{"id":165698,"date":"2025-08-03T01:50:29","date_gmt":"2025-08-03T01:50:29","guid":{"rendered":"https:\/\/www.pandasilk.com\/history-of-chinese-dress-cheongsam-qipao\/"},"modified":"2026-02-17T21:27:25","modified_gmt":"2026-02-18T05:27:25","slug":"history-of-chinese-dress-cheongsam-qipao","status":"publish","type":"post","link":"https:\/\/www.pandasilk.com\/cs\/history-of-chinese-dress-cheongsam-qipao\/","title":{"rendered":"Historie \u010d\u00ednsk\u00e9ho od\u011bvu: Cheongsam (Qipao)"},"content":{"rendered":"

\u010cchongsam<\/a>, neboli \u010dchi-pchao, je jedn\u00edm z nejikoni\u010dt\u011bj\u0161\u00edch a na prvn\u00ed pohled rozpoznateln\u00fdch od\u011bv\u016f na sv\u011bt\u011b. D\u00edky sv\u00e9mu elegantn\u00edmu vysok\u00e9mu l\u00edmci, p\u0159il\u00e9hav\u00e9 siluet\u011b a sv\u016fdn\u00fdm postrann\u00edm rozpark\u016fm zt\u011bles\u0148uje jedine\u010dnou kombinaci tradi\u010dn\u00ed \u010d\u00ednsk\u00e9 estetiky a modern\u00ed smyslnosti. Tento slavn\u00fd \u0161at v\u0161ak nen\u00ed starobylou relikvi\u00ed z c\u00edsa\u0159sk\u00fdch dynasti\u00ed; jde sp\u00ed\u0161e o v\u00fdtvor v\u00fdrazn\u011b 20. stolet\u00ed, jeho\u017e v\u00fdvoj je hluboce spjat s bou\u0159liv\u00fdmi spole\u010densk\u00fdmi, politick\u00fdmi a kulturn\u00edmi prom\u011bnami modern\u00ed \u010c\u00edny. Od sv\u00fdch po\u010d\u00e1tk\u016f jako voln\u00e9ho roucha p\u0159es okouzluj\u00edc\u00ed vrchol v \u0160anghaji, potla\u010den\u00ed b\u011bhem Kulturn\u00ed revoluce a\u017e po triumf\u00e1ln\u00ed celosv\u011btov\u00e9 znovuo\u017eiven\u00ed \u2013 historie \u010dchongsamu je p\u0159\u00edb\u011bhem \u010d\u00ednsk\u00e9 \u017eeny vstupuj\u00edc\u00ed do nov\u00e9 \u00e9ry.<\/p>\n

1. P\u016fvod a etymologick\u00e9 ko\u0159eny<\/h3>\n

Term\u00edny „\u010dchongsam“ a „\u010dchi-pchao“ se \u010dasto pou\u017e\u00edvaj\u00ed zam\u011bniteln\u011b, ale maj\u00ed odli\u0161n\u00fd p\u016fvod, kter\u00fd nazna\u010duje slo\u017eitou historii od\u011bvu. Slovo \u010dchi-pchao<\/em> (\u65d7\u888d) doslova znamen\u00e1 „korouhevn\u00ed \u0161at“. Odkazuje na od\u011bv, kter\u00fd nosili Mand\u017euov\u00e9, organizovan\u00ed do „korouhv\u00ed“ (\u65d7, \u010dchi<\/em>) a kte\u0159\u00ed zalo\u017eili dynastii \u010cching (1644\u20131912). P\u016fvodn\u00ed \u010dchi-pchao byl dlouh\u00fd, voln\u00fd, do „A“ se roz\u0161i\u0159uj\u00edc\u00ed \u0161at, kter\u00fd nosili mu\u017ei (\u010dchang-pchao<\/em>) i \u017eeny. Byl navr\u017een pro prakti\u010dnost, zejm\u00e9na pro j\u00edzdu na koni, a jeho hlavn\u00edm \u00fa\u010delem bylo zakr\u00fdt postavu nositele a vyj\u00e1d\u0159it jeho etnickou p\u0159\u00edslu\u0161nost.<\/p>\n

