{"id":165418,"date":"2025-08-03T05:18:50","date_gmt":"2025-08-03T05:18:50","guid":{"rendered":"https:\/\/www.pandasilk.com\/beyond-the-slit-a-deeper-look-at-the-structural-elements-of-the-cheongsam\/"},"modified":"2026-02-17T21:26:50","modified_gmt":"2026-02-18T05:26:50","slug":"beyond-the-slit-a-deeper-look-at-the-structural-elements-of-the-cheongsam","status":"publish","type":"post","link":"https:\/\/www.pandasilk.com\/cs\/beyond-the-slit-a-deeper-look-at-the-structural-elements-of-the-cheongsam\/","title":{"rendered":"Za \u0160t\u011brbinou: Hlub\u0161\u00ed Pohled na Struktur\u00e1ln\u00ed Prvky Cheongsamu"},"content":{"rendered":"

\u010cchong-sam<\/a>, neboli \u010dchi-pchao, je ikonou \u017eensk\u00e9 elegance, od\u011bvem, kter\u00fd mnoh\u00e9 vypov\u00edd\u00e1 sv\u00fdm zd\u00e1nliv\u011b jednoduch\u00fdm siluetem. Mnoh\u00fdm se jako prvn\u00ed vybav\u00ed vysok\u00fd postrann\u00ed rozparek, prvek, kter\u00fd se ve \u0160anghaji v polovin\u011b 20. stolet\u00ed stal synonymem modern\u00edho a sv\u016fdn\u00e9ho p\u016fvabu t\u011bchto \u0161at\u016f. A\u010dkoli je rozparek skute\u010dn\u011b v\u00fdznamn\u00fdm prvkem, zam\u011b\u0159it se pouze na n\u011bj znamen\u00e1 p\u0159ehl\u00e9dnout slo\u017eitou mozaiku konstruk\u010dn\u00edch sou\u010d\u00e1st\u00ed, kter\u00e9 spolupracuj\u00ed, aby vytvo\u0159ily jedine\u010dnou formu a charakter \u010dchong-samu. Tyto prvky nejsou pouhou dekorac\u00ed; jsou architektonick\u00fdmi pil\u00ed\u0159i \u0161at\u016f, z nich\u017e ka\u017ed\u00fd m\u00e1 svou historii, \u00fa\u010del a hlubok\u00fd vliv na celkovou estetiku. P\u0159i pohledu za rozparek odhal\u00edme sv\u011bt pe\u010dliv\u00e9ho \u0159emesla v l\u00edmci, p\u0159edn\u00edm d\u00edlu, zap\u00edn\u00e1n\u00ed a samotn\u00e9m st\u0159ihu od\u011bvu, co\u017e odhaluje, pro\u010d je \u010dchong-sam mistrovsk\u00fdm d\u00edlem textiln\u00edho in\u017een\u00fdrstv\u00ed.<\/p>\n

1. Mandar\u00ednsk\u00fd l\u00edmec (L\u00ecng L\u01d0ng): Symbol d\u016fstojnosti<\/h3>\n

Stoj\u00e1\u010dek, zn\u00e1m\u00fd jako mandar\u00ednsk\u00fd l\u00edmec nebo l\u00ecng l\u01d0ng<\/em> (\u7acb\u9886), je pravd\u011bpodobn\u011b po siluet\u011b nejv\u00fdrazn\u011bj\u0161\u00edm rysem \u010dchong-samu. Je to pevn\u00fd, rovn\u00fd pruh, kter\u00fd vystupuje z v\u00fdst\u0159ihu, r\u00e1muje obli\u010dej a prodlu\u017euje krk. Jeho p\u016fvod sah\u00e1 k form\u00e1ln\u00edmu od\u011bvu mand\u017eusk\u00e9ho dvorn\u00edho kroje z obdob\u00ed dynastie \u010cching. V kontextu \u010dchong-samu pln\u00ed l\u00edmec n\u011bkolik funkc\u00ed. Konstruk\u010dn\u011b poskytuje pevnou oporu pro otev\u0159en\u00ed od\u011bvu. Esteticky dod\u00e1v\u00e1 pocit d\u016fstojnosti, skromnosti a p\u016fvabu a sm\u011b\u0159uje pohled div\u00e1ka vzh\u016fru k tv\u00e1\u0159i nositelky.<\/p>\n

