{"id":165438,"date":"2025-08-03T05:15:44","date_gmt":"2025-08-03T05:15:44","guid":{"rendered":"https:\/\/www.pandasilk.com\/the-lost-art-of-the-cheongsam-reviving-traditional-tailoring-techniques\/"},"modified":"2026-02-17T21:28:15","modified_gmt":"2026-02-18T05:28:15","slug":"the-lost-art-of-the-cheongsam-reviving-traditional-tailoring-techniques","status":"publish","type":"post","link":"https:\/\/www.pandasilk.com\/cs\/the-lost-art-of-the-cheongsam-reviving-traditional-tailoring-techniques\/","title":{"rendered":"Ztracen\u00e9 um\u011bn\u00ed Cheongsam: O\u017eiven\u00ed tradi\u010dn\u00edch krej\u010dovsk\u00fdch technik"},"content":{"rendered":"

Cheongsam<\/a>, neboli qipao, nen\u00ed jen \u0161aty; je to \u0161epot historie, pl\u00e1tno kulturn\u00ed identity a zt\u011blesn\u011bn\u00ed \u017eensk\u00e9 elegance. Jeho ikonick\u00e1 silueta \u2013 vysok\u00fd l\u00edmec, p\u0159il\u00e9hav\u00fd st\u0159ih a jemn\u00e9 postrann\u00ed rozparky \u2013 vyvol\u00e1v\u00e1 nad\u010dasovou eleganci, kter\u00e1 okouzluje sv\u011bt ji\u017e v\u00edce ne\u017e stolet\u00ed. P\u0159esto se pod jeho zd\u00e1nliv\u011b jednoduchou formou skr\u00fdv\u00e1 slo\u017eit\u00fd sv\u011bt um\u011bleck\u00e9ho \u0159emesla a dovednost\u00ed, tradice krej\u010dovstv\u00ed p\u0159ed\u00e1van\u00e1 z generace na generaci. V dob\u011b ovl\u00e1dan\u00e9 rychlou m\u00f3dou a hromadnou v\u00fdrobou \u010del\u00ed vyhynut\u00ed pe\u010dliv\u00e9, \u010dasem prov\u011b\u0159en\u00e9 techniky, kter\u00e9 d\u00e1vaj\u00ed cheongsamu jeho du\u0161i. Toto je p\u0159\u00edb\u011bh tohoto ztracen\u00e9ho um\u011bn\u00ed a oddan\u00fdch \u0159emesln\u00edk\u016f, kte\u0159\u00ed bojuj\u00ed za jeho obnovu, aby zajistili, \u017ee prav\u00fd duch cheongsamu bude i nad\u00e1le vzkv\u00e9tat.<\/p>\n

1. Du\u0161e cheongsamu: Co definuje tradi\u010dn\u00ed \u0159emeslo?<\/h3>\n

Prav\u00fd, tradi\u010dn\u011b vyroben\u00fd cheongsam je mistrovsk\u00fdm d\u00edlem p\u0159esnosti a trp\u011blivosti. Nevznik\u00e1 na tov\u00e1rn\u00ed lince, ale z rukou mistra krej\u010d\u00edho, neboli shifu<\/em>. Rozd\u00edl mezi \u0161it\u00fdm na m\u00edru a masov\u011b vyr\u00e1b\u011bnou napodobeninou nen\u00ed jen v cen\u011b, ale v samotn\u00e9 podstat\u011b jeho konstrukce. N\u011bkolik kl\u00ed\u010dov\u00fdch prvk\u016f definuje toto autentick\u00e9 \u0159emeslo.<\/p>\n

P\u0159edev\u0161\u00edm jde o \u0161it\u00ed na m\u00edru, zn\u00e1m\u00e9 jako liang ti cai yi<\/em> (\u91cf\u9ad4\u88c1\u8863), co\u017e doslova znamen\u00e1 „zm\u011b\u0159it t\u011blo, aby se u\u0161ily \u0161aty“. Tento proces jde daleko za standardn\u00ed velikosti S, M a L. Mistr krej\u010d\u00ed provede des\u00edtky konkr\u00e9tn\u00edch m\u011b\u0159en\u00ed, zaznamen\u00e1v\u00e1 jemn\u00e9 k\u0159ivky t\u011bla klienta \u2013 sklon ramen, prohnut\u00ed zad, tvar bok\u016f. C\u00edlem je vytvo\u0159it „druhou k\u016f\u017ei“, kter\u00e1 padne a pohybuje se v dokonal\u00e9m souladu s nositelkou, lichot\u00ed postav\u011b, ani\u017e by ji sv\u00edrala.<\/p>\n