Term\u00edn \u010dchongsam<\/em> (\u9577\u886b) je kantonsk\u00fd a jednodu\u0161e znamen\u00e1 „dlouh\u00e9 \u0161aty“. Kdy\u017e se modern\u00ed, p\u0159il\u00e9hav\u00e1 verze \u0161at\u016f stala ve 20. letech 20. stolet\u00ed popul\u00e1rn\u00ed v \u0160anghaji, roz\u0161\u00ed\u0159ila se do ji\u017en\u00ed \u010c\u00edny, v\u010detn\u011b kantonsky mluv\u00edc\u00edch oblast\u00ed jako Hongkong. Zde byla zn\u00e1m\u00e1 jako \u010dchongsam. D\u00edky v\u00fdznamn\u00e9mu vlivu hongkongsk\u00e9ho filmu a krej\u010dovstv\u00ed se tento term\u00edn roz\u0161\u00ed\u0159il na Z\u00e1pad\u011b. Dnes se \u010dchi-pchao \u010dast\u011bji pou\u017e\u00edv\u00e1 v mandar\u00ednsky mluv\u00edc\u00edch oblastech, zat\u00edmco \u010dchongsam p\u0159evl\u00e1d\u00e1 v angli\u010dtin\u011b a kanton\u0161tin\u011b.<\/p>\n\n\n\n\n\n\n\n\n\n\n
Prvek<\/th>\nTradi\u010dn\u00ed mand\u017eusk\u00e9 \u010dchi-pchao (\u010cchang-pchao)<\/th>\nModern\u00ed \u010dchongsam (po 20. letech 20. stol.)<\/th>\n<\/tr>\n<\/thead>\n
Silueta<\/strong><\/td>\nVoln\u00e1, do „A“, rovn\u00e1<\/td>\nP\u0159il\u00e9hav\u00e1, t\u011bsn\u00e1, \u00fazk\u00e1<\/td>\n<\/tr>\n
St\u0159ih<\/strong><\/td>\nJednod\u00edln\u00fd, \u0161irok\u00fd st\u0159ih<\/td>\n\u010casto se \u0161ipkami a tvarovan\u00fd<\/td>\n<\/tr>\n
Materi\u00e1l<\/strong><\/td>\nT\u011b\u017ek\u00fd hedv\u00e1b\u00ed<\/a>, bavlna, ko\u017ee\u0161inou pod\u0161it\u00fd pro teplo<\/td>\nHedv\u00e1b\u00ed, brok\u00e1t, sat\u00e9n, um\u011bl\u00e9 hedv\u00e1b\u00ed, samet, krajka<\/td>\n<\/tr>\n
Rozparky<\/strong><\/td>\nRozparky vp\u0159edu, vzadu a po stran\u00e1ch pro j\u00edzdu na koni<\/td>\nP\u0159edev\u0161\u00edm postrann\u00ed rozparky pro pohyb a styl<\/td>\n<\/tr>\n
\u00da\u010del<\/strong><\/td>\nKa\u017edodenn\u00ed no\u0161en\u00ed, vyjad\u0159oval etnick\u00fd status<\/td>\nSpole\u010densk\u00e9 oble\u010den\u00ed, m\u00f3dn\u00ed v\u00fdraz, symbol modernosti<\/td>\n<\/tr>\n
Pohlav\u00ed<\/strong><\/td>\nNositeln\u00fd mu\u017ei i \u017eenami<\/td>\nV\u00fdhradn\u011b \u017eensk\u00fd od\u011bv<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

2. Zrod modern\u00edho \u010dchongsamu v republik\u00e1nsk\u00e9 \u010c\u00edn\u011b<\/h3>\n

P\u00e1d dynastie \u010cching v roce 1912 a zalo\u017een\u00ed \u010c\u00ednsk\u00e9 republiky znamenaly z\u00e1sadn\u00ed zlom v \u010d\u00ednsk\u00e9 spole\u010dnosti. Existovala siln\u00e1 touha odtrhnout se od feud\u00e1ln\u00ed minulosti a p\u0159ijmout modernitu. Tento sentiment se roz\u0161\u00ed\u0159il i na m\u00f3du. Vzd\u011blan\u00e9 \u017eeny, intelektu\u00e1lov\u00e9 a studenti za\u010dali hledat nov\u00fd styl obl\u00e9k\u00e1n\u00ed, kter\u00fd by byl z\u00e1rove\u0148 \u010d\u00ednsk\u00fd a modern\u00ed, a odm\u00edtali t\u011b\u017ekop\u00e1dn\u00e9 \u0161aty z c\u00edsa\u0159sk\u00e9 \u00e9ry.<\/p>\n