V\u00fd\u0161ka l\u00edmce se v pr\u016fb\u011bhu desetilet\u00ed v\u00fdrazn\u011b m\u011bnila. Ve 30. a 40. letech 20. stolet\u00ed byly v m\u00f3d\u011b v\u00fdjime\u010dn\u011b vysok\u00e9 l\u00edmce, kter\u00e9 n\u011bkdy dosahovaly a\u017e k lal\u016f\u010dk\u016fm u\u0161\u00ed a dod\u00e1valy velmi form\u00e1ln\u00ed a socha\u0159sk\u00fd vzhled. Naproti tomu pozd\u011bj\u0161\u00ed a v\u00edce neform\u00e1ln\u00ed verze maj\u00ed mnohem ni\u017e\u0161\u00ed a pohodln\u011bj\u0161\u00ed l\u00edmec, n\u011bkdy vysok\u00fd jen necel\u00e9 t\u0159i centimetry. Jeho zhotoven\u00ed vy\u017eaduje p\u0159esnost, \u010dasto zahrnuje tuhou vlo\u017eku, kter\u00e1 zaji\u0161\u0165uje, \u017ee stoj\u00ed dokonale rovn\u011b, ani\u017e by se hroutil nebo ma\u010dkal.<\/p>\n

2. P\u0159edn\u00ed d\u00edl D\u00e0j\u012bn: Asymetrick\u00fd vstup<\/h3>\n

Otev\u0159en\u00ed \u010dchong-samu, kter\u00e9 obvykle vede od spodn\u00ed \u010d\u00e1sti l\u00edmce \u0161ikmo p\u0159es hru\u010f k podpa\u017e\u00ed, se naz\u00fdv\u00e1 d\u00e0j\u012bn<\/em> (\u5927\u895f). Toto asymetrick\u00e9 zap\u00edn\u00e1n\u00ed je z\u00e1kladn\u00edm konstruk\u010dn\u00edm prvkem p\u0159evzat\u00fdm z tradi\u010dn\u00edch \u010d\u00ednsk\u00fdch r\u00f3b. Jeho hlavn\u00ed funkce je praktick\u00e1: umo\u017e\u0148uje nositelce obl\u00e9knout a svl\u00e9knout od\u011bv, kter\u00fd je jinak t\u011bsn\u011b p\u0159il\u00e9hav\u00fd. Jeho estetick\u00fd p\u0159\u00ednos je v\u0161ak obrovsk\u00fd, vytv\u00e1\u0159\u00ed dynamickou, plynulou linii, kter\u00e1 naru\u0161uje symetrii trupu. Toto jedin\u00e9 designov\u00e9 rozhodnut\u00ed odli\u0161uje \u010dchong-sam od v\u011bt\u0161iny z\u00e1padn\u00edch forem od\u011bv\u016f.<\/p>\n

