{"id":165458,"date":"2025-08-03T05:14:11","date_gmt":"2025-08-03T05:14:11","guid":{"rendered":"https:\/\/www.pandasilk.com\/cheongsam-and-female-emancipation-a-dress-of-liberation\/"},"modified":"2026-02-17T21:26:55","modified_gmt":"2026-02-18T05:26:55","slug":"cheongsam-and-female-emancipation-a-dress-of-liberation","status":"publish","type":"post","link":"https:\/\/www.pandasilk.com\/cs\/cheongsam-and-female-emancipation-a-dress-of-liberation\/","title":{"rendered":"Cheongsam a \u017eensk\u00e1 emancipace: \u0160aty osvobozen\u00ed"},"content":{"rendered":"

\u010cchi-pchao<\/a>, zn\u00e1m\u00e9 tak\u00e9 jako cheongsam, je ikonou \u010d\u00ednsk\u00e9 kultury, okam\u017eit\u011b rozpoznateln\u00e9 d\u00edky sv\u00e9mu elegantn\u00edmu, p\u0159il\u00e9hav\u00e9mu st\u0159ihu, vysok\u00e9mu l\u00edmci a jemn\u00e9mu \u0159emesln\u00e9mu zpracov\u00e1n\u00ed. V modern\u00ed glob\u00e1ln\u00ed p\u0159edstavivosti \u010dasto evokuje obrazy skromn\u00e9 \u017eenskosti, nostalgick\u00e9 ok\u00e1zalosti, jak je vid\u011bt ve filmech jako „L\u00e1ska v prom\u011bn\u00e1ch \u010dasu“, nebo jako slavnostn\u00ed od\u011bv vyhrazen\u00fd pro zvl\u00e1\u0161tn\u00ed p\u0159\u00edle\u017eitosti. Omezit \u010dchi-pchao na tyto \u00fazk\u00e9 definice by v\u0161ak znamenalo p\u0159ehl\u00e9dnout jeho radik\u00e1ln\u00ed a revolu\u010dn\u00ed historii. Modern\u00ed \u010dchi-pchao se zrodilo v \u00e9\u0159e obrovsk\u00fdch spole\u010densk\u00fdch a politick\u00fdch ot\u0159es\u016f v \u010c\u00edn\u011b po\u010d\u00e1tku 20. stolet\u00ed a zdaleka nen\u00ed nad\u010dasov\u00fdm tradi\u010dn\u00edm krojem. Objevilo se nikoli jako symbol omezen\u00ed, ale jako siln\u00e9 a viditeln\u00e9 vyj\u00e1d\u0159en\u00ed \u017eensk\u00e9 emancipace, modernity a rod\u00edc\u00edho se n\u00e1rodn\u00edho uv\u011bdom\u011bn\u00ed. Jeho v\u00fdvoj z voln\u00e9ho roucha do st\u0159i\u017een\u00fdch \u0161at\u016f oslavuj\u00edc\u00edch \u017eenskou postavu je p\u0159\u00edb\u011bhem neodd\u011bliteln\u011b spjat\u00fdm s boji a v\u00edt\u011bzstv\u00edmi \u010d\u00ednsk\u00fdch \u017een usiluj\u00edc\u00edch o osvobozen\u00ed z pout feud\u00e1ln\u00edho patriarch\u00e1tu.<\/p>\n

