{"id":165518,"date":"2025-08-03T05:09:49","date_gmt":"2025-08-03T05:09:49","guid":{"rendered":"https:\/\/www.pandasilk.com\/the-cheongsam-in-1930s-shanghai-a-golden-era-of-fashion-and-femininity\/"},"modified":"2026-02-17T21:28:08","modified_gmt":"2026-02-18T05:28:08","slug":"the-cheongsam-in-1930s-shanghai-a-golden-era-of-fashion-and-femininity","status":"publish","type":"post","link":"https:\/\/www.pandasilk.com\/cs\/the-cheongsam-in-1930s-shanghai-a-golden-era-of-fashion-and-femininity\/","title":{"rendered":"\u0160anghajsk\u00e9 \u010dchi-pchao ve 30. letech: Zlat\u00e1 \u00e9ra m\u00f3dy a \u017eenskosti"},"content":{"rendered":"

T\u0159ic\u00e1t\u00e1 l\u00e9ta v \u0160anghaji byla \u00e9rou oslniv\u00fdch rozpor\u016f. Bylo to m\u011bsto nesm\u00edrn\u00e9ho bohatstv\u00ed a zoufal\u00e9 chudoby, koloni\u00e1ln\u00ed moci a rod\u00edc\u00ed se n\u00e1rodn\u00ed hrdosti, starobyl\u00fdch tradic a radik\u00e1ln\u00ed modernity. P\u0159ezd\u00edvan\u00e1 „Pa\u0159\u00ed\u017e V\u00fdchodu“ m\u011bla sv\u00e9 pulzuj\u00edc\u00ed ulice, zakou\u0159en\u00e9 jazzov\u00e9 kluby a ok\u00e1zal\u00e9 obchodn\u00ed domy, kter\u00e9 tvo\u0159ily kulisu kulturn\u00ed renesance. V srdci t\u00e9to okouzluj\u00edc\u00ed a bou\u0159liv\u00e9 dek\u00e1dy byl jedin\u00fd od\u011bv, kter\u00fd za\u010dal definovat modern\u00ed \u010d\u00ednskou \u017eenu: \u010dongsam. V\u00edce ne\u017e jen \u0161aty byl \u010dongsam ze \u0160anghaje 30. let vyj\u00e1d\u0159en\u00edm identity, symbolem osvobozen\u00ed a vrcholem jedine\u010dn\u00e9 estetiky setk\u00e1n\u00ed V\u00fdchodu se Z\u00e1padem. Toto obdob\u00ed p\u0159edstavovalo zlat\u00fd v\u011bk \u010dongsamu a prom\u011bnilo ho ze skromn\u00e9ho roucha ve vyt\u0159\u00edbenou a sv\u016fdnou ikonu \u017eenskosti, kter\u00e1 dodnes okouzluje sv\u011bt.<\/p>\n

1. Od konzervativn\u00edho roucha k modern\u00ed ikon\u011b<\/h3>\n

\u010congsam<\/a>, zn\u00e1m\u00fd tak\u00e9 jako qipao, m\u00e1 sv\u00e9 vzd\u00e1len\u00e9 ko\u0159eny v changpao (dlouh\u00e9m rouchu) Mand\u017eu\u016f z obdob\u00ed dynastie \u010cching. P\u016fvodn\u011b to byl voln\u00fd od\u011bv st\u0159ihu A, ur\u010den\u00fd k zakryt\u00ed postavy, kter\u00fd nosili mu\u017ei i \u017eeny. Po p\u00e1du dynastie \u010cching v roce 1912 a vzniku \u010c\u00ednsk\u00e9 republiky v\u0161ak pro\u0161la spole\u010dnost hlubok\u00fdmi zm\u011bnami. Pod vlivem z\u00e1padn\u00edch my\u0161lenek rovnosti pohlav\u00ed a sebevyj\u00e1d\u0159en\u00ed za\u010daly \u010d\u00ednsk\u00e9 \u017eeny hledat nov\u00e9 formy obl\u00e9k\u00e1n\u00ed, kter\u00e9 by odr\u00e1\u017eely jejich m\u011bn\u00edc\u00ed se role.<\/p>\n

