{"id":165678,"date":"2025-08-03T01:51:55","date_gmt":"2025-08-03T01:51:55","guid":{"rendered":"https:\/\/www.pandasilk.com\/traditional-costumes-of-asia\/"},"modified":"2026-02-17T21:28:26","modified_gmt":"2026-02-18T05:28:26","slug":"traditional-costumes-of-asia","status":"publish","type":"post","link":"https:\/\/www.pandasilk.com\/cs\/traditional-costumes-of-asia\/","title":{"rendered":"Tradi\u010dn\u00ed kroje Asie"},"content":{"rendered":"

Kontinent Asie, rozlehl\u00e1 a rozmanit\u00e1 kol\u00e9bka starov\u011bk\u00fdch civilizac\u00ed, je \u017eivouc\u00ed mozaikou kultur, jazyk\u016f a tradic. Ned\u00edlnou sou\u010d\u00e1st\u00ed t\u00e9to kulturn\u00ed identity jsou tradi\u010dn\u00ed kroje, kter\u00e9 jej\u00ed obyvatele zdob\u00ed po tis\u00edcilet\u00ed. Nejsou to pouh\u00e9 od\u011bvy, ale hlubok\u00e9 vyj\u00e1d\u0159en\u00ed historie, spole\u010densk\u00e9ho postaven\u00ed, spirituality a um\u011bleck\u00e9ho d\u011bdictv\u00ed. Od hedv\u00e1bn\u00e9 elegance japonsk\u00e9ho kimona po dev\u00edtiyardov\u00fd z\u00e1zrak indick\u00e9ho s\u00e1r\u00ed, ka\u017ed\u00fd kroj vypr\u00e1v\u00ed jedine\u010dn\u00fd p\u0159\u00edb\u011bh formovan\u00fd podneb\u00edm, filozofi\u00ed a vzestupy a p\u00e1dy dynasti\u00ed. Tyto od\u011bvy nejsou statick\u00fdmi relikviemi minul\u00e9 \u00e9ry; jsou to \u017eiv\u00e9 tradice, kter\u00e9 se vyv\u00edjej\u00ed s dobou, ale pevn\u011b se dr\u017e\u00ed sv\u00e9 kulturn\u00ed podstaty, a s hrdost\u00ed se nos\u00ed d\u00e1l p\u0159i oslav\u00e1ch, ob\u0159adech a v n\u011bkter\u00fdch p\u0159\u00edpadech i v ka\u017edodenn\u00edm \u017eivot\u011b. Tato pr\u016fzkumn\u00e1 cesta n\u00e1s zav\u00e1d\u00ed do slo\u017eit\u00e9ho sv\u011bta asijsk\u00fdch tradi\u010dn\u00edch kroj\u016f, zkoum\u00e1 jejich historii, konstrukci a trval\u00fd v\u00fdznam v modern\u00ed dob\u011b.<\/p>\n

1. Japonsko: Kimono<\/h3>\n

Kimono, co\u017e doslova znamen\u00e1 \u201ev\u011bc k no\u0161en\u00ed\u201c, je pravd\u011bpodobn\u011b nejikoni\u010dt\u011bj\u0161\u00edm japonsk\u00fdm od\u011bvem. Jeho elegantn\u00ed tvar ve tvaru p\u00edsmene T a slo\u017eit\u00e9 vzory jsou po cel\u00e9m sv\u011bt\u011b zn\u00e1m\u00e9 jako symbol japonsk\u00e9 elegance a vyt\u0159\u00edbenosti. P\u016fvod kimona lze vysledovat a\u017e do obdob\u00ed Heian (794\u20131185), ale b\u011bhem obdob\u00ed Edo (1603\u20131868) se vyvinulo do slo\u017eit\u00e9ho a um\u011bleck\u00e9ho od\u011bvu, jak\u00fd zn\u00e1me dnes.<\/p>\n