1. Od c\u00edsa\u0159sk\u00fdch rouch k republik\u00e1nsk\u00e9 revoluci<\/h3>\n

Abychom pochopili osvobozuj\u00edc\u00ed s\u00edlu \u010dchi-pchao, mus\u00edme nejprve porozum\u011bt sv\u011btu, kter\u00fd nahradilo. B\u011bhem dynastie \u010cching (1644-1912) byl \u017eensk\u00fd od\u011bv navr\u017een tak, aby skr\u00fdval a omezoval. \u017deny z etnika Chan nosily dvoud\u00edln\u00fd od\u011bv z voln\u00e9 haleny a kalhot nebo sukn\u011b, zat\u00edmco Mand\u017eusk\u00e9 \u017eeny nosily dlouh\u00e9, \u0161irok\u00e9 roucho ve tvaru p\u00edsmene A zvan\u00e9 \u010dchang-pchao. Oba styly se vyzna\u010dovaly objemn\u00fdm st\u0159ihem, kter\u00fd zakr\u00fdval p\u0159irozen\u00fd tvar t\u011bla, co\u017e odr\u00e1\u017eelo konfuci\u00e1nsk\u00fd ide\u00e1l \u017eensk\u00e9 skromnosti a pod\u0159\u00edzenosti. \u017deny, zejm\u00e9na ty z vy\u0161\u0161\u00edch t\u0159\u00edd, byly z velk\u00e9 \u010d\u00e1sti omezeny na dom\u00e1c\u00ed sf\u00e9ru a jejich identita byla definov\u00e1na jejich vztahem k mu\u017e\u016fm. Bolestiv\u00e1 praxe svazov\u00e1n\u00ed nohou d\u00e1le symbolizovala toto fyzick\u00e9 a spole\u010densk\u00e9 omezen\u00ed.<\/p>\n

P\u00e1d dynastie \u010cching v roce 1912 a zalo\u017een\u00ed \u010c\u00ednsk\u00e9 republiky ohla\u0161ovalo novou \u00e9ru. Pod vlivem Hnut\u00ed \u010dtvrt\u00e9ho kv\u011btna a Hnut\u00ed nov\u00e9 kultury intelektu\u00e1lov\u00e9 volali po odm\u00edtnut\u00ed star\u00fdch konfuci\u00e1nsk\u00fdch tradic ve prosp\u011bch „pana V\u011bdy“ a „pana Demokracie“. \u00dast\u0159edn\u00edm bodem t\u00e9to v\u00fdzvy bylo osvobozen\u00ed \u017een, v\u010detn\u011b p\u0159\u00edstupu ke vzd\u011bl\u00e1n\u00ed, ukon\u010den\u00ed sjednan\u00fdch man\u017eelstv\u00ed a svobody \u00fa\u010dasti na ve\u0159ejn\u00e9m \u017eivot\u011b. Pr\u00e1v\u011b v t\u00e9to horliv\u00e9 atmosf\u00e9\u0159e se za\u010dal objevovat nov\u00fd styl obl\u00e9k\u00e1n\u00ed. Mlad\u00e9, vzd\u011blan\u00e9 \u017eeny, zejm\u00e9na studentky, za\u010daly p\u0159ij\u00edmat upravenou verzi \u010dchang-pchao, narovn\u00e1valy jeho siluetu a zjednodu\u0161ovaly jeho design. T\u00edm, \u017ee nosily od\u011bv p\u016fvodn\u011b spojovan\u00fd s mand\u017eusk\u00fdmi mu\u017ei a p\u0159izp\u016fsobovaly si jej pro sebe, tyto \u017eeny \u010dinily hlubok\u00e9 prohl\u00e1\u0161en\u00ed. Symbolicky odkl\u00e1daly star\u00e9, vrstven\u00e9 oble\u010den\u00ed minulosti a p\u0159ij\u00edmaly jednodu\u0161\u0161\u00ed, jednotn\u011bj\u0161\u00ed a androgynn\u011bj\u0161\u00ed vzhled, kter\u00fd odm\u00edtal tradi\u010dn\u00ed dress code zalo\u017een\u00fd na pohlav\u00ed. Toto ran\u00e9, voln\u011b padnouc\u00ed \u010dchi-pchao bylo uniformou nov\u00e9, intelektu\u00e1ln\u00ed \u017eeny.<\/p>\n

2. „Modern\u00ed d\u00edvka“ a \u0161anghajsk\u00e1 silueta<\/h3>\n

V\u00fdvoj \u010dchi-pchao se dramaticky zrychlil v kosmopolitn\u00ed metropoli \u0160anghaji ve 20. a 30. letech 20. stolet\u00ed. Jako br\u00e1na \u010c\u00edny na Z\u00e1pad byla \u0160anghaj tav\u00edc\u00edm kotl\u00edkem my\u0161lenek, obchodu a m\u00f3dy. Pr\u00e1v\u011b zde se \u010dchi-pchao prom\u011bnilo z voln\u00e9ho studentsk\u00e9ho roucha v elegantn\u00ed, st\u0159i\u017een\u00fd od\u011bv, kter\u00fd zn\u00e1me dnes. Pod vlivem z\u00e1padn\u00edch krej\u010dovsk\u00fdch technik a \u0161t\u00edhl\u00fdch, vertik\u00e1ln\u00edch lini\u00ed \u0161at\u016f flapper se \u010dchi-pchao za\u010dalo poprv\u00e9 v \u010d\u00ednsk\u00e9 historii tvarovat \u0161ipkami v pase a na hrudi, aby p\u0159il\u00e9halo k k\u0159ivk\u00e1m t\u011bla.<\/p>\n