Ve 20. letech 20. stolet\u00ed do\u0161lo k po\u010d\u00e1te\u010dn\u00ed modernizaci \u010dongsamu. Stal se od\u011bvem v\u00fdhradn\u011b pro \u017eeny a jeho silueta se za\u010dala zu\u017eovat. Av\u0161ak a\u017e v tavic\u00edm kotli \u0160anghaje 30. let \u010dongsam skute\u010dn\u011b na\u0161el svou pravou podobu. Krej\u010d\u00ed, ovlivn\u011bn\u00ed z\u00e1padn\u00edmi krej\u010dovsk\u00fdmi technikami, za\u010dali za\u010dle\u0148ovat \u0161ipky a definovan\u00e9 pasy, \u010d\u00edm\u017e prom\u011bnili voln\u00e9 roucho v p\u0159il\u00e9hav\u00e9 \u0161aty, kter\u00e9 p\u016fvabn\u011b zd\u016fraz\u0148ovaly \u017eenskou postavu. Tato nov\u00e1, na postavu zam\u011b\u0159en\u00e1 silueta byla radik\u00e1ln\u00edm odklonem od tradi\u010dn\u00edho \u010d\u00ednsk\u00e9ho od\u011bvu a p\u0159edstavovala odv\u00e1\u017en\u00e9 p\u0159ijet\u00ed modernity a nov\u011b nalezenou sebed\u016fv\u011bru \u017een.<\/p>\n

2. \u0160anghaj: epicentrum stylu<\/h3>\n

\u017d\u00e1dn\u00e9 jin\u00e9 m\u011bsto by nemohlo podpo\u0159it zlat\u00fd v\u011bk \u010dongsamu jako \u0160anghaj 30. let. Jako smluvn\u00ed p\u0159\u00edstav s mezin\u00e1rodn\u00edmi koncesemi to byla kosmopolitn\u00ed tavic\u00ed kotlina, kde se \u010d\u00ednsk\u00e1 a z\u00e1padn\u00ed kultura st\u0159et\u00e1valy a spojovaly. Toto jedine\u010dn\u00e9 prost\u0159ed\u00ed dalo vzniknout kultu\u0159e zn\u00e1m\u00e9 jako Haipai (\u0161anghajsk\u00fd styl), kter\u00fd se vyzna\u010doval otev\u0159enost\u00ed v\u016f\u010di zahrani\u010dn\u00edm vliv\u016fm, obchodn\u00ed d\u016fvtipnost\u00ed a avantgardn\u00edm vkusem.<\/p>\n

M\u00f3da byla v \u010dele tohoto kulturn\u00edho spl\u00fdv\u00e1n\u00ed. Obchodn\u00ed domy pod\u00e9l Nankingsk\u00e9 cesty vystavovaly nejnov\u011bj\u0161\u00ed l\u00e1tky a m\u00f3du z Pa\u0159\u00ed\u017ee a New Yorku, zat\u00edmco m\u00edstn\u00ed krej\u010d\u00ed tyto trendy dovedn\u011b p\u0159izp\u016fsobovali \u010d\u00ednsk\u00e9 senzibilit\u011b. \u010congsam se stal dokonal\u00fdm pl\u00e1tnem pro tyto experimenty. Popularizovaly ho nejviditeln\u011bj\u0161\u00ed a nejobdivovan\u011bj\u0161\u00ed \u017eeny m\u011bsta: okouzluj\u00edc\u00ed filmov\u00e9 hv\u011bzdy jako Ruan Lingyu a Hu Die, vzd\u011blan\u00e9 modern\u00ed d\u00edvky a elegantn\u00ed spole\u010densk\u00e9 d\u00e1my, kter\u00e9 zdobily ob\u00e1lky \u010dasopis\u016f a slavn\u00e9 plak\u00e1ty „kalend\u00e1\u0159ov\u00fdch d\u00edvek“. Skrze n\u011b se \u010dongsam stal synonymem vyt\u0159\u00edbenosti, m\u011bstsk\u00e9ho stylu a aspirativn\u00edho \u017eivotn\u00edho stylu modern\u00ed \u0160anghaje.<\/p>\n