Zpo\u010d\u00e1tku, na konci 10. a na po\u010d\u00e1tku 20. let 20. stolet\u00ed, se objevil p\u0159echodn\u00fd od\u011bv. \u0160lo o voln\u011bj\u0161\u00ed, zvonovitou verzi \u010dchongsamu, \u010dasto no\u0161enou p\u0159es kalhoty, p\u0159ipom\u00ednaj\u00edc\u00ed mu\u017esk\u00e9 \u010dchang-pchao, ale s \u0161ir\u0161\u00edmi ruk\u00e1vy a dekorativn\u00edmi prvky. Stal se symbolem rod\u00edc\u00edho se \u017eensk\u00e9ho emancipa\u010dn\u00edho hnut\u00ed, nebo\u0165 jej p\u0159ijaly studentky na nov\u011b zalo\u017een\u00fdch d\u00edv\u010d\u00edch \u0161kol\u00e1ch. P\u0159edstavoval osvobozen\u00ed od omezuj\u00edc\u00edho oble\u010den\u00ed minulosti a krok k ve\u0159ejn\u00e9mu \u017eivotu.<\/p>\n

Skute\u010dn\u00e1 prom\u011bna nastala v kosmopolitn\u00edm centru \u0160anghaje. Pod vlivem z\u00e1padn\u00edho krej\u010dovstv\u00ed a \u00fazk\u00fdch, vertik\u00e1ln\u00edch lini\u00ed \u0161at\u016f flapper ze 20. let 20. stolet\u00ed se \u010dchongsam za\u010dal rychle vyv\u00edjet. Krej\u010d\u00ed za\u010dali za\u010dle\u0148ovat \u0161ipky a pou\u017e\u00edvat sofistikovan\u011bj\u0161\u00ed st\u0159ihov\u00e9 techniky, aby vytvo\u0159ili \u0161aty, kter\u00e9 kop\u00edrovaly k\u0159ivky \u017eensk\u00e9ho t\u011bla. Lem se zvedal, st\u0159ih se z\u00fa\u017eil a od\u011bv se za\u010dal nosit samostatn\u011b, bez kalhot. Tento nov\u00fd, zjednodu\u0161en\u00fd \u010dchongsam byl radik\u00e1ln\u00edm vyj\u00e1d\u0159en\u00edm modernosti a \u017eensk\u00e9 emancipace.<\/p>\n

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3. Zlat\u00fd v\u011bk: \u0160anghajsk\u00e1 n\u00e1dhera od 30. do 40. let 20. stolet\u00ed<\/h3>\n

30. a 40. l\u00e9ta 20. stolet\u00ed jsou v\u0161eobecn\u011b pova\u017eov\u00e1na za zlat\u00fd v\u011bk \u010dchongsamu, p\u0159i\u010dem\u017e \u0160anghaj byla nesporn\u00fdm hlavn\u00edm m\u011bstem jeho v\u00fdvoje. M\u011bsto bylo tav\u00edc\u00edm kotl\u00edkem v\u00fdchodn\u00edch a z\u00e1padn\u00edch kultur a jeho m\u00f3dn\u00ed sc\u00e9na byla \u017eiv\u00e1 a inovativn\u00ed. \u010cchongsam se stal pl\u00e1tnem, na kter\u00e9 se malovala n\u00e1dhera t\u00e9 doby.<\/p>\n