Tento nov\u00fd styl se stal synonymem pro „Modern\u00ed d\u00edvku“ (modeng xiaojie), nov\u00fd archetyp \u010d\u00ednsk\u00e9 \u017eenskosti. Byla vzd\u011blan\u00e1, \u010dasto finan\u010dn\u011b nez\u00e1visl\u00e1 a spole\u010densky aktivn\u00ed. Jezdila na kole, chodila do kina a pracovala jako u\u010ditelka, prodava\u010dka nebo profesion\u00e1lka. \u010cchi-pchao bylo jej\u00edm dokonal\u00fdm od\u011bvem. Byl:<\/p>\n

    \n
  • Praktick\u00fd:<\/strong> Byl v\u00edce aerodynamick\u00fd a m\u00e9n\u011b t\u011b\u017ekop\u00e1dn\u00fd ne\u017e star\u0161\u00ed formy od\u011bv\u016f, co\u017e umo\u017e\u0148ovalo v\u011bt\u0161\u00ed volnost pohybu.<\/li>\n
  • Modern\u00ed:<\/strong> Jeho p\u0159il\u00e9hav\u00fd st\u0159ih byl odv\u00e1\u017en\u00fdm p\u0159ijet\u00edm \u017eensk\u00e9ho t\u011bla, p\u0159\u00edm\u00fdm pop\u0159en\u00edm star\u00e9ho p\u0159\u00edkazu skr\u00fdvat se.<\/li>\n
  • Jedine\u010dn\u011b \u010d\u00ednsk\u00fd:<\/strong> A\u010dkoli ovlivn\u011bn\u00fd Z\u00e1padem, jeho mandar\u00ednsk\u00fd l\u00edmec, postrann\u00ed rozparky a knofl\u00edkov\u00e9 zap\u00edn\u00e1n\u00ed si zachovaly v\u00fdraznou \u010d\u00ednskou identitu, co\u017e \u017een\u00e1m umo\u017e\u0148ovalo b\u00fdt modern\u00ed, ani\u017e by byly zcela poz\u00e1padn\u011bl\u00e9.<\/li>\n<\/ul>\n