Samotn\u00e1 konstrukce je sv\u011bdectv\u00edm manu\u00e1ln\u00ed zru\u010dnosti. Ru\u010dn\u00ed \u0161it\u00ed je prvo\u0159ad\u00e9. \u0160vy jsou \u010dasto se\u0161ity drobn\u00fdmi, t\u00e9m\u011b\u0159 neviditeln\u00fdmi stehy, kter\u00e9 umo\u017e\u0148uj\u00ed l\u00e1tce p\u0159irozen\u011b se nap\u00ednat a usazovat. \u0160ipky jsou p\u0159esn\u011b um\u00edst\u011bny a se\u0161ity ru\u010dn\u011b, aby l\u00e1tka p\u0159ilnula k t\u011blu. N\u00e1dhern\u00e9 knofl\u00edky ve tvaru ozdobn\u00e9 spony, neboli pankou<\/em> (\u76e4\u6263), nejsou pouhou dekorac\u00ed. Ka\u017ed\u00fd z nich je miniaturn\u00ed so\u0161kou, pracn\u011b vyrobenou z prou\u017ek\u016f l\u00e1tky, sto\u010den\u00fdch a sv\u00e1zan\u00fdch do slo\u017eit\u00fdch vzor\u016f, jako jsou kv\u011btiny nebo hmyz. V\u00fdroba jedn\u00e9 sady slo\u017eit\u00fdch pankou m\u016f\u017ee trvat cel\u00fd den.<\/p>\n

Stejn\u011b d\u016fle\u017eit\u00e9 je um\u011bn\u00ed st\u0159\u00edh\u00e1n\u00ed l\u00e1tky na \u00fakos a aplikace paspulky, neboli gun bian<\/em> (\u6efe\u908a). St\u0159\u00edh\u00e1n\u00ed na \u00fakos \u2013 diagon\u00e1ln\u011b nap\u0159\u00ed\u010d osnovou l\u00e1tky \u2013 dod\u00e1v\u00e1 cheongsamu jeho charakteristick\u00fd zp\u016fsob padnut\u00ed a p\u0159ilnavost. Paspulka, \u00fazk\u00fd prou\u017eek l\u00e1tky, kter\u00fd lemuje l\u00edmec, man\u017eety, lem a postrann\u00ed rozparky, mus\u00ed b\u00fdt aplikov\u00e1na ru\u010dn\u011b s neochv\u011bjnou p\u0159esnost\u00ed. Strojov\u011b p\u0159i\u0161it\u00fd okraj je tuh\u00fd a ploch\u00fd, zat\u00edmco ru\u010dn\u011b aplikovan\u00fd paspulkovan\u00fd okraj je m\u011bkk\u00fd, zaoblen\u00fd a dokonale sleduje k\u0159ivky od\u011bvu.<\/p>\n

2. Velk\u00fd \u00fapadek: Pro\u010d tyto techniky upadly?<\/h3>\n

Eroze tradi\u010dn\u00edho krej\u010dovstv\u00ed cheongsamu nebyla n\u00e1hlou ud\u00e1lost\u00ed, ale pomal\u00fdm \u00fapadkem zp\u016fsoben\u00fdm hlubok\u00fdmi spole\u010densk\u00fdmi a ekonomick\u00fdmi zm\u011bnami. Vzestup hromadn\u00e9 v\u00fdroby v druh\u00e9 polovin\u011b 20. stolet\u00ed byl hlavn\u00edm vin\u00edkem. Popt\u00e1vka po dostupn\u00e9m, konfek\u010dn\u00edm oble\u010den\u00ed zp\u016fsobila, \u017ee pomal\u00e9, pracn\u011b n\u00e1ro\u010dn\u00e9, a tedy drah\u00e9 metody \u0161it\u00ed na m\u00edru se zd\u00e1ly zastaral\u00e9. Cheongsam, na jeho\u017e dokon\u010den\u00ed mistr krej\u010d\u00ed pot\u0159eboval t\u00fddny, mohl b\u00fdt tov\u00e1rnou napodoben b\u011bhem n\u011bkolika hodin, i kdy\u017e za \u00fapln\u00e9 ztr\u00e1ty kvality a du\u0161e.<\/p>\n

