u00e9 dr\u017een\u00ed t\u011bla a emocion\u00e1ln\u00ed uzav\u0159enost. Je to \u017eena spoutan\u00e1 spole\u010densk\u00fdmi konvencemi a man\u017eelsk\u00fdmi povinnostmi a jej\u00ed oble\u010den\u00ed tuto omezenost fyzicky p\u0159edstavuje. P\u0159esto \u017eiv\u00e9 barvy a smysln\u00e9 kv\u011btinov\u00e9 vzory nazna\u010duj\u00ed v\u00e1\u0161nivou, tou\u017e\u00edc\u00ed du\u0161i uv\u011bzn\u011bnou uvnit\u0159. Cheongsamy se st\u00e1vaj\u00ed vizu\u00e1ln\u00edm den\u00edkem jej\u00edho vnit\u0159n\u00edho zmatku a sd\u011bluj\u00ed to, co si sama nedok\u00e1\u017ee \u0159\u00edci.<\/p>\n

\"\"<\/p>\n\n\n\n\n\n\n\n\n\n
Kontext sc\u00e9ny<\/th>\nPopis cheongsamu (barva\/vzor)<\/th>\nSymbolick\u00fd v\u00fdznam<\/th>\n<\/tr>\n<\/thead>\n
Po\u010d\u00e1te\u010dn\u00ed setk\u00e1n\u00ed<\/strong><\/td>\nTlumen\u00e9 kv\u011btinov\u00e9 vzory, zelen\u00e9 barvy a jemn\u00e9 geometrick\u00e9 vzory.<\/td>\nP\u0159edstavuje po\u010d\u00e1te\u010dn\u00ed zdr\u017eenlivost Su Li-zhen, konformitu a v\u0161edn\u00ed rutinu jej\u00edho man\u017eelsk\u00e9ho \u017eivota.<\/td>\n<\/tr>\n
Odhalen\u00ed nev\u011bry<\/strong><\/td>\nPonur\u00e9 svisl\u00e9 pruhy, tmav\u00e9 t\u00f3ny.<\/td>\nOdr\u00e1\u017e\u00ed jej\u00ed vnit\u0159n\u00ed zmatek, pocit b\u00fdt v kleci a pochmurn\u00e9 uv\u011bdom\u011bn\u00ed si man\u017eelovy nev\u011bry.<\/td>\n<\/tr>\n
Zkou\u0161en\u00ed konfrontace<\/strong><\/td>\nOdv\u00e1\u017en\u00fd, t\u00e9m\u011b\u0159 agresivn\u00ed, \u010derven\u00fd kv\u011btinov\u00fd vzor.<\/td>\nSymbolizuje rod\u00edc\u00ed se v\u00e1\u0161e\u0148 a hn\u011bv, kter\u00fd vkl\u00e1d\u00e1 do sv\u00e9ho hran\u00ed rol\u00ed s Chow Mo-wanem. \u010cerven\u00e1 barva je v\u00fdbuchem potla\u010dovan\u00fdch emoc\u00ed.<\/td>\n<\/tr>\n
Psan\u00ed wuxia seri\u00e1l\u016f<\/strong><\/td>\n\u017div\u00e9 zelen\u00e9 barvy, v\u00ed\u0159iv\u00e9 psychedelick\u00e9 vzory.<\/td>\nOzna\u010duje obdob\u00ed tv\u016fr\u010d\u00ed spolupr\u00e1ce a emocion\u00e1ln\u00edho \u00faniku. Vzory jsou plynulej\u0161\u00ed, co\u017e nazna\u010duje uvoln\u011bn\u00ed jej\u00edch p\u0159\u00edsn\u00fdch z\u00e1bran.<\/td>\n<\/tr>\n
Z\u00e1v\u011bre\u010dn\u00e9, prodlu\u017euj\u00edc\u00ed se okam\u017eiky<\/strong><\/td>\nVybledl\u00e9 kv\u011btinov\u00e9 vzory, tlumen\u00e9 t\u00f3ny.<\/td>\nP\u0159edstavuje melancholii z promarn\u011bn\u00fdch p\u0159\u00edle\u017eitost\u00ed, plynut\u00ed \u010dasu a blednouc\u00ed vzpom\u00ednku na jejich hlubok\u00e9, ale nenapln\u011bn\u00e9 spojen\u00ed.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