    N\u00e1sleduj\u00edc\u00ed tabulka ilustruje dramatick\u00fd posun v \u017eensk\u00e9m od\u00edv\u00e1n\u00ed a jeho z\u00e1kladn\u00ed symboliku:<\/p>\n\n\n\n\n\n\n\n\n\n\n\n
    Prvek<\/th>\nOble\u010den\u00ed dynastie \u010cching (nap\u0159. Ao-qun)<\/th>\nRan\u011b republik\u00e1nsk\u00e9 \u010dchi-pchao (20.-30. l\u00e9ta 20. stolet\u00ed)<\/th>\n<\/tr>\n<\/thead>\n
    Silueta<\/strong><\/td>\nVoln\u00e1, vrstven\u00e1, zakr\u00fdvaj\u00edc\u00ed t\u011blo. St\u0159ih do „A“ nebo dvoud\u00edln\u00e9.<\/td>\nAerodynamick\u00e9, p\u0159il\u00e9hav\u00e9, zd\u016fraz\u0148uj\u00edc\u00ed p\u0159irozenou k\u0159ivku t\u011bla.<\/td>\n<\/tr>\n
    Konstrukce<\/strong><\/td>\nPloch\u00fd, dvourozm\u011brn\u00fd st\u0159ih.<\/td>\nSt\u0159i\u017een\u00e9 se \u0161ipkami a vsazen\u00fdmi ruk\u00e1vy pro trojrozm\u011brn\u00fd st\u0159ih.<\/td>\n<\/tr>\n
    Ruk\u00e1vy<\/strong><\/td>\nDlouh\u00e9 a \u0161irok\u00e9.<\/td>\nPostupn\u011b se zkracovaly, a\u017e nakonec bez ruk\u00e1v\u016f.<\/td>\n<\/tr>\n
    Lem<\/strong><\/td>\nPo kotn\u00edky, \u010dasto zakr\u00fdvaj\u00edc\u00ed sv\u00e1zan\u00e9 nohy.<\/td>\nZvedl se ke l\u00fdtku a n\u011bkdy ke kolen\u016fm, odhaluje nohy.<\/td>\n<\/tr>\n
    Pohyb<\/strong><\/td>\nOmezuj\u00edc\u00ed a t\u011b\u017ekop\u00e1dn\u00fd.<\/td>\nByly zavedeny a zv\u00fd\u0161eny postrann\u00ed rozparky, aby umo\u017enily snadn\u00fd pohyb.<\/td>\n<\/tr>\n
    Symbolika<\/strong><\/td>\nSkromnost, omezen\u00ed, patriarch\u00e1ln\u00ed kontrola.<\/td>\nModernost, nez\u00e1vislost, osvobozen\u00ed, n\u00e1rodn\u00ed identita.<\/td>\n<\/tr>\n
    Role nositelky<\/strong><\/td>\nP\u0159ev\u00e1\u017en\u011b dom\u00e1c\u00ed, definovan\u00e1 rodinou.<\/td>\nStudentka, profesion\u00e1lka, spole\u010dnice vystupuj\u00edc\u00ed na ve\u0159ejnosti.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    3. Design jako prohl\u00e1\u0161en\u00ed: ruk\u00e1vy, rozparky a spole\u010densk\u00e1 zm\u011bna<\/h3>\n

    Ka\u017ed\u00e1 \u00faprava proveden\u00e1 na \u010dchi-pchao b\u011bhem tohoto obdob\u00ed byla mal\u00fdm aktem vzpoury. Zkracov\u00e1n\u00ed ruk\u00e1v\u016f k odhalen\u00ed pa\u017e\u00ed byla p\u0159\u00edmou v\u00fdzvou stalet\u00edm vynucovan\u00e9 skromnosti. Zvy\u0161ov\u00e1n\u00ed postrann\u00edch rozpark\u016f, kter\u00e9 za\u010dalo jako praktick\u00e9 opat\u0159en\u00ed k usnadn\u011bn\u00ed ch\u016fze, se stalo odv\u00e1\u017en\u00fdm m\u00f3dn\u00edm prohl\u00e1\u0161en\u00edm, kter\u00e9 nab\u00edzelo pohledy na nohu. Zaveden\u00ed nov\u00fdch, leh\u010d\u00edch a \u010dasto dov\u00e1\u017een\u00fdch l\u00e1tek, jako je rayon, demokratizovalo od\u011bv a zp\u0159\u00edstupnilo ho i mimo bohatou elitu. Dokonce i volba nenos\u00edt podprsenku nebo nosit m\u011bkkou, nestrukturovanou podprsenku pod \u010dchi-pchao byla osobn\u00ed volbou, kter\u00e1 potvrzovala t\u011blesnou autonomii.<\/p>\n

    \u0160aty se staly pl\u00e1tnem, na kter\u00e9 \u017eeny prom\u00edtaly sv\u00e9 nov\u00e9 identity. Bylo to prohl\u00e1\u0161en\u00ed, \u017ee jejich t\u011bla pat\u0159\u00ed jim samotn\u00fdm, nikoli p\u0159edm\u011bt\u016fm, kter\u00e9 je t\u0159eba skr\u00fdvat v hanb\u011b. T\u00edm, \u017ee si \u017eena zvolila \u010dchi-pchao s vy\u0161\u0161\u00edm rozparkem, krat\u0161\u00edmi ruk\u00e1vy nebo odv\u00e1\u017en\u011bj\u0161\u00edm vzorem, aktivn\u011b se pod\u00edlela na p\u0159edefinov\u00e1n\u00ed \u017eenskosti v \u010c\u00edn\u011b. N\u00e1rokovala si sv\u00e9 pr\u00e1vo b\u00fdt vid\u011bna, b\u00fdt m\u00f3dn\u00ed a sebev\u011bdom\u011b obsazovat ve\u0159ejn\u00fd prostor.<\/p>\n