Politick\u00e9 nepokoje tak\u00e9 sehr\u00e1ly zni\u010duj\u00edc\u00ed roli. B\u011bhem Kulturn\u00ed revoluce v pevninsk\u00e9 \u010c\u00edn\u011b (1966-1976) byl cheongsam odsouzen jako symbol bur\u017eoazn\u00ed dekadence a feud\u00e1ln\u00ed kultury. Jeho no\u0161en\u00ed bylo politicky nebezpe\u010dn\u00e9 a \u0159emeslo jeho v\u00fdroby bylo potla\u010deno. To vytvo\u0159ilo kritick\u00e9 p\u0159eru\u0161en\u00ed linie p\u0159ed\u00e1v\u00e1n\u00ed znalost\u00ed. Mist\u0159i krej\u010d\u00ed v \u0160anghaji, epicentru kultury cheongsamu, bu\u010f uprchli, zm\u011bnili profesi, nebo prost\u011b p\u0159estali sv\u00e9 um\u011bn\u00ed provozovat. \u0158et\u011bzec u\u010den\u00ed, kde by shifu<\/em> p\u0159edal sv\u00e1 tajemstv\u00ed nov\u00e9 generaci, byl p\u0159eru\u0161en.<\/p>\n

S ub\u00edhaj\u00edc\u00edmi desetilet\u00edmi se prohlubovala genera\u010dn\u00ed propast. Krej\u010dovstv\u00ed za\u010dalo b\u00fdt vn\u00edm\u00e1no jako skromn\u00e9, \u0161patn\u011b placen\u00e9 \u0159emeslo, postr\u00e1daj\u00edc\u00ed atraktivitu modern\u00edch profes\u00ed. D\u011bti mistr\u016f krej\u010d\u00edch si \u010dasto volily jin\u00e9 kari\u00e9rn\u00ed cesty a jen m\u00e1lo mlad\u00fdch lid\u00ed bylo ochotno v\u011bnovat roky trp\u011bliv\u00e9ho cvi\u010den\u00ed pot\u0159ebn\u00e9ho k zvl\u00e1dnut\u00ed tohoto \u0159emesla. V d\u016fsledku toho, kdy\u017e sta\u0159\u00ed mist\u0159i ode\u0161li do d\u016fchodu nebo zem\u0159eli, odnesli si s sebou sv\u00e9 neoceniteln\u00e9 znalosti.<\/p>\n