Tvar p\u0159edn\u00edho d\u00edlu se m\u016f\u017ee li\u0161it a nab\u00edz\u00ed tak jemn\u00e9, ale v\u00fdrazn\u00e9 stylistick\u00e9 vyj\u00e1d\u0159en\u00ed.<\/p>\n\n\n\n\n\n\n\n\n
Typ p\u0159edn\u00edho d\u00edlu<\/th>\nPopis<\/th>\nVizu\u00e1ln\u00ed charakteristika<\/th>\n<\/tr>\n<\/thead>\n
Rovn\u00fd p\u0159edn\u00ed d\u00edl<\/strong><\/td>\nNejjednodu\u0161\u0161\u00ed a nejtradi\u010dn\u011bj\u0161\u00ed forma, rovn\u00e1 linie vedouc\u00ed od l\u00edmce k podpa\u017e\u00ed.<\/td>\n\u010cist\u00fd, minimalistick\u00fd a klasick\u00fd.<\/td>\n<\/tr>\n
P\u0159edn\u00ed d\u00edl Ruyi<\/strong><\/td>\nVyzna\u010duje se jemnou, obl\u00e1\u010dkovitou k\u0159ivkou v horn\u00edm rohu, p\u0159ipom\u00ednaj\u00edc\u00ed hlavici \u017eezla Ruyi, symbolu \u0161t\u011bst\u00ed.<\/td>\nP\u0159id\u00e1v\u00e1 n\u00e1dech tradi\u010dn\u00ed symboliky a \u017eensk\u00e9 n\u011b\u017enosti.<\/td>\n<\/tr>\n
P\u0159edn\u00ed d\u00edl Pipa<\/strong><\/td>\nZaoblen\u011bj\u0161\u00ed, kapkovit\u00e1 k\u0159ivka napodobuj\u00edc\u00ed t\u011blo \u010d\u00ednsk\u00e9 loutny pipa<\/em>.<\/td>\nP\u016fvabn\u00e1 a plynul\u00e1, \u010dasto k vid\u011bn\u00ed u zdobn\u011bj\u0161\u00edch design\u016f.<\/td>\n<\/tr>\n
\u0160ikm\u00fd p\u0159edn\u00ed d\u00edl<\/strong><\/td>\n\u0160ikm\u00fd p\u0159edn\u00ed d\u00edl, kter\u00fd pokra\u010duje rovn\u011b dol\u016f za podpa\u017e\u00ed, n\u011bkdy a\u017e k bok\u016fm, ne\u017e se zapne.<\/td>\nVytv\u00e1\u0159\u00ed silnou, dramatickou linii, m\u00e9n\u011b obvyklou, ale velmi v\u00fdraznou.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

P\u0159edn\u00ed d\u00edl je t\u00e9m\u011b\u0159 v\u017edy zv\u00fdrazn\u011bn ozdobnou paspulkou, co\u017e d\u00e1le zd\u016fraz\u0148uje jeho cestu p\u0159es od\u011bv.<\/p>\n

3. P\u00e1nk\u00f2u: Um\u011bn\u00ed uzlu<\/h3>\n

P\u0159edn\u00ed d\u00edl d\u00e0j\u012bn<\/em> zaji\u0161\u0165uj\u00ed p\u00e1nk\u00f2u<\/em> (\u76d8\u6263), slo\u017eit\u00e9 ru\u010dn\u011b vyr\u00e1b\u011bn\u00e9 ozdobn\u00e9 knofl\u00edky nebo uzly. Ty jsou mnohem v\u00edc ne\u017e jen jednoduch\u00e9 zap\u00edn\u00e1n\u00ed; jsou to miniaturn\u00ed um\u011bleck\u00e1 d\u00edla. Tradi\u010dn\u011b vyroben\u00e9 ze stejn\u00e9 l\u00e1tky jako paspulka \u0161at\u016f, p\u00e1nk\u00f2u<\/em> se skl\u00e1daj\u00ed z kuli\u010dkov\u00e9ho uzlu a o\u010dka. Jejich historie p\u0159edch\u00e1z\u00ed modern\u00edmu \u010dchong-samu, ale byly dokonale za\u010dlen\u011bny do jeho designu a poskytuj\u00ed jak funkci, tak ornamentiku. Zat\u00edmco od poloviny 20. stolet\u00ed se pro postrann\u00ed zap\u00edn\u00e1n\u00ed kv\u016fli t\u011bsn\u011bj\u0161\u00edmu st\u0159ihu staly b\u011b\u017en\u00fdmi zipy, p\u00e1nk\u00f2u<\/em> na p\u0159edn\u00edm d\u00edlu z\u016fstaly kl\u00ed\u010dov\u00fdm dekora\u010dn\u00edm prvkem.<\/p>\n

Designy se mohou pohybovat od jednoduch\u00e9ho, funk\u010dn\u00edho „rovn\u00e9ho uzlu“ (y\u012bz\u00ec k\u00f2u<\/em>) po propracovan\u00e9 v\u00fdtvory napodobuj\u00edc\u00ed p\u0159\u00edrodu, jako jsou mot\u00fdli, kv\u011btiny (chryzant\u00e9my, kv\u011bty \u0161vestky) nebo v\u00e1\u017eky. Volba p\u00e1nk\u00f2u<\/em> m\u016f\u017ee nazna\u010dovat formalitu \u0161at\u016f a postaven\u00ed nositelky, p\u0159i\u010dem\u017e slo\u017eit\u011bj\u0161\u00ed uzly jsou vyhrazeny pro luxusn\u011bj\u0161\u00ed nebo slavnostn\u00ed od\u011bvy.<\/p>\n