    4. N\u00e1rodn\u00ed od\u011bv na sv\u011btov\u00e9 sc\u00e9n\u011b<\/h3>\n

    Jak popularita \u010dchi-pchao rostla, p\u0159ekro\u010dila sv\u016fj status pouh\u00e9ho m\u00f3dn\u00edho kousku a stala se neofici\u00e1ln\u00edm n\u00e1rodn\u00edm od\u011bvem \u010c\u00ednsk\u00e9 republiky. To bylo mocn\u011b demonstrov\u00e1no osobnostmi jako Soong Mei-ling (madame \u010cankaj\u0161ek). B\u011bhem sv\u00fdch cest po Spojen\u00fdch st\u00e1tech ve 30. a 40. letech 20. stolet\u00ed jej\u00ed \u0161atn\u00edk vynikaj\u00edc\u00edch, na m\u00edru \u0161it\u00fdch \u010dchi-pchao p\u0159edstavil sv\u011btu siln\u00fd obraz. Objevila se jako \u017eena, kter\u00e1 byla sofistikovan\u00e1, v\u00fdmluvn\u00e1 a nesporn\u011b modern\u00ed, ale hluboce \u010d\u00ednsk\u00e1. \u010cchi-pchao se v jej\u00edch rukou stalo n\u00e1strojem kulturn\u00ed diplomacie, zt\u011bles\u0148uj\u00edc\u00edm n\u00e1rod usiluj\u00edc\u00ed o modernitu na sv\u00fdch vlastn\u00edch podm\u00ednk\u00e1ch.<\/p>\n

    Rod\u00edc\u00ed se \u010d\u00ednsk\u00fd filmov\u00fd pr\u016fmysl d\u00e1le upevnil ikonick\u00fd status \u010dchi-pchao. Here\u010dky jako Ruan Lingyu a Hu Die se staly m\u00f3dn\u00edmi ikonami, jejich\u017e \u0161atn\u00edk na pl\u00e1tn\u011b i mimo n\u011bj inspiroval trendy po cel\u00e9 zemi. \u010cchi-pchao ji\u017e nebylo jen \u0161aty; bylo symbolem ok\u00e1zalosti, aspirace a sd\u00edlen\u00e9 n\u00e1rodn\u00ed kultury. Pro ty, kte\u0159\u00ed se cht\u011bj\u00ed hloub\u011bji pono\u0159it do konkr\u00e9tn\u00edch styl\u016f, kter\u00e9 tyto historick\u00e9 postavy nosily, nab\u00edzej\u00ed platformy jako PandaSilk.com podrobn\u00e9 anal\u00fdzy a vizu\u00e1ln\u00ed archivy, kter\u00e9 spojuj\u00ed v\u00fdvoj \u0161at\u016f se \u017eenami, kter\u00e9 je proslavily.<\/p>\n

    5. Potla\u010den\u00ed, p\u0159e\u017eit\u00ed a modern\u00ed obrozen\u00ed<\/h3>\n

    Zlat\u00fd v\u011bk \u010dchi-pchao n\u00e1hle skon\u010dil se zalo\u017een\u00edm \u010c\u00ednsk\u00e9 lidov\u00e9 republiky v roce 1949. Pod vl\u00e1dou Komunistick\u00e9 strany bylo \u010dchi-pchao odsouzeno jako bur\u017eoazn\u00ed, symbol dekadentn\u00edho, kapitalistick\u00e9ho Z\u00e1padu a feud\u00e1ln\u00ed minulosti. Bylo potla\u010deno b\u011bhem Kulturn\u00ed revoluce a nahrazeno unisexov\u00fdm, utilit\u00e1rn\u00edm Mao oblekem, jeho\u017e c\u00edlem bylo vymazat t\u0159\u00eddn\u00ed a genderov\u00e9 rozd\u00edly. Od\u011bv osvobozen\u00ed se nyn\u00ed s\u00e1m stal ter\u010dem politick\u00e9ho \u00fatlaku.<\/p>\n