3. Srovn\u00e1n\u00ed: Tradi\u010dn\u00ed cheongsam vs. modern\u00ed napodobenina<\/h3>\n

Abychom pln\u011b ocenili, co bylo ztraceno, je nezbytn\u00e9 porovnat tradi\u010dn\u011b vyroben\u00fd cheongsam s jeho modern\u00ed, hromadn\u011b vyr\u00e1b\u011bnou obdobou. Rozd\u00edly jsou markantn\u00ed a t\u00fdkaj\u00ed se ka\u017ed\u00e9ho aspektu od\u011bvu.<\/p>\n\n\n\n\n\n\n\n\n\n\n
Vlastnost<\/th>\nTradi\u010dn\u00ed cheongsam \u0161it\u00fd na m\u00edru<\/th>\nModern\u00ed hromadn\u011b vyr\u00e1b\u011bn\u00fd cheongsam<\/th>\n<\/tr>\n<\/thead>\n
St\u0159ih & St\u0159ihov\u00fd vzor<\/strong><\/td>\nVzor vytvo\u0159en\u00fd na m\u00edru na z\u00e1klad\u011b 20+ individu\u00e1ln\u00edch m\u011b\u0159en\u00ed pro st\u0159ih jako „druh\u00e1 k\u016f\u017ee“.<\/td>\nZalo\u017een\u00fd na standardizovan\u00fdch velikostech (S, M, L, XL), \u010dasto vedouc\u00ed k \u0161patn\u00e9mu nebo obecn\u00e9mu st\u0159ihu.<\/td>\n<\/tr>\n
L\u00e1tka<\/strong><\/td>\nVysoce kvalitn\u00ed p\u0159\u00edrodn\u00ed vl\u00e1kna: hedv\u00e1b\u00ed, brok\u00e1t, vlna, len. Vzory jsou obvykle tkan\u00e9 do l\u00e1tky.<\/td>\nP\u0159ev\u00e1\u017en\u011b syntetick\u00e9 nebo polosyntetick\u00e9 l\u00e1tky: polyester, sat\u00e9n, visk\u00f3za. Vzory jsou \u010dasto poti\u0161t\u011bn\u00e9.<\/td>\n<\/tr>\n
Zap\u00edn\u00e1n\u00ed<\/strong><\/td>\nFunk\u010dn\u00ed, ru\u010dn\u011b vyroben\u00e9 l\u00e1tkov\u00e9 knofl\u00edky (pankou<\/em>). \u010casto jedin\u00fd zp\u016fsob zap\u00edn\u00e1n\u00ed, vy\u017eaduj\u00edc\u00ed dokonal\u00e9 se\u0159\u00edzen\u00ed.<\/td>\nStrojov\u011b vyroben\u00e9 nebo imitace pankou<\/em> pou\u017e\u00edvan\u00e9 pro dekoraci. Skryt\u00fd zip je hlavn\u00edm zap\u00edn\u00e1n\u00edm.<\/td>\n<\/tr>\n
\u0160vy & Lemov\u00e1n\u00ed<\/strong><\/td>\nRu\u010dn\u011b \u0161it\u00e9, neviditeln\u00e9 stehy. Okraje jsou zakon\u010deny jemnou, ru\u010dn\u011b aplikovanou paspulkou (gun bian<\/em>).<\/td>\nStrojov\u011b \u0161it\u00e9 \u0161vy s obnitkovan\u00fdmi\/overlockovan\u00fdmi okraji. Paspulka, pokud je p\u0159\u00edtomna, je strojov\u011b p\u0159i\u0161it\u00e1 a ploch\u00e1.<\/td>\n<\/tr>\n
Pod\u0161\u00edvka & Konstrukce<\/strong><\/td>\nPln\u011b pod\u0161it\u00e9, \u010dasto \u010dist\u00fdm hedv\u00e1b\u00edm. Vnit\u0159n\u00ed konstrukce a v\u00fdztuhy jsou ru\u010dn\u011b vsazeny pro hladkou siluetu.<\/td>\n\u010casto nepod\u0161it\u00e9, \u010d\u00e1ste\u010dn\u011b pod\u0161it\u00e9 syntetickou l\u00e1tkou nebo m\u00e1 levnou, lepenou pod\u0161\u00edvku. Postr\u00e1d\u00e1 spr\u00e1vnou vnit\u0159n\u00ed konstrukci.<\/td>\n<\/tr>\n
Dlouhov\u011bkost<\/strong><\/td>\nRodinn\u00fd klenot navr\u017een\u00fd k p\u00e9\u010di a vydr\u017een\u00ed desetilet\u00ed, \u010dasto p\u0159ed\u00e1van\u00fd z generace na generaci.<\/td>\nJednor\u00e1zov\u00fd m\u00f3dn\u00ed kus navr\u017een\u00fd pro omezen\u00fd po\u010det no\u0161en\u00ed, ne\u017e se projev\u00ed zn\u00e1mky nekvalitn\u00edho zpracov\u00e1n\u00ed.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

4. Hnut\u00ed obnovy: \u0160ampioni minul\u00e9 \u00e9ry<\/h3>\n

Pr\u00e1v\u011b kdy\u017e se zd\u00e1lo, \u017ee toto um\u011bn\u00ed je na pokraji z\u00e1niku, za\u010dalo se objevovat siln\u00e9 hnut\u00ed obnovy. Tento n\u00e1vrat je poh\u00e1n\u011bn souhrou faktor\u016f: obnoven\u00fdm ocen\u011bn\u00edm kulturn\u00edho d\u011bdictv\u00ed, spot\u0159ebitelsk\u00fdm odporem v\u016f\u010di jednor\u00e1zov\u00e9 m\u00f3d\u011b a v\u00e1\u0161n\u00ed nov\u00e9 generace \u0159emesln\u00edk\u016f.<\/p>\n