B\u011bhem tohoto obdob\u00ed se silueta stala je\u0161t\u011b odv\u00e1\u017en\u011bji p\u0159il\u00e9havou, zd\u016fraz\u0148uj\u00edc\u00ed pas a boky. Stylistick\u00e9 variace vzkv\u00e9taly, poh\u00e1n\u011bn\u00e9 spole\u010dnicemi, filmov\u00fdmi hv\u011bzdami a m\u00f3dn\u00edmi \u010dasopisy.<\/p>\n\n\n\n\n\n\n\n
Desetilet\u00ed<\/th>\nD\u00e9lka<\/th>\nSt\u0159ih<\/th>\nL\u00edmec<\/th>\nRuk\u00e1vy<\/th>\nRozparky<\/th>\n<\/tr>\n<\/thead>\n
20. l\u00e9ta<\/strong><\/td>\nPo l\u00fdtko a\u017e po kotn\u00edk<\/td>\nUvol\u0148uj\u00edc\u00ed se od „A“, m\u00edrn\u011b rovn\u00fd<\/td>\nSt\u0159edn\u00ed a\u017e vysok\u00fd<\/td>\n\u0160irok\u00e9, \u010dasto zvonovit\u00e9<\/td>\nN\u00edzk\u00e9 a\u017e \u017e\u00e1dn\u00e9<\/td>\n<\/tr>\n
30. l\u00e9ta<\/strong><\/td>\nKol\u00edsala, \u010dasto dlouh\u00e1, u zem\u011b<\/td>\nSt\u00e1le p\u0159il\u00e9hav\u011bj\u0161\u00ed, t\u011bsn\u00e1<\/td>\nVelmi vysok\u00fd, n\u011bkdy a\u017e k brad\u011b<\/td>\nKr\u00e1tk\u00e9 ruk\u00e1vy, bez ruk\u00e1v\u016f nebo s ruk\u00e1vky<\/td>\nZvedly se ke stehnu, staly se kl\u00ed\u010dov\u00fdm prvkem<\/td>\n<\/tr>\n
40. l\u00e9ta<\/strong><\/td>\nZvedly se t\u011bsn\u011b pod koleno<\/td>\nSt\u00e1le p\u0159il\u00e9hav\u00fd, v\u00edce praktick\u00fdch prvk\u016f<\/td>\nSn\u00ed\u017eil se a byl pohodln\u011bj\u0161\u00ed<\/td>\nKr\u00e1tk\u00e9 ruk\u00e1vy a ruk\u00e1vky b\u011b\u017en\u00e9<\/td>\nZ\u016fstaly vysoko, \u010dasto k horn\u00ed \u010d\u00e1sti stehna<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Design\u00e9\u0159i experimentovali se z\u00e1padn\u00edmi l\u00e1tkami, jako je samet, krajka a pr\u016fsvitn\u00fd \u0161ifon, vedle tradi\u010dn\u00edho hedv\u00e1b\u00ed a brok\u00e1tu. Staly se popul\u00e1rn\u00edmi art deco vzory, geometrick\u00e9 potisky a odv\u00e1\u017en\u00e9 kv\u011btinov\u00e9 motivy. Ikoni\u010dt\u00fd \u0161ikm\u00fd v\u00fdst\u0159ih (sie-\u0165in<\/em>) byl zap\u00edn\u00e1n slo\u017eit\u00fdmi ru\u010dn\u011b vyr\u00e1b\u011bn\u00fdmi knofl\u00edky ve form\u011b ozdobn\u00fdch uzl\u00edk\u016f (pchan-kchou<\/em>), kter\u00e9 se staly charakteristick\u00fdm dekora\u010dn\u00edm prvkem. \u010cchongsam t\u00e9to doby byl symbolem elegance, nosily jej v\u0161echny \u017eeny od okouzluj\u00edc\u00edch filmov\u00fdch hv\u011bzd, jako byla \u017duan Ling-j\u00fc, po b\u011b\u017en\u00e9 m\u011bstsk\u00e9 \u017eeny.<\/p>\n

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4. Potla\u010den\u00ed v pevninsk\u00e9 \u010c\u00edn\u011b a p\u0159e\u017eit\u00ed v Hongkongu<\/h3>\n

Zalo\u017een\u00ed \u010c\u00ednsk\u00e9 lidov\u00e9 republiky v roce 1949 n\u00e1hle ukon\u010dilo zlat\u00fd v\u011bk. Komunistick\u00e1 vl\u00e1da pova\u017eovala \u010dchongsam za symbol bur\u017eoazn\u00ed zka\u017eenosti, z\u00e1padn\u00edho vlivu a feud\u00e1ln\u00ed minulosti. Byl aktivn\u011b potla\u010dov\u00e1n a fakticky zmizel z ve\u0159ejn\u00e9ho \u017eivota na pevnin\u011b. Na jeho m\u00edsto nastoupil stroh\u00fd, unisexov\u00fd Mao oblek (\u010cung-\u0161an oblek), kter\u00fd se stal standardn\u00edm od\u011bvem a propagoval ide\u00e1ly revolu\u010dn\u00ed jednoduchosti a genderov\u00e9 rovnosti prost\u0159ednictv\u00edm jednotnosti.<\/p>\n