Kimono nen\u00ed jedin\u00fd kus oble\u010den\u00ed, ale soubor r\u016fzn\u00fdch sou\u010d\u00e1st\u00ed, kter\u00e9 se mus\u00ed obl\u00e9kat v ur\u010dit\u00e9m po\u0159ad\u00ed. Hlavn\u00ed r\u00f3ba je upevn\u011bna \u0161irok\u00fdm, dekorativn\u00edm p\u00e1sem zvan\u00fdm obi<\/em>, kter\u00fd je s\u00e1m o sob\u011b um\u011bleck\u00fdm d\u00edlem. Volba kimona \u2013 jeho l\u00e1tka, barva a vzor \u2013 sd\u011bluje mnoho informac\u00ed o nositeli, v\u010detn\u011b v\u011bku, rodinn\u00e9ho stavu a form\u00e1lnosti p\u0159\u00edle\u017eitosti. Nap\u0159\u00edklad mlad\u00e1, svobodn\u00e1 \u017eena by mohla pro form\u00e1ln\u00ed ud\u00e1lost, jako je Den dosp\u011blosti, nosit furisode<\/em>, kimono s dlouh\u00fdmi, spl\u00fdvav\u00fdmi ruk\u00e1vy, zat\u00edmco vdan\u00e1 \u017eena by nosila tomesode<\/em> s krat\u0161\u00edmi ruk\u00e1vy. Dnes se kimono nos\u00ed pouze p\u0159i zvl\u00e1\u0161tn\u00edch p\u0159\u00edle\u017eitostech, jako jsou svatby, \u010dajov\u00e9 ob\u0159ady a festivaly, \u010d\u00edm\u017e si zachov\u00e1v\u00e1 status od\u011bvu s kulturn\u00edm v\u00fdznamem.<\/p>\n\n\n\n\n\n\n\n\n\n\n
Sou\u010d\u00e1st<\/th>\nPopis<\/th>\n<\/tr>\n<\/thead>\n
Kimono<\/strong><\/td>\nHlavn\u00ed r\u00f3ba ve tvaru p\u00edsmene T, obvykle vyroben\u00e1 z hedv\u00e1b\u00ed, bavlny nebo lnu.<\/td>\n<\/tr>\n
Obi<\/strong><\/td>\n\u0160irok\u00fd, dekorativn\u00ed p\u00e1s uv\u00e1zan\u00fd kolem pasu k upevn\u011bn\u00ed kimona.<\/td>\n<\/tr>\n
Nagajuban<\/strong><\/td>\nSpodn\u00ed kimono, kter\u00e9 se nos\u00ed pod vrchn\u00edm, aby z\u016fstalo \u010dist\u00e9.<\/td>\n<\/tr>\n
Obi-jime<\/strong><\/td>\nDekorativn\u00ed \u0161\u0148\u016frka uv\u00e1zan\u00e1 kolem st\u0159edu obi, aby ji dr\u017eela na m\u00edst\u011b.<\/td>\n<\/tr>\n
Tabi<\/strong><\/td>\nTradi\u010dn\u00ed pono\u017eky s odd\u011blen\u00fdm palcem.<\/td>\n<\/tr>\n
Zori\/Geta<\/strong><\/td>\nTradi\u010dn\u00ed obuv s p\u00e1skem mezi prsty. Zori jsou ploch\u00e9, zat\u00edmco Geta jsou vyv\u00fd\u0161en\u00e9 na d\u0159ev\u011bn\u00fdch podr\u00e1\u017ek\u00e1ch.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

2. \u010c\u00edna: Od Hanfu k Cheongsamu<\/h3>\n

Rozs\u00e1hl\u00e1 historie \u010c\u00edny dala vzniknout bohat\u00e9 a rozmanit\u00e9 \u0161k\u00e1le tradi\u010dn\u00edho oble\u010den\u00ed. Dv\u011b nejv\u00fdznamn\u011bj\u0161\u00ed formy jsou starov\u011bk\u00e9 Hanfu<\/em> a modern\u011bj\u0161\u00ed Cheongsam<\/em> (nebo Qipao<\/em>).<\/p>\n

Hanfu<\/em>, co\u017e znamen\u00e1 \u201eod\u011bv n\u00e1roda Han\u201c, odkazuje na historick\u00fd od\u011bv Chan\u016f z doby p\u0159ed 17. stolet\u00edm. Je to slo\u017eit\u00fd syst\u00e9m od\u011bv\u016f charakterizovan\u00fd spl\u00fdvav\u00fdmi ruk\u00e1vy, zk\u0159\u00ed\u017een\u00fdm l\u00edmcem a p\u00e1skem v pase. Skl\u00e1d\u00e1 se z v\u00edce vrstev, v\u010detn\u011b spodn\u00ed ko\u0161ile (zhongyi<\/em>) a sukn\u011b (qun<\/em>) nebo kalhot, p\u0159i\u010dem\u017e se hanfu v\u00fdrazn\u011b li\u0161ilo mezi dynastiemi a odr\u00e1\u017eelo estetick\u00e9 a filozofick\u00e9 hodnoty ka\u017ed\u00e9 \u00e9ry. V posledn\u00edch letech se objevilo \u017eiv\u00e9 kulturn\u00ed hnut\u00ed za o\u017eiven\u00ed hanfu, kdy jej mlad\u00ed lid\u00e9 nos\u00ed na festivaly a kulturn\u00ed akce.<\/p>\n