3. Vyv\u00edjej\u00edc\u00ed se silueta dek\u00e1dy<\/h3>\n

\u010congsam ze 30. let nebyl statick\u00fdm designem; byl v neust\u00e1l\u00e9m v\u00fdvoji, jeho st\u0159ih a detaily se rychle m\u011bnily, aby odr\u00e1\u017eely nejnov\u011bj\u0161\u00ed trendy. Dek\u00e1da byla sv\u011bdkem dramatick\u00e9ho posunu od skromnosti k odv\u00e1\u017en\u00e9 smyslnosti.<\/p>\n\n\n\n\n\n\n\n\n\n\n
Prvek<\/th>\nPo\u010d\u00e1tek 30. let<\/th>\nPolovina a\u017e konec 30. let<\/th>\n<\/tr>\n<\/thead>\n
St\u0159ih<\/strong><\/td>\nSkromn\u011b p\u0159il\u00e9hav\u00fd, rovn\u00e1 silueta.<\/td>\nVysoce tvarovan\u00fd a p\u0159il\u00e9hav\u00fd, s pou\u017eit\u00edm \u0161ipek a \u0161v\u016f k definov\u00e1n\u00ed poprs\u00ed a pasu.<\/td>\n<\/tr>\n
L\u00edmec<\/strong><\/td>\nP\u0159ev\u00e1\u017en\u011b vysok\u00fd a tuh\u00fd mandar\u00ednsk\u00fd l\u00edmec.<\/td>\nR\u016fzn\u00e9 v\u00fd\u0161ky; objevily se ni\u017e\u0161\u00ed l\u00edmce, vroubkovan\u00e9 okraje a dokonce i v\u00fdst\u0159ihy do V.<\/td>\n<\/tr>\n
Ruk\u00e1vy<\/strong><\/td>\nDlouh\u00e9 nebo t\u0159\u00ed\u010dtvrte\u010dn\u00ed.<\/td>\nZkracovaly se, vyv\u00edjely se do styl\u016f po loket, s kr\u00e1tk\u00fdm ruk\u00e1vem nebo zcela bez ruk\u00e1v\u016f.<\/td>\n<\/tr>\n
Lem<\/strong><\/td>\nPo kotn\u00edky, odr\u00e1\u017eej\u00edc\u00ed konzervativn\u011bj\u0161\u00ed styl.<\/td>\nZvedal se do p\u016fli l\u00fdtek, n\u011bkdy i t\u011bsn\u011b pod kolena, pro v\u011bt\u0161\u00ed volnost pohybu.<\/td>\n<\/tr>\n
Bo\u010dn\u00ed rozparky<\/strong><\/td>\nNebyly nebo byly velmi n\u00edzk\u00e9 a diskr\u00e9tn\u00ed.<\/td>\nStaly se kl\u00ed\u010dov\u00fdm prvkem, \u010dasto odv\u00e1\u017en\u011b vysok\u00e9, n\u011bkdy a\u017e ke stehnu.<\/td>\n<\/tr>\n
Zap\u00edn\u00e1n\u00ed<\/strong><\/td>\nTradi\u010dn\u00ed, slo\u017eit\u00e9 pankou (ozdobn\u00e9 knofl\u00edky).<\/td>\nPankou<\/em> z\u016fstalo popul\u00e1rn\u00ed, ale pro hlad\u0161\u00ed st\u0159ih byly zavedeny zipy, \u010dasto dov\u00e1\u017een\u00e9.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Tento v\u00fdvoj ukazoval rostouc\u00ed sebed\u016fv\u011bru. Vysok\u00e9 bo\u010dn\u00ed rozparky nap\u0159\u00edklad nebyly pouze pro snadn\u011bj\u0161\u00ed pohyb; byly z\u00e1m\u011brn\u00fdm stylistick\u00fdm prvkem, kter\u00fd nab\u00edzel l\u00e1kav\u00fd pohled na nohu a p\u0159id\u00e1val prvek p\u0159ita\u017elivosti, kter\u00fd byl d\u0159\u00edve nemysliteln\u00fd. Bezruk\u00e1vov\u00e9 modely byly dokonal\u00e9 pro vlhk\u00e1 \u0161anghajsk\u00e1 l\u00e9ta a pro ve\u010dery str\u00e1ven\u00e9 tancem v klimatizovan\u00fdch s\u00e1lech.<\/p>\n