3. Kinematografie od\u011bvu<\/h3>\n

Re\u017eis\u00e9r Wong Kar-wai a kameraman Christopher Doyle nejen nat\u00e1\u010deli \u017eenu v \u0161atech; nat\u00e1\u010deli samotn\u00e9 \u0161aty. Pohled kamery je \u010dasto intimn\u00ed a fragmentovan\u00fd, prodl\u00e9v\u00e1 na textu\u0159e l\u00e1tky, na p\u016fvabn\u00e9m k\u00fdv\u00e1n\u00ed bok\u016f Su Li-zhen, kdy\u017e proch\u00e1z\u00ed \u00fazkou chodbou nudlov\u00e9ho st\u00e1nku, nebo na zp\u016fsobu, jak\u00fdm se kv\u011btinov\u00fd vzor tiskne na de\u0161t\u011bm orosen\u00e9 okno. Zpomalen\u00e9 z\u00e1b\u011bry prom\u011b\u0148uj\u00ed jej\u00ed proch\u00e1zky v poetick\u00e9 balety, zd\u016fraz\u0148uj\u00ed eleganci jej\u00ed postavy a tich\u00e9 drama jej\u00edch pohyb\u016f. Klaustrofobick\u00e9 prost\u0159ed\u00ed filmu \u2013 st\u00edsn\u011bn\u00e9 byty, \u00fazk\u00e9 chodby a temn\u011b osv\u011btlen\u00e9 ulice \u2013 slou\u017e\u00ed k zv\u00fdrazn\u011bn\u00ed kr\u00e1sy cheongsamu. Uprost\u0159ed tohoto sev\u0159en\u00ed je bezchybn\u00fd styl Su Li-zhen aktem vzdoru, prohl\u00e1\u0161en\u00edm o eleganci ve sv\u011bt\u011b, kter\u00fd se ji sna\u017e\u00ed omezit. Cheongsam nen\u00ed r\u00e1mov\u00e1n jako objekt otev\u0159en\u00e9 sexualizace, ale jako prodlou\u017een\u00ed jej\u00ed bytosti \u2013 kr\u00e1sn\u00e1 klec, kter\u00e1 ji z\u00e1rove\u0148 omezuje i definuje.<\/p>\n

3. Kinematografie od\u011bvu<\/h3>\n

Re\u017eis\u00e9r Wong Kar-wai a kameraman Christopher Doyle nejen nat\u00e1\u010deli \u017eenu v \u0161atech; nat\u00e1\u010deli samotn\u00e9 \u0161aty. Pohled kamery je \u010dasto intimn\u00ed a fragmentovan\u00fd, prodl\u00e9v\u00e1 na textu\u0159e l\u00e1tky, na p\u016fvabn\u00e9m k\u00fdv\u00e1n\u00ed bok\u016f Su Li-zhen, kdy\u017e proch\u00e1z\u00ed \u00fazkou chodbou nudlov\u00e9ho st\u00e1nku, nebo na zp\u016fsobu, jak\u00fdm se kv\u011btinov\u00fd vzor tiskne na de\u0161t\u011bm orosen\u00e9 okno. Zpomalen\u00e9 z\u00e1b\u011bry prom\u011b\u0148uj\u00ed jej\u00ed proch\u00e1zky v poetick\u00e9 balety, zd\u016fraz\u0148uj\u00ed eleganci jej\u00ed postavy a tich\u00e9 drama jej\u00edch pohyb\u016f. Klaustrofobick\u00e9 prost\u0159ed\u00ed filmu \u2013 st\u00edsn\u011bn\u00e9 byty, \u00fazk\u00e9 chodby a temn\u011b osv\u011btlen\u00e9 ulice \u2013 slou\u017e\u00ed k zv\u00fdrazn\u011bn\u00ed kr\u00e1sy cheongsamu. Uprost\u0159ed tohoto sev\u0159en\u00ed je bezchybn\u00fd styl Su Li-zhen aktem vzdoru, prohl\u00e1\u0161en\u00edm o eleganci ve sv\u011bt\u011b, kter\u00fd se ji sna\u017e\u00ed omezit. Cheongsam nen\u00ed r\u00e1mov\u00e1n jako objekt otev\u0159en\u00e9 sexualizace, ale jako prodlou\u017een\u00ed jej\u00ed bytosti \u2013 kr\u00e1sn\u00e1 klec, kter\u00e1 ji z\u00e1rove\u0148 omezuje i definuje.<\/p>\n