4. Od A-siluetu k p\u0159il\u00e9hav\u00fdm \u0161at\u016fm: Revoluce st\u0159ihu<\/h3>\n

V\u00fdvoj siluety \u010dchong-samu z voln\u00e9 r\u00f3by s A-siluetem k p\u0159il\u00e9hav\u00fdm \u0161at\u016fm je p\u0159\u00edb\u011bhem jeho modernizace. \u010cchong-samy z po\u010d\u00e1tku 20. stolet\u00ed byly pom\u011brn\u011b st\u0159\u00eddm\u00e9 a voln\u011b padnouc\u00ed, spl\u00fdvaly rovn\u011b od ramen. Revoluce nastala ve \u0160anghaji ve 30. letech 20. stolet\u00ed, kde krej\u010d\u00ed za\u010dali za\u010dle\u0148ovat z\u00e1padn\u00ed krej\u010dovsk\u00e9 techniky.<\/p>\n

Nejv\u00fdznamn\u011bj\u0161\u00ed z nich bylo zaveden\u00ed \u0161ipek. \u0160ipky v oblasti poprs\u00ed a pasu umo\u017enily modelovat l\u00e1tku podle k\u0159ivek \u017eensk\u00e9ho t\u011bla a vytvo\u0159it ikonick\u00fd p\u0159es\u00fdpac\u00ed tvar. Tato konstruk\u010dn\u00ed zm\u011bna byla p\u0159evratn\u00e1. Posunula \u010dchong-sam z pouh\u00e9ho \u010d\u00ednsk\u00e9ho od\u011bvu na okouzluj\u00edc\u00ed, mezin\u00e1rodn\u00ed symbol modernosti. V tomto kontextu na\u0161el postrann\u00ed rozparek sv\u016fj modern\u00ed \u00fa\u010del. Jak se \u0161aty kolem nohou zu\u017eovaly a st\u00e1valy se omezuj\u00edc\u00edmi, rozparek se stal praktickou nutnost\u00ed pro umo\u017en\u011bn\u00ed voln\u00e9ho pohybu, jako je ch\u016fze nebo sezen\u00ed. Postupem \u010dasu byl tento praktick\u00fd prvek stylizov\u00e1n a jeho v\u00fd\u0161ka se stala ot\u00e1zkou m\u00f3dy a osobn\u00edho vyj\u00e1d\u0159en\u00ed. Modern\u00ed v\u00fdrobci a zdroje jako PandaSilk.com \u010dasto zd\u016fraz\u0148uj\u00ed, \u017ee dokonal\u00e9 padnut\u00ed, dosa\u017een\u00e9 pe\u010dliv\u00fdm um\u00edst\u011bn\u00edm \u0161ipek a p\u0159esn\u00fdmi m\u00edrami, je skute\u010dn\u00fdm z\u00e1kladem elegantn\u00edho \u010dchong-samu.<\/p>\n