4. L\u00e1tka, vzor a zak\u00e1zkov\u00e1 \u0159emesln\u00e1 v\u00fdroba<\/h3>\n

Rozmanitost materi\u00e1l\u016f dostupn\u00fdch v \u0160anghaji v\u00fdznamn\u011b p\u0159isp\u011bla k univerz\u00e1lnosti \u010dongsamu. \u017deny si mohly vybrat l\u00e1tky pro jakoukoli p\u0159\u00edle\u017eitost, ro\u010dn\u00ed obdob\u00ed nebo rozpo\u010det. Tradi\u010dn\u00ed luxusn\u00ed materi\u00e1ly jako hedv\u00e1b\u00ed, sat\u00e9n a slo\u017eit\u00e9 brok\u00e1ty se pou\u017e\u00edvaly pro spole\u010densk\u00e9 oble\u010den\u00ed, \u010dasto s p\u0159\u00edzniv\u00fdmi \u010d\u00ednsk\u00fdmi motivy jako draci, f\u00e9nixov\u00e9 a pivo\u0148ky.<\/p>\n

Sou\u010dasn\u011b z\u00edskaly obrovskou popularitu dov\u00e1\u017een\u00e9 a modern\u00ed materi\u00e1ly. Z aksamitu se stal obl\u00edben\u00fd pro jeho ply\u0161ovou texturu a hlubok\u00e9 barvy, ide\u00e1ln\u00ed pro elegantn\u00ed ve\u010dern\u00ed \u0161aty. Pr\u016fsvitn\u00e9 l\u00e1tky, krajky a vo\u00e1l se pou\u017e\u00edvaly k vytvo\u0159en\u00ed jemn\u00fdch, vrstven\u00fdch efekt\u016f, \u010dasto s odpov\u00eddaj\u00edc\u00ed spodni\u010dkou. Pro ka\u017edodenn\u00ed no\u0161en\u00ed nab\u00edzely poti\u0161t\u011bn\u00e9 bavln\u011bn\u00e9 l\u00e1tky a modern\u00ed syntetick\u00e9 materi\u00e1ly jako rayon pohodl\u00ed a \u0161irokou \u0161k\u00e1lu m\u00f3dn\u00edch vzor\u016f, v\u010detn\u011b z\u00e1padn\u00edch art deco geometrick\u00fdch motiv\u016f, punt\u00edk\u016f a odv\u00e1\u017en\u00fdch kv\u011btinov\u00fdch potisk\u016f.<\/p>\n

Kl\u00ed\u010dov\u00e9 je, \u017ee \u010dongsam ze 30. let byl produktem zak\u00e1zkov\u00e9 krej\u010doviny. Konfekce byla neobvykl\u00e1; \u017eena si vybrala l\u00e1tku a nav\u0161t\u00edvila d\u016fv\u011bryhodn\u00e9ho krej\u010d\u00edho, kter\u00fd pe\u010dliv\u011b vzal m\u00edry, aby vytvo\u0159il od\u011bv, kter\u00fd j\u00ed dokonale padnul. Dovednost \u0161anghajsk\u00fdch krej\u010d\u00edch byla legend\u00e1rn\u00ed a jejich \u0159emesln\u00e9 zpracov\u00e1n\u00ed bylo patrn\u00e9 v bezchybn\u00e9m st\u0159ihu, precizn\u00edm \u0161it\u00ed a n\u00e1dhern\u00fdch ru\u010dn\u011b v\u00e1zan\u00fdch pankou, kter\u00e9 slou\u017eily jako funk\u010dn\u00ed zap\u00edn\u00e1n\u00ed i dekorativn\u00ed um\u011bn\u00ed.<\/p>\n