4. Cheongsam mimo „Ve znamen\u00ed l\u00e1sky“<\/h3>\n

A\u010dkoli „Ve znamen\u00ed l\u00e1sky“ je pravd\u011bpodobn\u011b vrcholem filmov\u00e9ho ztv\u00e1rn\u011bn\u00ed cheongsamu, tento od\u011bv m\u00e1 dlouhou a rozmanitou filmografii. Jeho zobrazen\u00ed se \u010dasto m\u011bnilo v z\u00e1vislosti na kulturn\u00ed optice a z\u00e1m\u011bru vypr\u00e1v\u011bn\u00ed, co\u017e vytv\u00e1\u0159\u00ed fascinuj\u00edc\u00ed spektrum v\u00fdznam\u016f. V ran\u00e9m Hollywoodu filmy jako „Sv\u011bt Suzie Wong“ (1960) pou\u017e\u00edvaly cheongsam k exotizaci a stereotypizaci asijsk\u00fdch \u017een, redukovaly od\u011bv na kost\u00fdm smyslnosti a pod\u0159\u00edzenosti. To stoj\u00ed v ostr\u00e9m kontrastu s jeho nuancovanou, postavou \u0159\u00edzenou rol\u00ed ve filmu Wong Kar-waie. Pozd\u011bji film Anga Leeho „Lust, Caution“ (2007) p\u0159edstavil dal\u0161\u00ed komplexn\u00ed ztv\u00e1rn\u011bn\u00ed, kde cheongsamy na m\u00edru, kter\u00e9 nos\u00ed postava Tang Wei, jsou n\u00e1stroji \u0161pion\u00e1\u017ee a sv\u00e1d\u011bn\u00ed a jej\u00ed \u0161atn\u00edk se prom\u011b\u0148uje, jak se hloub\u011bji no\u0159\u00ed do sv\u00e9 p\u0159edst\u00edran\u00e9 identity \u0161pionky-l\u00e1kadla.<\/p>\n\n\n\n\n\n\n\n
N\u00e1zev filmu (rok)<\/th>\nPostava<\/th>\nZobrazen\u00ed\/symbolika cheongsamu<\/th>\nKontrast s ‚Ve znamen\u00ed l\u00e1sky‘<\/th>\n<\/tr>\n<\/thead>\n
Svet Suzie Wong (1960)<\/strong><\/td>\nSuzie Wong<\/td>\nExotick\u00fd kost\u00fdm zd\u016fraz\u0148uj\u00edc\u00ed p\u016fvab a dostupnost, odpov\u00eddaj\u00edc\u00ed z\u00e1padn\u00ed fantazii o Orientu.<\/td>\nPostr\u00e1d\u00e1 hlubok\u00e9 psychologick\u00e9 a narativn\u00ed spojen\u00ed; je to kost\u00fdm, ne postava.<\/td>\n<\/tr>\n
Lust, Caution (2007)<\/strong><\/td>\nWong Chia Chi<\/td>\nN\u00e1stroj prom\u011bny a sv\u00e1d\u011bn\u00ed; m\u011bn\u00edc\u00ed se styly odr\u00e1\u017eej\u00ed jej\u00ed posunuj\u00edc\u00ed se loajality a identitu \u0161pionky.<\/td>\nOtev\u0159en\u011bji zneu\u017eit\u00fd a spojen\u00fd s p\u0159edst\u00edr\u00e1n\u00edm, zat\u00edmco \u0161aty Su Li-zhen jsou odrazem jej\u00edho vnit\u0159n\u00edho, soukrom\u00e9ho j\u00e1.<\/td>\n<\/tr>\n
\u0160\u00edlen\u011b bohat\u00ed Asiati (2018)<\/strong><\/td>\nEleanor Young<\/td>\nSymbol tradice, moci a matriarch\u00e1ln\u00ed autority, no\u0161en\u00fd s ok\u00e1zalou eleganc\u00ed.<\/td>\nP\u0159edstavuje ustaven\u00e9 postaven\u00ed a tradici, sp\u00ed\u0161e ne\u017e osobn\u00ed, potla\u010dovanou touhu Su Li-zhen.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