    \u010cchi-pchao v\u0161ak nezmizelo. P\u0159e\u017eilo a d\u00e1le se vyv\u00edjelo v Hongkongu, na Tchaj-wanu a v \u010d\u00ednsk\u00fdch diaspor\u00e1ch po cel\u00e9m sv\u011bt\u011b. V Hongkongu z\u016fstalo a\u017e do 60. let 20. stolet\u00ed z\u00e1kladn\u00edm od\u011bvem pro ka\u017edodenn\u00ed no\u0161en\u00ed pro mnoho \u017een a stalo se symbolem v\u00fdrazn\u00e9 hongkongsk\u00e9 identity. Dnes za\u017e\u00edv\u00e1 \u010dchi-pchao renesanci jak v \u010c\u00edn\u011b, tak glob\u00e1ln\u011b. Bylo znovu p\u0159ijato jako symbol kulturn\u00edho d\u011bdictv\u00ed, \u010dasto no\u0161en\u00fd na svatb\u00e1ch a form\u00e1ln\u00edch ud\u00e1lostech. Jeho modern\u00ed identita je v\u0161ak slo\u017eit\u00e1. Kr\u00e1\u010d\u00ed po tenk\u00e9 hran\u011b mezi t\u00edm, b\u00fdt symbolem kulturn\u00ed hrdosti a pos\u00edlen\u00ed postaven\u00ed, a b\u00fdt n\u011bkdy feti\u0161izov\u00e1no nebo vn\u00edm\u00e1no jako kost\u00fdm.<\/p>\n

    Cesta \u010dchi-pchao je zrcadlem slo\u017eit\u00e9 cesty \u010d\u00ednsk\u00e9 \u017eeny ve 20. a 21. stolet\u00ed. Je to p\u0159\u00edb\u011bh o osvobozen\u00ed, o sebeur\u010den\u00ed, o politick\u00e9m vyj\u00e1d\u0159en\u00ed a o vyjedn\u00e1v\u00e1n\u00ed mezi tradic\u00ed a modernitou. Za\u010dalo jako odv\u00e1\u017en\u00e9 prohl\u00e1\u0161en\u00ed proti patriarch\u00e1ln\u00edmu syst\u00e9mu, stalo se uniformou nov\u00e9, osvobozen\u00e9 \u017eeny, slou\u017eilo jako n\u00e1rodn\u00ed symbol na sv\u011btov\u00e9 sc\u00e9n\u011b, p\u0159e\u017eilo desetilet\u00ed politick\u00e9ho \u00fatlaku a znovu se objevilo jako cen\u011bn\u00e1, by\u0165 komplikovan\u00e1, ikona kulturn\u00ed identity. \u010cchi-pchao je mnohem v\u00edc ne\u017e kr\u00e1sn\u00e9 \u0161aty; je to nositeln\u00fd archiv revoluce, sv\u011bdectv\u00ed o trval\u00e9 snaze o \u017eenskou emancipaci.<\/p>\n","protected":false},"excerpt":{"rendered":"

    \u010cchi-pchao, zn\u00e1m\u00e9 tak\u00e9 jako cheongsam, je ikonou \u010d\u00ednsk\u00e9 kultury, okam\u017eit\u011b rozpoznateln\u00e9 d\u00edky sv\u00e9mu elegantn\u00edmu, p\u0159il\u00e9hav\u00e9mu st\u0159ihu, vysok\u00e9mu l\u00edmci a jemn\u00e9mu \u0159emesln\u00e9mu zpracov\u00e1n\u00ed. V modern\u00ed glob\u00e1ln\u00ed p\u0159edstavivosti \u010dasto evokuje obrazy skromn\u00e9 \u017eenskosti, nostalgick\u00e9 ok\u00e1zalosti, jak je vid\u011bt ve filmech jako „L\u00e1ska v prom\u011bn\u00e1ch \u010dasu“, nebo jako slavnostn\u00ed od\u011bv vyhrazen\u00fd pro zvl\u00e1\u0161tn\u00ed p\u0159\u00edle\u017eitosti. Omezit \u010dchi-pchao na tyto<\/p>\n","protected":false},"author":1,"featured_media":163686,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37823],"tags":[],"class_list":["post-165458","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-faqs-cs","prodpage-classic"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts\/165458","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/comments?post=165458"}],"version-history":[{"count":0,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts\/165458\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/media\/163686"}],"wp:attachment":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/media?parent=165458"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/categories?post=165458"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/tags?post=165458"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}