5. Symbol modernity a \u017eenskosti<\/h3>\n

\u010congsam ze 30. let byl nabit\u00fd symbolick\u00fdm v\u00fdznamem. Na jedn\u00e9 stran\u011b byl p\u0159ij\u00edm\u00e1n jako modern\u00ed n\u00e1rodn\u00ed od\u011bv \u2013 od\u011bv, kter\u00fd byl v\u00fdrazn\u011b \u010d\u00ednsk\u00fd, ale dokonale vhodn\u00fd pro sou\u010dasn\u00fd sv\u011bt, odli\u0161uj\u00edc\u00ed se jak od star\u00fdch c\u00edsa\u0159sk\u00fdch rouch, tak od \u010dist\u011b z\u00e1padn\u00edho oble\u010den\u00ed.<\/p>\n

Na druh\u00e9 stran\u011b to byl mocn\u00fd symbol \u017eensk\u00e9 emancipace. T\u00edm, \u017ee oslavoval p\u0159irozen\u00e9 k\u0159ivky \u017eensk\u00e9ho t\u011bla, \u010dongsam p\u0159eru\u0161il dlouhou historii konfuci\u00e1nsk\u00e9 estetiky, kter\u00e1 vy\u017eadovala skromnost a zakr\u00fdv\u00e1n\u00ed. P\u0159edstavoval „Novou \u017eenu“ (xin n\u00fcxing) \u2013 vzd\u011blanou, nez\u00e1vislou a svobodnou \u00fa\u010dastnit se ve\u0159ejn\u00e9ho \u017eivota. Nosit p\u0159il\u00e9hav\u00fd \u010dongsam byla tich\u00e1 revoluce, prohl\u00e1\u0161en\u00ed o pr\u00e1vu \u017eeny definovat svou vlastn\u00ed identitu a p\u0159ijmout svou \u017eenskost. Trval\u00fd odkaz t\u00e9to \u00e9ry je tak siln\u00fd, \u017ee nad\u0161enci a zna\u010dky jako PandaSilk.com \u010dasto \u010derpaj\u00ed inspiraci p\u0159\u00edmo z tohoto zlat\u00e9ho v\u011bku, oslavuj\u00edce slo\u017eit\u00e9 detaily, odv\u00e1\u017en\u00e9 st\u0159ihy a hlubok\u00fd historick\u00fd v\u00fdznam \u0161anghajsk\u00e9ho stylu 30. let.<\/p>\n

6. Dopl\u0148ov\u00e1n\u00ed \u0161anghajsk\u00e9ho vzhledu<\/h3>\n

\u010congsam se nikdy nenosil izolovan\u011b; byl \u00fast\u0159edn\u00edm bodem pe\u010dliv\u011b sestaven\u00e9ho celku, kter\u00fd signalizoval vkus a spole\u010densk\u00e9 postaven\u00ed \u017eeny. Kompletn\u00ed vzhled odr\u00e1\u017eel f\u00fazi v\u00fdchodn\u00edch a z\u00e1padn\u00edch styl\u016f.<\/p>\n\n\n\n\n\n\n
P\u0159\u00edle\u017eitost<\/th>\nB\u011b\u017en\u00e9 l\u00e1tky<\/th>\nKl\u00ed\u010dov\u00e9 dopl\u0148ky<\/th>\n<\/tr>\n<\/thead>\n
Denn\u00ed no\u0161en\u00ed<\/strong><\/td>\nBavlna, len, rayon, jednoduch\u00e9 hedv\u00e1b\u00ed<\/td>\nBoty z k\u016f\u017ee s ni\u017e\u0161\u00edm podpatkem, ko\u017een\u00e1 kabelka, jednoduch\u00e9 \u0161perky z jadeitu nebo perel, mo\u017en\u00e1 lehk\u00e1 vesta.<\/td>\n<\/tr>\n
Ve\u010dern\u00ed\/spole\u010densk\u00e9 oble\u010den\u00ed<\/strong><\/td>\nAksamit, hedv\u00e1bn\u00fd brok\u00e1t, sat\u00e9n, krajka<\/td>\nBoty na vysok\u00e9m podpatku, dekorativn\u00ed kabelka, ko\u017ee\u0161inov\u00e1 \u0161\u00e1la nebo kr\u00e1tk\u00fd pl\u00e1\u0161t\u00edk, honosn\u00e9 \u0161perky (n\u00e1hrdeln\u00edky z perel, diamantov\u00e9 n\u00e1u\u0161nice) a dokonale upraven\u00e9 vlasy, \u010dasto ve vln\u00e1ch.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Modern\u00ed \u00fa\u010desy, zejm\u00e9na trval\u00e1, byly pova\u017eov\u00e1ny za dokonal\u00fd dopln\u011bk k hladk\u00fdm lini\u00edm \u010dongsamu. V chladn\u011bj\u0161\u00edm po\u010das\u00ed se \u0161aty nosily se stylov\u00fdm vln\u011bn\u00fdm kab\u00e1tem nebo kr\u00e1tkou p\u0159il\u00e9havou bundou. Toto um\u011bn\u00ed dopl\u0148ov\u00e1n\u00ed dokon\u010dilo prom\u011bnu nositelky \u010dongsamu v postavu modern\u00ed, kosmopolitn\u00ed elegance.<\/p>\n