5. Du\u0161e od\u011bvu: L\u00e1tka a pod\u0161\u00edvka<\/h3>\n

V\u00fdb\u011br l\u00e1tky je z\u00e1sadn\u00ed pro strukturu, spl\u00fdvavost a pocit z \u010dchong-samu. Hmotnost, textura a tuhost l\u00e1tky ur\u010duj\u00ed, jak bude spl\u00fdvat, jak udr\u017e\u00ed tvar \u0161ipek a jak bude st\u00e1t l\u00edmec.<\/p>\n\n\n\n\n\n\n\n\n\n
Typ l\u00e1tky<\/th>\nCharakteristika<\/th>\nNejvhodn\u011bj\u0161\u00ed pro<\/th>\n<\/tr>\n<\/thead>\n
Hedv\u00e1bn\u00fd brok\u00e1t<\/strong><\/td>\nBohat\u011b vzorovan\u00fd tkan\u00fdmi motivy (drak\u016f, f\u00e9nix\u016f, kv\u011btin), t\u011b\u017ek\u00fd a tuh\u00fd.<\/td>\nForm\u00e1ln\u00ed p\u0159\u00edle\u017eitosti, svatby, tradi\u010dn\u00ed oslavy. Dob\u0159e dr\u017e\u00ed sv\u016fj tvar.<\/td>\n<\/tr>\n
Samet<\/strong><\/td>\nHust\u00fd, s hlubok\u00fdm vlasem a luxusn\u00edm leskem. T\u011b\u017ek\u00e9 spl\u00fdv\u00e1n\u00ed.<\/td>\nForm\u00e1ln\u00ed podzimn\u00ed\/zimn\u00ed od\u011bvy. Vyjad\u0159uje ok\u00e1zalost a teplo.<\/td>\n<\/tr>\n
Bavlna\/Len<\/strong><\/td>\nPrody\u0161n\u00e9, lehk\u00e9, v\u00edce neform\u00e1ln\u00ed. N\u00e1chyln\u00e9 k ma\u010dk\u00e1n\u00ed, ale pohodln\u00e9.<\/td>\nKa\u017edodenn\u00ed no\u0161en\u00ed, letn\u00ed m\u011bs\u00edce. Vytv\u00e1\u0159\u00ed m\u011bk\u010d\u00ed, m\u00e9n\u011b tuhou siluetu.<\/td>\n<\/tr>\n
Hedv\u00e1bn\u00fd sat\u00e9n<\/strong><\/td>\nExtr\u00e9mn\u011b lehk\u00fd, plynul\u00fd, s leskl\u00fdm povrchem. Kr\u00e1sn\u011b spl\u00fdv\u00e1, ale je obt\u00ed\u017en\u00fd na krej\u010dovsk\u00e9 zpracov\u00e1n\u00ed.<\/td>\nVe\u010dern\u00ed \u0161aty a luxusn\u00ed kousky. Zd\u016fraz\u0148uje m\u011bkkost p\u0159ed ostr\u00fdm tvarem.<\/td>\n<\/tr>\n
Modern\u00ed sm\u011bsi<\/strong><\/td>\nL\u00e1tky jako polyester nebo hedv\u00e1bn\u00e9 sm\u011bsi s elastanem.<\/td>\nNab\u00edzej\u00ed odolnost, odolnost proti ma\u010dk\u00e1n\u00ed a m\u00edrnou pru\u017enost pro pohodln\u011bj\u0161\u00ed padnut\u00ed.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Pod\u0161\u00edvka je neviditeln\u00fdm, ale kritick\u00fdm konstruk\u010dn\u00edm prvkem. \u010casto vyroben\u00e1 z lehk\u00e9ho hedv\u00e1b\u00ed, jako je habotai nebo sat\u00e9n, pom\u00e1h\u00e1 pod\u0161\u00edvka \u0161at\u016fm hladce klouzat po t\u011ble, poskytuje nepr\u016fhlednost u pr\u016fsvitn\u00fdch l\u00e1tek a p\u0159id\u00e1v\u00e1 dal\u0161\u00ed vrstvu struktury, kter\u00e1 podp\u00edr\u00e1 svrchn\u00ed l\u00e1tku a pom\u00e1h\u00e1 p\u0159edch\u00e1zet jej\u00edmu prov\u011b\u0161en\u00ed v pr\u016fb\u011bhu \u010dasu.<\/p>\n

