{"id":165718,"date":"2025-08-03T01:48:44","date_gmt":"2025-08-03T01:48:44","guid":{"rendered":"https:\/\/www.pandasilk.com\/shanghai-the-origin-of-modern-chinese-cheongsam-dresses\/"},"modified":"2026-02-17T21:27:57","modified_gmt":"2026-02-18T05:27:57","slug":"shanghai-the-origin-of-modern-chinese-cheongsam-dresses","status":"publish","type":"post","link":"https:\/\/www.pandasilk.com\/cs\/shanghai-the-origin-of-modern-chinese-cheongsam-dresses\/","title":{"rendered":"\u0160anghaj: P\u016fvod modern\u00edch \u010d\u00ednsk\u00fdch \u0161at\u016f Cheongsam"},"content":{"rendered":"

\u010cchong-sam<\/a>, neboli \u010dchi-pchao, pat\u0159\u00ed k nejikoni\u010dt\u011bj\u0161\u00edm a nejp\u016fsobiv\u011bj\u0161\u00edm od\u011bv\u016fm na sv\u011bt\u011b. Jako symbol elegance, \u017eenskosti a \u010d\u00ednsk\u00e9 kulturn\u00ed identity je jeho \u0161t\u00edhl\u00e1 silueta a elegantn\u00ed detaily okam\u017eit\u011b rozpoznateln\u00e1. A\u010dkoli jeho historick\u00e9 ko\u0159eny lze vysledovat k mand\u017eusk\u00e9 etnick\u00e9 skupin\u011b z obdob\u00ed dynastie \u010cching, podoba, kterou dnes oslavujeme \u2013 p\u0159il\u00e9hav\u00e9, sofistikovan\u00e9 \u0161aty, kter\u00e9 okouzlily jak m\u00f3dn\u00ed n\u00e1vrh\u00e1\u0159e, tak filmov\u00e9 re\u017eis\u00e9ry \u2013 nen\u00ed produktem starov\u011bk\u00e9 c\u00edsa\u0159sk\u00e9 \u010c\u00edny. M\u00edsto toho se zrodil ve v\u00edru zm\u011bn, j\u00edm\u017e byla \u0160anghaj ve 20. a 30. letech 20. stolet\u00ed. Tato ru\u0161n\u00e1 metropole, „Pa\u0159\u00ed\u017e V\u00fdchodu“, slou\u017eila jako tavic\u00ed kotel, kde se tradice setk\u00e1vala s modernitou a kde se voln\u00fd mand\u017eusk\u00fd od\u011bv radik\u00e1ln\u011b prom\u011bnil v dokonal\u00fd modern\u00ed \u010d\u00ednsk\u00fd od\u011bv.<\/p>\n

1. Od c\u00edsa\u0159sk\u00e9ho roucha k republik\u00e1nsk\u00e9mu od\u011bvu<\/h3>\n

Abychom pochopili revolu\u010dn\u00ed povahu \u0161anghajsk\u00e9ho \u010dchong-samu, mus\u00edme se nejprve pod\u00edvat na jeho p\u0159edch\u016fdce. P\u016fvodn\u00ed \u010dchi-pchao<\/em> (co\u017e znamen\u00e1 „korouhevn\u00ed \u0161aty“) byl tradi\u010dn\u00edm od\u011bvem mand\u017eusk\u00fdch \u017een b\u011bhem dynastie \u010cching (1644-1912). Tento od\u011bv nebyl v\u016fbec p\u0159il\u00e9hav\u00fd. \u0160lo o \u0161irok\u00e9, rovn\u00e9 roucho ve tvaru p\u00edsmene A, navr\u017een\u00e9 tak, aby zcela zakrylo postavu. Vyroben\u00e9 z t\u011b\u017ek\u00fdch hedv\u00e1b\u00ed a bavlny m\u011blo dlouh\u00e9 ruk\u00e1vy, vysok\u00fd l\u00edmec a spadalo rovn\u011b ke kotn\u00edk\u016fm; jeho hlavn\u00edm \u00fa\u010delem bylo ozna\u010dovat status a etnickou p\u0159\u00edslu\u0161nost, nikoli zd\u016fraz\u0148ovat \u017eenskou postavu.<\/p>\n