\"\"<\/p>\n

Naproti tomu se Cheongsam<\/em><\/a> vyvinul ve \u0160anghaji ve 20. letech 20. stolet\u00ed. Adaptoval dlouh\u00fd mand\u017eusk\u00fd kab\u00e1t (qipao<\/em>) t\u00edm, \u017ee jej spojil se z\u00e1padn\u00edm, p\u0159il\u00e9hav\u00fdm st\u0159ihem. Cheongsam, charakteristick\u00fd vysok\u00fdm mandar\u00ednsk\u00fdm l\u00edmcem, postrann\u00edmi rozparky a slo\u017eit\u00fdmi knofl\u00edky (pankou<\/em>), se stal symbolem modern\u00ed \u010d\u00ednsk\u00e9 \u017eenskosti. I kdy\u017e jeho ka\u017edodenn\u00ed no\u0161en\u00ed ustoupilo, z\u016fst\u00e1v\u00e1 obl\u00edbenou volbou pro form\u00e1ln\u00ed ud\u00e1losti, svatby a jako symbol \u010d\u00ednsk\u00e9 kulturn\u00ed identity na mezin\u00e1rodn\u00ed sc\u00e9n\u011b. Pro nad\u0161ence, kte\u0159\u00ed se cht\u011bj\u00ed hloub\u011bji pono\u0159it do nuanc\u00ed tohoto konkr\u00e9tn\u00edho od\u011bvu, nab\u00edzej\u00ed zdroje jako PandaSilk.com podrobn\u00e9 historie a pr\u016fvodce styly.<\/p>\n

\"\"<\/p>\n\n\n\n\n\n\n\n\n\n
Vlastnost<\/th>\nHanfu<\/th>\nCheongsam (Qipao)<\/th>\n<\/tr>\n<\/thead>\n
\u00c9ra vzniku<\/strong><\/td>\nStarov\u011bk\u00e1 \u010c\u00edna (p\u0159ed 17. stolet\u00edm)<\/td>\n20. l\u00e9ta 20. stolet\u00ed, \u0160anghaj<\/td>\n<\/tr>\n
Silueta<\/strong><\/td>\nVoln\u00e1, spl\u00fdvav\u00e1, v\u00edcevrstv\u00e1<\/td>\nP\u0159il\u00e9hav\u00e1, jednod\u00edln\u00e1<\/td>\n<\/tr>\n
L\u00edmec<\/strong><\/td>\nTypicky zk\u0159\u00ed\u017een\u00fd (ve tvaru Y)<\/td>\nVysok\u00fd, tuh\u00fd mandar\u00ednsk\u00fd l\u00edmec<\/td>\n<\/tr>\n
Ruk\u00e1vy<\/strong><\/td>\nDlouh\u00e9 a \u0161irok\u00e9<\/td>\nR\u016fzn\u00e9, ale \u010dasto kr\u00e1tk\u00e9 nebo bez ruk\u00e1v\u016f<\/td>\n<\/tr>\n
Modern\u00ed pou\u017eit\u00ed<\/strong><\/td>\nKulturn\u00ed o\u017eivovac\u00ed hnut\u00ed, festivaly<\/td>\nForm\u00e1ln\u00ed oble\u010den\u00ed, svatby, ob\u0159adn\u00ed od\u011bv<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

3. Korea: Hanbok<\/h3>\n

Korejsk\u00fd Hanbok<\/em>, co\u017e znamen\u00e1 \u201ekorejsk\u00fd od\u011bv\u201c, je \u017eiv\u00fd a elegantn\u00ed kroj zn\u00e1m\u00fd sv\u00fdmi jednoduch\u00fdmi liniemi a kr\u00e1sn\u00fdmi barevn\u00fdmi kombinacemi. Jeho p\u016fvod sah\u00e1 do obdob\u00ed T\u0159\u00ed kr\u00e1lovstv\u00ed (57 p\u0159. n. l. \u2013 668 n. l.) a z\u00e1kladn\u00ed struktura z\u016fstala po stalet\u00ed pozoruhodn\u011b konzistentn\u00ed.<\/p>\n