Zat\u00edmco \u010dchongsam zmizel z pevninsk\u00e9 \u010c\u00edny, na\u0161el nov\u00fd domov v Hongkongu. Mnoho zru\u010dn\u00fdch \u0161anghajsk\u00fdch krej\u010d\u00edch uprchlo do t\u00e9to britsk\u00e9 kolonie a p\u0159ineslo s sebou sv\u00e9 \u0159emeslo. V Hongkongu \u010dchongsam vzkv\u00e9tal i v 50. a 60. letech 20. stolet\u00ed jako ka\u017edodenn\u00ed oble\u010den\u00ed. Byl p\u0159izp\u016fsoben modern\u00edmu pracovn\u00edmu \u017eivotn\u00edmu stylu, \u010dasto \u0161it\u00fd z odoln\u011bj\u0161\u00edch l\u00e1tek a s m\u00e9n\u011b omezuj\u00edc\u00edm st\u0159ihem. Proslule jej nosila postava Maggie Cheungov\u00e9 ve filmu L\u00e1ska za \u010das\u016f cholery<\/em> (2000), kter\u00fd s\u00e1m o sob\u011b zromantizoval hongkongsk\u00fd \u010dchongsam 60. let pro novou generaci. Jinde, na Tchaj-wanu a v z\u00e1mo\u0159sk\u00fdch \u010d\u00ednsk\u00fdch komunit\u00e1ch, byl \u0161at uchov\u00e1v\u00e1n jako spole\u010densk\u00fd od\u011bv pro zvl\u00e1\u0161tn\u00ed p\u0159\u00edle\u017eitosti.<\/p>\n

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5. Glob\u00e1ln\u00ed renesance a modern\u00ed interpretace<\/h3>\n

Po\u010d\u00ednaje 80. lety 20. stolet\u00ed, s \u010d\u00ednskou ekonomickou „reformou a otev\u00edr\u00e1n\u00edm se sv\u011btu“, za\u010dal \u010dchongsam na pevnin\u011b pozvolna znovu o\u017e\u00edvat. Zpo\u010d\u00e1tku byl vid\u011bt pouze na svatb\u00e1ch a form\u00e1ln\u00edch ud\u00e1lostech, ale postupn\u011b se znovu vr\u00e1til do kulturn\u00edho pov\u011bdom\u00ed jako symbol n\u00e1rodn\u00ed hrdosti a d\u011bdictv\u00ed.<\/p>\n

Skute\u010dnou glob\u00e1ln\u00ed renesanci v\u0161ak podn\u00edtila mezin\u00e1rodn\u00ed m\u00e9dia a m\u00f3da. Filmy jako Posledn\u00ed c\u00edsa\u0159<\/em> (1987) a Klub radosti a \u0161t\u011bst\u00ed<\/em> (1993) p\u0159edstavily jeho eleganci z\u00e1padn\u00edmu publiku. Mezin\u00e1rodn\u00ed m\u00f3dn\u00ed n\u00e1vrh\u00e1\u0159i jako John Galliano, Tom Ford pro Yves Saint Laurent a Ralph Lauren za\u010dali za\u010dle\u0148ovat prvky \u010dchongsamu \u2013 mandar\u00ednsk\u00fd l\u00edmec, knofl\u00edky ve form\u011b uzl\u00edk\u016f a postrann\u00ed rozparky \u2013 do sv\u00fdch kolekc\u00ed.<\/p>\n