6. Lemov\u00e1n\u00ed Gunbi\u0101n: Konstruk\u010dn\u00ed r\u00e1m<\/h3>\n

Gunbi\u0101n<\/em> (\u6eda\u8fb9) ozna\u010duje \u00fazk\u00e9 l\u00e1tkov\u00e9 lemov\u00e1n\u00ed nebo paspulku, kter\u00e1 pe\u010dliv\u011b obkresluje kl\u00ed\u010dov\u00e9 okraje \u010dchong-samu: l\u00edmec, p\u0159edn\u00ed d\u00edl d\u00e0j\u012bn<\/em>, man\u017eety, lem a postrann\u00ed rozparky. A\u010dkoli pln\u00ed jasn\u00fd dekora\u010dn\u00ed \u00fa\u010del \u2013 vytv\u00e1\u0159\u00ed kontrast a definuje kr\u00e1sn\u00e9 linie od\u011bvu \u2013 jeho konstruk\u010dn\u00ed role je stejn\u011b d\u016fle\u017eit\u00e1. Lemov\u00e1n\u00ed zpev\u0148uje tyto okraje, zabra\u0148uje jejich protahov\u00e1n\u00ed nebo t\u0159epen\u00ed. P\u0159id\u00e1v\u00e1 jemnou pevnost, pom\u00e1h\u00e1 l\u00edmci udr\u017eet tvar a p\u0159edn\u00edmu d\u00edlu le\u017eet rovn\u011b. N\u011bkdy se pou\u017e\u00edvaj\u00ed dva nebo dokonce t\u0159i \u0159ady lemov\u00e1n\u00ed v kontrastn\u00edch barv\u00e1ch (shuang gun<\/em>), technika, kter\u00e1 vy\u017eaduje obrovskou zru\u010dnost a dod\u00e1v\u00e1 od\u011bvu dal\u0161\u00ed slo\u017eitost a vizu\u00e1ln\u00ed hloubku.<\/p>\n

Z\u00e1v\u011brem lze \u0159\u00edci, \u017ee \u010dchong-sam je dokladem my\u0161lenky, \u017ee skute\u010dn\u00e1 kr\u00e1sa designu spo\u010d\u00edv\u00e1 v inteligentn\u00ed a harmonick\u00e9 integraci v\u0161ech jeho \u010d\u00e1st\u00ed. Zat\u00edmco rozparek m\u016f\u017ee b\u00fdt jeho nejslavn\u011bj\u0161\u00edm rozm\u00e1chl\u00fdm prvkem, du\u0161e od\u011bvu se nach\u00e1z\u00ed v tich\u00e9m sebev\u011bdom\u00ed mandar\u00ednsk\u00e9ho l\u00edmce, elegantn\u00edm oblouku p\u0159edn\u00edho d\u00edlu d\u00e0j\u012bn<\/em>, um\u011bleck\u00e9m zpracov\u00e1n\u00ed uzl\u016f p\u00e1nk\u00f2u<\/em> a revolu\u010dn\u00ed p\u0159esnosti krej\u010dovsk\u00e9ho st\u0159ihu. Ka\u017ed\u00fd prvek je kapitolou v p\u0159\u00edb\u011bhu kulturn\u00edho d\u011bdictv\u00ed, technick\u00e9 inovace a nad\u010dasov\u00e9ho stylu. Ocenit \u010dchong-sam znamen\u00e1 ocenit symfonii t\u011bchto konstruk\u010dn\u00edch sou\u010d\u00e1st\u00ed, kter\u00e9 spolupracuj\u00ed na vytvo\u0159en\u00ed od\u011bvu, kter\u00fd je a v\u017edy bude v\u00edc ne\u017e pouh\u00fdm sou\u010dtem sv\u00fdch \u010d\u00e1st\u00ed.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u010cchong-sam, neboli \u010dchi-pchao, je ikonou \u017eensk\u00e9 elegance, od\u011bvem, kter\u00fd mnoh\u00e9 vypov\u00edd\u00e1 sv\u00fdm zd\u00e1nliv\u011b jednoduch\u00fdm siluetem. Mnoh\u00fdm se jako prvn\u00ed vybav\u00ed vysok\u00fd postrann\u00ed rozparek, prvek, kter\u00fd se ve \u0160anghaji v polovin\u011b 20. stolet\u00ed stal synonymem modern\u00edho a sv\u016fdn\u00e9ho p\u016fvabu t\u011bchto \u0161at\u016f. A\u010dkoli je rozparek skute\u010dn\u011b v\u00fdznamn\u00fdm prvkem, zam\u011b\u0159it se pouze na n\u011bj znamen\u00e1 p\u0159ehl\u00e9dnout slo\u017eitou mozaiku<\/p>\n","protected":false},"author":1,"featured_media":163684,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37823],"tags":[],"class_list":["post-165418","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-faqs-cs","prodpage-classic"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts\/165418","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/comments?post=165418"}],"version-history":[{"count":0,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts\/165418\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/media\/163684"}],"wp:attachment":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/media?parent=165418"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/categories?post=165418"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/tags?post=165418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}