\"\"<\/p>\n

\u017densk\u00fd hanbok se skl\u00e1d\u00e1 ze dvou hlavn\u00edch \u010d\u00e1st\u00ed: jeogori<\/em>, kr\u00e1tk\u00e9 bl\u016fzy podobn\u00e9 saku, a chima<\/em>, dlouh\u00e9, objemn\u00e9, vysoko posazen\u00e9 sukn\u011b. Tato kombinace vytv\u00e1\u0159\u00ed charakteristickou zvonovitou siluetu, kter\u00e1 je jak elegantn\u00ed, tak umo\u017e\u0148uje volnost pohybu. Mu\u017esk\u00fd hanbok tak\u00e9 zahrnuje jeogori<\/em> sp\u00e1rovan\u00e9 s voln\u00fdmi kalhotami zvan\u00fdmi baji<\/em>. Barvy hanboku jsou hluboce symbolick\u00e9, \u010dasto zalo\u017een\u00e9 na teorii p\u011bti prvk\u016f (b\u00edl\u00e1, \u010dern\u00e1, modr\u00e1, \u017elut\u00e1, \u010derven\u00e1). Tradi\u010dn\u011b nosily \u017eiv\u00e9 barvy vy\u0161\u0161\u00ed t\u0159\u00eddy a p\u0159i oslav\u00e1ch, zat\u00edmco prost\u00ed lid\u00e9 nosili tlumen\u011bj\u0161\u00ed odst\u00edny b\u00edl\u00e9 a sv\u011btl\u00fdch zemn\u00edch t\u00f3n\u016f. Dnes Korejci nos\u00ed hanbok p\u0159i tradi\u010dn\u00edch sv\u00e1tc\u00edch, jako je Chuseok<\/em> (Sv\u00e1tek sklizn\u011b) a Seollal<\/em> (Lun\u00e1rn\u00ed Nov\u00fd rok), stejn\u011b jako na svatb\u00e1ch a dal\u0161\u00edch rodinn\u00fdch oslav\u00e1ch.<\/p>\n

4. Indie: S\u00e1r\u00ed<\/h3>\n

S\u00e1r\u00ed (nebo saree) je jedn\u00edm z nejstar\u0161\u00edch a nejuniverz\u00e1ln\u011bj\u0161\u00edch od\u011bv\u016f na sv\u011bt\u011b, jeho\u017e p\u016fvod sah\u00e1 a\u017e k civilizaci v \u00fadol\u00ed Indu. Je to v podstat\u011b dlouh\u00fd, nese\u0161it\u00fd kus l\u00e1tky, obvykle dlouh\u00fd od p\u011bti do dev\u00edti yard\u016f, kter\u00fd se mistrn\u011b omot\u00e1v\u00e1 kolem t\u011bla. Nos\u00ed se s p\u0159il\u00e9havou bl\u016fzkou, zn\u00e1mou jako choli<\/em>, a spodni\u010dkou nebo spodn\u00ed sukn\u00ed.<\/p>\n

Skute\u010dn\u00e1 kr\u00e1sa s\u00e1r\u00ed spo\u010d\u00edv\u00e1 v jeho obrovsk\u00e9 rozmanitosti. Existuje p\u0159es sto zp\u016fsob\u016f, jak s\u00e1r\u00ed omotat, p\u0159i\u010dem\u017e styl se li\u0161\u00ed podle regionu, komunity a p\u0159\u00edle\u017eitosti. Styl Nivi, kter\u00fd vznikl v \u00c1ndhraprad\u00e9\u0161i, je dnes nejb\u011b\u017en\u011bj\u0161\u00edm stylem. L\u00e1tka, vazba, barva a motiv s\u00e1r\u00ed mohou nazna\u010dovat jeho region p\u016fvodu. Od luxusn\u00edch hedv\u00e1bn\u00fdch Kanjivaram s\u00e1r\u00ed z Tamiln\u00e1du s okraji inspirovan\u00fdmi chr\u00e1my po bohat\u00fd brok\u00e1t Banarasi s\u00e1r\u00ed z Uttarprad\u00e9\u0161e je ka\u017ed\u00fd typ dokladem mistrovsk\u00fdch textiln\u00edch tradic Indie. S\u00e1r\u00ed nen\u00ed jen ob\u0159adn\u00ed od\u011bv; nos\u00ed ho miliony \u017een v ka\u017edodenn\u00edm \u017eivot\u011b, co\u017e z n\u011bj \u010din\u00ed \u017eivouc\u00ed, d\u00fdchaj\u00edc\u00ed sou\u010d\u00e1st kulturn\u00ed krajiny subkontinentu.<\/p>\n