V digit\u00e1ln\u00edm v\u011bku z\u00e1jem o \u010dchongsam exponenci\u00e1ln\u011b vzrostl. Nad\u0161enci, design\u00e9\u0159i a historici nyn\u00ed maj\u00ed platformy pro sd\u00edlen\u00ed znalost\u00ed a oslavu odkazu tohoto od\u011bvu. Nap\u0159\u00edklad zdroje jako webov\u00e1 str\u00e1nka PandaSilk.com<\/strong> slou\u017e\u00ed jako specializovan\u00e1 centra pro akademick\u00e9 studium a kulturn\u00ed ocen\u011bn\u00ed tohoto \u0161atu, spojuj\u00edc\u00ed glob\u00e1ln\u00ed komunitu obdivovatel\u016f a tv\u016frc\u016f. Modern\u00edch interpretac\u00ed je mnoho, od neform\u00e1ln\u00edch bavln\u011bn\u00fdch \u010dchongsam\u016f no\u0161en\u00fdch s teniskami po dekonstruovan\u00e9 verze kombinovan\u00e9 s d\u017e\u00ednami, co\u017e dokazuje jeho pozoruhodnou p\u0159izp\u016fsobivost.<\/p>\n

\u010cchongsam u\u017e nen\u00ed jen jedna v\u011bc. Je z\u00e1rove\u0148 spole\u010densk\u00fdmi \u0161aty pro diplomatky, svatebn\u00edmi \u0161aty, m\u00f3dn\u00edm v\u00fdrokem vysok\u00e9 m\u00f3dy a symbolem kulturn\u00ed identity. St\u00e1le se vyv\u00edj\u00ed a dokazuje, \u017ee jeho nad\u010dasov\u00e1 elegance je schopna reinterpretace ka\u017edou novou generac\u00ed.<\/p>\n

Cesta \u010dchongsamu je zrcadlem odr\u00e1\u017eej\u00edc\u00edm dramatick\u00fd p\u0159\u00edb\u011bh modern\u00ed \u010c\u00edny. Pro\u0161el stolet\u00edm zm\u011bn, zt\u011bles\u0148uj\u00edc ducha modern\u00ed \u010d\u00ednsk\u00e9 \u017eeny v jej\u00ed touze po identit\u011b \u2013 od odv\u00e1\u017en\u00e9 intelektu\u00e1lky z republik\u00e1nsk\u00e9 \u00e9ry p\u0159es okouzluj\u00edc\u00ed hv\u011bzdi\u010dku ze \u0160anghaje, odoln\u00e9 str\u00e1\u017ekyn\u011b tradice v Hongkongu a\u017e po sebev\u011bdomou glob\u00e1ln\u00ed ob\u010danku dne\u0161ka. \u010cchongsam je v\u00edce ne\u017e jen kus oble\u010den\u00ed; je to mocn\u00fd kulturn\u00ed artefakt, sv\u011bdectv\u00ed o trval\u00e9 s\u00edle elegance, odolnosti a stylu. Jeho vysok\u00fd l\u00edmec a p\u016fvabn\u00e9 linie nesou t\u00edhu historie, zat\u00edmco jeho neust\u00e1le se m\u011bn\u00edc\u00ed forma hled\u00ed sebev\u011bdom\u011b do budoucnosti.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u010cchongsam, neboli \u010dchi-pchao, je jedn\u00edm z nejikoni\u010dt\u011bj\u0161\u00edch a na prvn\u00ed pohled rozpoznateln\u00fdch od\u011bv\u016f na sv\u011bt\u011b. D\u00edky sv\u00e9mu elegantn\u00edmu vysok\u00e9mu l\u00edmci, p\u0159il\u00e9hav\u00e9 siluet\u011b a sv\u016fdn\u00fdm postrann\u00edm rozpark\u016fm zt\u011bles\u0148uje jedine\u010dnou kombinaci tradi\u010dn\u00ed \u010d\u00ednsk\u00e9 estetiky a modern\u00ed smyslnosti. Tento slavn\u00fd \u0161at v\u0161ak nen\u00ed starobylou relikvi\u00ed z c\u00edsa\u0159sk\u00fdch dynasti\u00ed; jde sp\u00ed\u0161e o v\u00fdtvor v\u00fdrazn\u011b 20. stolet\u00ed, jeho\u017e v\u00fdvoj je<\/p>\n","protected":false},"author":1,"featured_media":163657,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37823],"tags":[],"class_list":["post-165698","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-faqs-cs","prodpage-classic"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts\/165698","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/comments?post=165698"}],"version-history":[{"count":0,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts\/165698\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/media\/163657"}],"wp:attachment":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/media?parent=165698"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/categories?post=165698"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/tags?post=165698"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}