Po cel\u00e9m sv\u011bt\u011b se mal\u00e9 \u0159emesln\u00e9 d\u00edlny a nez\u00e1visl\u00e9 butiky v\u011bdom\u011b rozhoduj\u00ed odm\u00edtnout metody hromadn\u00e9 v\u00fdroby. Tito krej\u010d\u00ed nov\u00e9 vlny se zasv\u011bcuj\u00ed u\u010den\u00ed a zachov\u00e1n\u00ed tradi\u010dn\u00edch technik, vytv\u00e1\u0159ej\u00ed autentick\u00e9, vysoce kvalitn\u00ed cheongsamy pro n\u00e1ro\u010dnou klientelu. Vid\u00ed se nejen jako \u0161vadleny, ale jako str\u00e1\u017eci kultury.<\/p>\n

Toto hnut\u00ed podporuj\u00ed online platformy a komunity, kter\u00e9 spojuj\u00ed nad\u0161ence a uchov\u00e1vaj\u00ed znalosti. Nap\u0159\u00edklad zdroje jako PandaSilk.com<\/strong> hraj\u00ed v tomto ekosyst\u00e9mu z\u00e1sadn\u00ed roli dokumentov\u00e1n\u00edm historie od\u011bvu, vysv\u011btlov\u00e1n\u00edm nuanc\u00ed jeho konstrukce a upozor\u0148ov\u00e1n\u00edm na \u0159emesln\u00edky, kte\u0159\u00ed toto \u0159emeslo udr\u017euj\u00ed p\u0159i \u017eivot\u011b. Tyto digit\u00e1ln\u00ed prostory poskytuj\u00ed neoceniteln\u00e9 vzd\u011bl\u00e1n\u00ed, podporuj\u00ed glob\u00e1ln\u00ed komunitu obdivovatel\u016f, nositel\u016f a aspiruj\u00edc\u00edch tv\u016frc\u016f, kte\u0159\u00ed si mohou vym\u011b\u0148ovat informace a inspiraci.<\/p>\n

Nav\u00edc posun ve spot\u0159ebitelsk\u00e9m v\u011bdom\u00ed poh\u00e1n\u00ed popt\u00e1vku. St\u00e1le v\u00edce lid\u00ed hled\u00e1 ve sv\u00e9m oble\u010den\u00ed autenticitu, udr\u017eitelnost a osobn\u00ed v\u00fdraz. Jsou ochotni investovat do jedin\u00e9ho, kr\u00e1sn\u011b vyroben\u00e9ho od\u011bvu, kter\u00fd vypr\u00e1v\u00ed p\u0159\u00edb\u011bh, sp\u00ed\u0161e ne\u017e nakupovat tucet levn\u00fdch, eticky problematick\u00fdch kus\u016f. Tento uv\u011bdom\u011bl\u00fd spot\u0159ebitel je dokonal\u00fdm p\u0159\u00edznivcem cheongsamu \u0161it\u00e9ho na m\u00edru, oce\u0148uj\u00edc\u00edm um\u011bleck\u00e9 \u0159emeslo a osobn\u00ed spojen\u00ed, kter\u00e9 p\u0159ich\u00e1z\u00ed s ru\u010dn\u011b vyroben\u00fdm kusem.<\/p>\n

5. U\u010den\u00ed se \u0159emeslu: Cesta modern\u00edho u\u010dn\u011b<\/h3>\n

Pro ty, kte\u0159\u00ed se cht\u011bj\u00ed toto um\u011bn\u00ed dnes nau\u010dit, je cesta jak n\u00e1ro\u010dn\u00e1, tak hluboce napl\u0148uj\u00edc\u00ed. Hlavn\u00ed p\u0159ek\u00e1\u017ekou z\u016fst\u00e1v\u00e1 naj\u00edt skute\u010dn\u00e9ho shifu<\/em>, ochotn\u00e9ho a schopn\u00e9ho nau\u010dit slo\u017eit\u00e9 detaily \u0159emesla. Vy\u017eaduje to u\u010den\u00ed zalo\u017een\u00e9 na trp\u011blivosti, respektu a nes\u010detn\u00fdch hodin\u00e1ch praxe.<\/p>\n