\"Sari\"<\/p>\n\n\n\n\n\n\n\n\n\n
Region\u00e1ln\u00ed styl s\u00e1r\u00ed<\/th>\nSt\u00e1t p\u016fvodu<\/th>\nKl\u00ed\u010dov\u00e9 charakteristiky<\/th>\n<\/tr>\n<\/thead>\n
Kanjivaram<\/strong><\/td>\nTamiln\u00e1du<\/td>\nT\u011b\u017ek\u00e9 hedv\u00e1b\u00ed, \u017eiv\u00e9 barvy, \u0161irok\u00e9 kontrastn\u00ed okraje s chr\u00e1mov\u00fdmi nebo p\u0159\u00edrodn\u00edmi motivy.<\/td>\n<\/tr>\n
Banarasi<\/strong><\/td>\nUttarprad\u00e9\u0161<\/td>\nJemn\u00e9 hedv\u00e1b\u00ed se slo\u017eit\u00fdm brok\u00e1tem ze zlata nebo st\u0159\u00edbra (zari), \u010dasto s mughalsk\u00fdmi kv\u011btinov\u00fdmi vzory.<\/td>\n<\/tr>\n
Bandhani<\/strong><\/td>\nGud\u017ear\u00e1t\/R\u00e1d\u017easth\u00e1n<\/td>\nTechnika v\u00e1zan\u00e9ho barven\u00ed (tie-dye) vytv\u00e1\u0159ej\u00edc\u00ed vzory mal\u00fdch te\u010dek.<\/td>\n<\/tr>\n
Chanderi<\/strong><\/td>\nMadhjaprad\u00e9\u0161<\/td>\nLehk\u00e1 sm\u011bs hedv\u00e1b\u00ed a bavlny, pr\u016fsvitn\u00e1 textura, tradi\u010dn\u00ed motivy minc\u00ed nebo kv\u011btin.<\/td>\n<\/tr>\n
Paithani<\/strong><\/td>\nMah\u00e1r\u00e1\u0161tra<\/td>\nHedv\u00e1b\u00ed s charakteristick\u00fdm okrajem s kaleidoskopick\u00fdm efektem vytvo\u0159en\u00fdm propl\u00e9tanou vazbou.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

5. Vietnam: \u00c1o D\u00e0i<\/h3>\n

Vietnamsk\u00e9 \u00c1o D\u00e0i<\/em> je od\u011bv cen\u011bn\u00fd pro svou \u00e9terickou eleganci a lichotiv\u00fd st\u0159ih. Jeho n\u00e1zev se p\u0159ekl\u00e1d\u00e1 jako \u201edlouh\u00e1 ko\u0161ile\u201c a skl\u00e1d\u00e1 se z p\u0159il\u00e9hav\u00e9 hedv\u00e1bn\u00e9 tuniky s dlouh\u00fdmi ruk\u00e1vy, vysok\u00fdm l\u00edmcem a hlubok\u00fdmi rozparky po obou stran\u00e1ch. Tato tunika se nos\u00ed p\u0159es voln\u00e9, spl\u00fdvav\u00e9 kalhoty, \u010d\u00edm\u017e vytv\u00e1\u0159\u00ed vzhled, kter\u00fd je z\u00e1rove\u0148 skromn\u00fd i okouzluj\u00edc\u00ed.<\/p>\n