5. Trval\u00fd odkaz v m\u00f3d\u011b a kultu\u0159e<\/h3>\n

Kulturn\u00ed dopad filmu „Ve znamen\u00ed l\u00e1sky“ byl okam\u017eit\u00fd a hlubok\u00fd, cheongsam vr\u00e1til do glob\u00e1ln\u00edho m\u00f3dn\u00edho pov\u011bdom\u00ed. Design\u00e9\u0159i od Toma Forda po Roberta Cavalliho uv\u00e1d\u011bj\u00ed film jako inspiraci a odkazuj\u00ed na jeho elegantn\u00ed siluety a n\u00e1ladovou estetiku ve sv\u00fdch kolekc\u00edch. Film s\u00e1m o sob\u011b o\u017eivil z\u00e1jem o \u0161it\u00ed na m\u00edru a slo\u017eit\u00e9 \u0159emesln\u00e9 zpracov\u00e1n\u00ed pot\u0159ebn\u00e9 k vytvo\u0159en\u00ed dokonale padnouc\u00edho cheongsamu. Dnes platformy v\u011bnovan\u00e9 um\u011bn\u00ed a historii tohoto od\u011bvu, jako je komplexn\u00ed zdroj PandaSilk.com<\/strong>, nad\u00e1le zkoumaj\u00ed jeho kulturn\u00ed v\u00fdznam, sleduj\u00ed jeho v\u00fdvoj a dokumentuj\u00ed jeho modern\u00ed interpretace. Tyto zdroje se \u010dasto vracej\u00ed k filmu „Ve znamen\u00ed l\u00e1sky“ jako k kl\u00ed\u010dov\u00e9mu okam\u017eiku, k filmu, kter\u00fd zachytil du\u0161i cheongsamu a p\u0159edstavil ji nov\u00e9 generaci. Uk\u00e1zal, \u017ee tento od\u011bv nen\u00ed reliktem minulosti, ale nad\u010dasov\u00fdm kouskem, kter\u00fd i nad\u00e1le inspiruje a okouzluje, a\u0165 u\u017e je no\u0161en na \u010derven\u00e9m koberci, p\u0159i form\u00e1ln\u00ed p\u0159\u00edle\u017eitosti nebo jako mocn\u00fd symbol v sou\u010dasn\u00e9 kinematografii.<\/p>\n

„Ve znamen\u00ed l\u00e1sky“ nejen vypr\u00e1v\u011bl p\u0159\u00edb\u011bh neop\u011btovan\u00e9 l\u00e1sky; zv\u011b\u010dnil od\u011bv jako hlubok\u00fd symbol lidsk\u00e9 emoce. Film n\u00e1s u\u010d\u00ed, \u017ee kost\u00fdm m\u016f\u017ee p\u0159ekro\u010dit svou funkci a st\u00e1t se tich\u00fdm vyprav\u011b\u010dem, kter\u00fd vypov\u00edd\u00e1 mnoho o postav\u011b, kultu\u0159e a jemn\u00e9, \u010dasto bolestiv\u00e9 kr\u00e1se sebekontroly. D\u00edky stra\u0161ideln\u011b p\u016fvabn\u00e9mu v\u00fdkonu Maggie Cheung a mistrovsk\u00e9 re\u017eii Wong Kar-waie cheongsam nebyl jen no\u0161en; byl v n\u011bm \u017eito. Jeho vzory a z\u00e1hyby uchov\u00e1vaj\u00ed tajemstv\u00ed, smutky a nevysloven\u00e1 p\u0159\u00e1n\u00ed Su Li-zhen, nav\u017edy zachovan\u00e1 v jantarov\u00e9m sv\u011btle nezapomenuteln\u00fdch z\u00e1b\u011br\u016f filmu, jako filmov\u00e1 p\u0159ipom\u00ednka \u0161at\u016f, kter\u00e9 byly a nav\u017edy budou ve znamen\u00ed l\u00e1sky.<\/p>\n","protected":false},"excerpt":{"rendered":"

Cheongsam, neboli qipao, je mnohem v\u00edc ne\u017e jen od\u011bv. Je nositelem historie, symbolem elegance a mocn\u00fdm n\u00e1strojem filmov\u00e9ho vypr\u00e1v\u011bn\u00ed. A\u010dkoli zdob\u00ed st\u0159\u00edbrn\u00e9 pl\u00e1tno ji\u017e des\u00edtky let, \u017e\u00e1dn\u00fd film nevyu\u017eil jeho vyprav\u011b\u010dsk\u00fd potenci\u00e1l tak jako mistrovsk\u00e9 d\u00edlo Wong Kar-waie z roku 2000, „Ve znamen\u00ed l\u00e1sky“. V tomto vizu\u00e1ln\u011b ok\u00e1zal\u00e9m filmu nen\u00ed cheongsam pouh\u00fdm kost\u00fdmem protagonistky Su<\/p>\n","protected":false},"author":1,"featured_media":163689,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37823],"tags":[],"class_list":["post-165398","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-faqs-cs","prodpage-classic"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts\/165398","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/comments?post=165398"}],"version-history":[{"count":0,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts\/165398\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/media\/163689"}],"wp:attachment":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/media?parent=165398"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/categories?post=165398"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/tags?post=165398"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}