K\u0159ivka u\u010den\u00ed je strm\u00e1. U\u010de\u0148 mus\u00ed zvl\u00e1dnout z\u00e1klady: jak zach\u00e1zet s r\u016fzn\u00fdmi typy hedv\u00e1b\u00ed, jak ru\u010dn\u011b se\u0161\u00edt dokonale rovnou linii neviditeln\u00fdch steh\u016f a jak vytvo\u0159it st\u0159ihov\u00fd vzor od nuly. Zvl\u00e1dnut\u00ed pankou<\/em> a gun bian<\/em> jsou inicia\u010dn\u00edmi ritu\u00e1ly, kter\u00e9 mohou vy\u017eadovat roky oddan\u00e9 snahy. Je to discipl\u00edna, kter\u00e1 vy\u017eaduje nejen zru\u010dn\u00e9 ruce, ale tak\u00e9 um\u011blcovo oko pro proporce a hlubok\u00e9 pochopen\u00ed toho, jak l\u00e1tka interaguje s lidskou postavou.<\/p>\n

Zat\u00edmco ct\u00ed tradici, modern\u00ed \u0159emesln\u00edci tak\u00e9 nach\u00e1zej\u00ed zp\u016fsoby, jak inovovat. Experimentuj\u00ed se sou\u010dasn\u00fdmi l\u00e1tkami, jemn\u011b upravuj\u00ed siluety pro modern\u00ed \u017eivotn\u00ed styl a vytv\u00e1\u0159ej\u00ed n\u00e1vrhy, kter\u00e9 p\u016fsob\u00ed jak klasicky, tak sou\u010dasn\u011b. Tato f\u00faze star\u00e9ho a nov\u00e9ho zaji\u0161\u0165uje, \u017ee cheongsam se nestane muzejn\u00edm kusem, ale z\u016fstane \u017eivou, vyv\u00edjej\u00edc\u00ed se formou nositeln\u00e9ho um\u011bn\u00ed, relevantn\u00ed a \u017e\u00e1dan\u00e9 v 21. stolet\u00ed.<\/p>\n

Ztracen\u00e9 um\u011bn\u00ed cheongsamu se pomalu, ale jist\u011b znovu nal\u00e9z\u00e1. Jeho obrozen\u00ed je siln\u00fdm vyj\u00e1d\u0159en\u00edm odporu v\u016f\u010di uniformit\u011b rychl\u00e9 m\u00f3dy a oslavou lidsk\u00e9 dovednosti, kulturn\u00edho d\u011bdictv\u00ed a trval\u00e9 kr\u00e1sy. Ka\u017ed\u00fd ru\u010dn\u011b se\u0161it\u00fd steh, ka\u017ed\u00fd dokonale zav\u00e1zan\u00fd pankou<\/em>, je aktem zachov\u00e1n\u00ed \u2013 \u010dl\u00e1nkem v \u0159et\u011bzci spojuj\u00edc\u00edm mistry krej\u010d\u00ed star\u00e9 \u0160anghaje s oddan\u00fdmi \u0159emesln\u00edky dne\u0161ka. V jejich rukou nen\u00ed cheongsam jen \u0161aty z minul\u00e9 \u00e9ry, ale nad\u010dasov\u00e9 um\u011bleck\u00e9 d\u00edlo se z\u00e1\u0159ivou budoucnost\u00ed.<\/p>\n","protected":false},"excerpt":{"rendered":"

Cheongsam, neboli qipao, nen\u00ed jen \u0161aty; je to \u0161epot historie, pl\u00e1tno kulturn\u00ed identity a zt\u011blesn\u011bn\u00ed \u017eensk\u00e9 elegance. Jeho ikonick\u00e1 silueta \u2013 vysok\u00fd l\u00edmec, p\u0159il\u00e9hav\u00fd st\u0159ih a jemn\u00e9 postrann\u00ed rozparky \u2013 vyvol\u00e1v\u00e1 nad\u010dasovou eleganci, kter\u00e1 okouzluje sv\u011bt ji\u017e v\u00edce ne\u017e stolet\u00ed. P\u0159esto se pod jeho zd\u00e1nliv\u011b jednoduchou formou skr\u00fdv\u00e1 slo\u017eit\u00fd sv\u011bt um\u011bleck\u00e9ho \u0159emesla a dovednost\u00ed, tradice<\/p>\n","protected":false},"author":1,"featured_media":163679,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37823],"tags":[],"class_list":["post-165438","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-faqs-cs","prodpage-classic"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts\/165438","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/comments?post=165438"}],"version-history":[{"count":0,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts\/165438\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/media\/163679"}],"wp:attachment":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/media?parent=165438"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/categories?post=165438"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/tags?post=165438"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}