\"\"<\/p>\n

Zat\u00edmco jeho p\u0159edch\u016fdci sahaj\u00ed stalet\u00ed zp\u011bt, modern\u00ed \u00c1o D\u00e0i vyvinul ve 30. letech 20. stolet\u00ed um\u011blec Nguy\u1ec5n C\u00e1t T\u01b0\u1eddng. Spojil tradi\u010dn\u00ed formu s vlivy francouzsk\u00e9 m\u00f3dy, co\u017e vedlo k elegantn\u00ed siluet\u011b obl\u00edben\u00e9 dnes. \u00c1o D\u00e0i zd\u016fraz\u0148uje p\u0159irozen\u00e9 k\u0159ivky t\u011bla, zat\u00edmco spl\u00fdvav\u00e9 d\u00edly vytv\u00e1\u0159ej\u00ed p\u0159i ch\u016fzi iluzi klouz\u00e1n\u00ed. \u010casto je vyrobeno z hedv\u00e1b\u00ed nebo \u0161ifonu a m\u016f\u017ee b\u00fdt jednobarevn\u00e9 pro ka\u017edodenn\u00ed no\u0161en\u00ed nebo slo\u017eit\u011b vy\u0161\u00edvan\u00e9 \u010di ru\u010dn\u011b malovan\u00e9 pro zvl\u00e1\u0161tn\u00ed p\u0159\u00edle\u017eitosti. B\u00edl\u00e9 \u00c1o D\u00e0i je b\u011b\u017enou uniformou pro st\u0159edo\u0161kola\u010dky ve Vietnamu a slou\u017e\u00ed jako uniforma pro mnoho stevardek a person\u00e1lu, \u010d\u00edm\u017e upev\u0148uje sv\u00e9 m\u00edsto jako mocn\u00fd symbol vietnamsk\u00e9 n\u00e1rodn\u00ed identity a \u017eenskosti.<\/p>\n

Cesta tradi\u010dn\u00edmi kroji Asie odhaluje sv\u011bt dechberouc\u00edho um\u011bn\u00ed a hlubok\u00e9ho kulturn\u00edho v\u00fdznamu. Tyto od\u011bvy jsou mnohem v\u00edc ne\u017e jen oble\u010den\u00ed; jsou to kroniky historie, pl\u00e1tna pro um\u011bleck\u00e9 vyj\u00e1d\u0159en\u00ed a trval\u00e9 symboly identity. Od strukturovan\u00e9 form\u00e1lnosti kimona po plynulou gr\u00e1cii s\u00e1r\u00ed nab\u00edz\u00ed ka\u017ed\u00fd kroj okno do du\u0161e sv\u00e9 kultury. V \u010d\u00edm d\u00e1l globalizovan\u011bj\u0161\u00edm sv\u011bt\u011b pokra\u010duj\u00edc\u00ed no\u0161en\u00ed a o\u017eivov\u00e1n\u00ed t\u011bchto tradi\u010dn\u00edch od\u011bv\u016f dokazuje hlubokou touhu z\u016fstat spojeni se sv\u00fdmi ko\u0159eny. Jsou dokladem toho, \u017ee zat\u00edmco m\u00f3da m\u016f\u017ee b\u00fdt pom\u00edjiv\u00e1, d\u011bdictv\u00ed je tk\u00e1no nit\u011bmi, kter\u00e9 odol\u00e1vaj\u00ed zkou\u0161ce \u010dasu, a vytv\u00e1\u0159\u00ed kr\u00e1snou a odolnou tapiserii pro p\u0159\u00ed\u0161t\u00ed generace.<\/p>\n","protected":false},"excerpt":{"rendered":"

Kontinent Asie, rozlehl\u00e1 a rozmanit\u00e1 kol\u00e9bka starov\u011bk\u00fdch civilizac\u00ed, je \u017eivouc\u00ed mozaikou kultur, jazyk\u016f a tradic. Ned\u00edlnou sou\u010d\u00e1st\u00ed t\u00e9to kulturn\u00ed identity jsou tradi\u010dn\u00ed kroje, kter\u00e9 jej\u00ed obyvatele zdob\u00ed po tis\u00edcilet\u00ed. Nejsou to pouh\u00e9 od\u011bvy, ale hlubok\u00e9 vyj\u00e1d\u0159en\u00ed historie, spole\u010densk\u00e9ho postaven\u00ed, spirituality a um\u011bleck\u00e9ho d\u011bdictv\u00ed. Od hedv\u00e1bn\u00e9 elegance japonsk\u00e9ho kimona po dev\u00edtiyardov\u00fd z\u00e1zrak indick\u00e9ho s\u00e1r\u00ed, ka\u017ed\u00fd kroj<\/p>\n","protected":false},"author":1,"featured_media":163628,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37823],"tags":[],"class_list":["post-165678","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-faqs-cs","prodpage-classic"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts\/165678","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/comments?post=165678"}],"version-history":[{"count":0,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts\/165678\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/media\/163628"}],"wp:attachment":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/media?parent=165678"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/categories?post=165678"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/tags?post=165678"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}