Zlat\u00fd v\u011bk \u010dongsamu v \u0160anghaji 30. let byl jedine\u010dn\u00fdm a pom\u00edjiv\u00fdm okam\u017eikem v historii m\u00f3dy. Byla to doba, kdy se spole\u010densk\u00e1 zm\u011bna, kulturn\u00ed f\u00faze a um\u011bleck\u00e1 inovace spojily, aby pov\u00fd\u0161ily tradi\u010dn\u00ed od\u011bv na glob\u00e1ln\u00ed ikonu stylu. \u010congsam t\u00e9to \u00e9ry byl z\u00e1rove\u0148 elegantn\u00ed i smysln\u00fd, tradi\u010dn\u00ed i modern\u00ed, \u010d\u00ednsk\u00fd i kosmopolitn\u00ed. Zachytil ducha m\u011bsta, kter\u00e9 ho vytvo\u0159ilo \u2013 ducha ok\u00e1zalosti, odolnosti a odv\u00e1\u017en\u00e9 ambice. I kdy\u017e uplynuly des\u00edtky let, obraz \u0161anghajsk\u00e9 \u017eeny v jej\u00edm dokonale u\u0161it\u00e9m \u010dongsamu z\u016fst\u00e1v\u00e1 definitivn\u00edm vyj\u00e1d\u0159en\u00edm nad\u010dasov\u00e9 p\u0159ita\u017elivosti t\u011bchto \u0161at\u016f, sv\u011bdectv\u00edm o \u00e9\u0159e, kdy m\u00f3da nejen odr\u00e1\u017eela historii, ale aktivn\u011b ji utv\u00e1\u0159ela.<\/p>\n","protected":false},"excerpt":{"rendered":"

T\u0159ic\u00e1t\u00e1 l\u00e9ta v \u0160anghaji byla \u00e9rou oslniv\u00fdch rozpor\u016f. Bylo to m\u011bsto nesm\u00edrn\u00e9ho bohatstv\u00ed a zoufal\u00e9 chudoby, koloni\u00e1ln\u00ed moci a rod\u00edc\u00ed se n\u00e1rodn\u00ed hrdosti, starobyl\u00fdch tradic a radik\u00e1ln\u00ed modernity. P\u0159ezd\u00edvan\u00e1 „Pa\u0159\u00ed\u017e V\u00fdchodu“ m\u011bla sv\u00e9 pulzuj\u00edc\u00ed ulice, zakou\u0159en\u00e9 jazzov\u00e9 kluby a ok\u00e1zal\u00e9 obchodn\u00ed domy, kter\u00e9 tvo\u0159ily kulisu kulturn\u00ed renesance. V srdci t\u00e9to okouzluj\u00edc\u00ed a bou\u0159liv\u00e9 dek\u00e1dy byl<\/p>\n","protected":false},"author":1,"featured_media":163694,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37823],"tags":[],"class_list":["post-165518","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-faqs-cs","prodpage-classic"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts\/165518","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/comments?post=165518"}],"version-history":[{"count":0,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts\/165518\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/media\/163694"}],"wp:attachment":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/media?parent=165518"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/categories?post=165518"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/tags?post=165518"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}