S p\u00e1dem dynastie \u010cching v roce 1912 a zalo\u017een\u00edm \u010c\u00ednsk\u00e9 republiky vstoupil n\u00e1rod do obdob\u00ed intenzivn\u00edho kulturn\u00edho a politick\u00e9ho p\u0159evratu. \u0160iroce se roz\u0161\u00ed\u0159ilo hnut\u00ed za odhozen\u00ed star\u00fdch c\u00edsa\u0159sk\u00fdch symbol\u016f a p\u0159ijet\u00ed modernity. Vzd\u011blan\u00e9 \u017eeny a studentky za\u010daly nosit upravenou, zjednodu\u0161enou verzi mand\u017eusk\u00e9ho roucha, narovnaly jeho st\u0159ih a zjednodu\u0161ily jeho ozdoby. Tato ran\u00e1 republik\u00e1nsk\u00e1 verze byla st\u00e1le voln\u00e1, ale p\u0159edstavovala v\u011bdom\u00fd rozchod s feud\u00e1ln\u00ed minulost\u00ed a stala se symbolem \u017eensk\u00e9 emancipace a intelektu\u00e1lstv\u00ed. Byl to pr\u00e1v\u011b tento p\u0159echodn\u00fd od\u011bv, kter\u00fd dorazil do \u0160anghaje, p\u0159ipraven\u00fd ke sv\u00e9 kone\u010dn\u00e9 prom\u011bn\u011b.<\/p>\n

2. \u0160anghaj: Tavic\u00ed kotel modernity<\/h3>\n

\u017d\u00e1dn\u00e9 m\u011bsto nebylo ve 20. letech 20. stolet\u00ed l\u00e9pe p\u0159ipraveno p\u0159etvo\u0159it \u010dchi-pchao ne\u017e \u0160anghaj. Jako hlavn\u00ed smluvn\u00ed p\u0159\u00edstav byla hyperkosmopolitn\u00ed k\u0159i\u017eovatkou mezin\u00e1rodn\u00edho obchodu, financ\u00ed a kultury. Bylo to m\u011bsto ostr\u00fdch kontrast\u016f, kde se \u010d\u00ednsk\u00e9 tradice st\u0159et\u00e1valy se z\u00e1padn\u00edmi vlivy z Brit\u00e1nie, Francie a Ameriky. Toto jedine\u010dn\u00e9 prost\u0159ed\u00ed podporovalo neb\u00fdvalou atmosf\u00e9ru experimentov\u00e1n\u00ed a sofistikovanosti.<\/p>\n

\u017deny v \u0160anghaji byly v \u010dele t\u00e9to zm\u011bny. „Modern\u00ed d\u00edvka“ neboli modeng xiaojie<\/em> se objevila jako nov\u00fd spole\u010densk\u00fd archetyp. Byla vzd\u011blan\u00e1, \u010dasto finan\u010dn\u011b nez\u00e1visl\u00e1 a zapojen\u00e1 do ve\u0159ejn\u00e9ho \u017eivota. \u010casto nav\u0161t\u011bvovala kav\u00e1rny, tane\u010dn\u00ed s\u00e1ly a kina a byla si dob\u0159e v\u011bdoma mezin\u00e1rodn\u00edch m\u00f3dn\u00edch trend\u016f. Vid\u011bla flappersk\u00e9 \u0161aty ze Z\u00e1padu s jejich sn\u00ed\u017een\u00fdm pasem a osvobozenou siluetou a hledala od\u011bv, kter\u00fd by dok\u00e1zal s podobnou gr\u00e1ci\u00ed vyj\u00e1d\u0159it jej\u00ed vlastn\u00ed modern\u00ed \u010d\u00ednskou identitu. Voln\u00e9 \u010dchi-pchao bylo pr\u00e1zdn\u00fdm pl\u00e1tnem a mist\u0159i \u0161anghajsk\u00fdch krej\u010d\u00edch byli um\u011blci, kte\u0159\u00ed jej m\u011bli p\u0159emalovat.<\/p>\n

3. Metamorf\u00f3za: Tvorba \u0161anghajsk\u00e9 siluety<\/h3>\n

Prom\u011bna \u010dchong-samu v \u0160anghaji b\u011bhem 20. a 30. let 20. stolet\u00ed byla dramatick\u00e1 a rychl\u00e1. Krej\u010d\u00ed za\u010dali za\u010dle\u0148ovat z\u00e1padn\u00ed st\u0159ihov\u00e9 techniky, jako jsou \u0161ipky a vsazen\u00e9 ruk\u00e1vy, aby vytvo\u0159ili od\u011bv, kter\u00fd n\u00e1sledoval p\u0159irozen\u00e9 k\u0159ivky t\u011bla. Tento v\u00fdvoj lze rozd\u011blit do n\u011bkolika kl\u00ed\u010dov\u00fdch zm\u011bn:<\/p>\n

    \n
  • Silueta:<\/strong> Voln\u00fd st\u0159ih ve tvaru p\u00edsmene A byl opu\u0161t\u011bn ve prosp\u011bch p\u0159il\u00e9hav\u00e9 siluety, kter\u00e1 zd\u016fraz\u0148ovala pas, boky a poprs\u00ed.<\/li>\n
  • Rozparky:<\/strong> Funk\u010dn\u00ed postrann\u00ed ventily star\u00e9ho roucha byly zv\u00fd\u0161eny a staly se odv\u00e1\u017en\u011b vysok\u00fdmi postrann\u00edmi rozparky. To nebyl jen m\u00f3dn\u00ed v\u00fdraz ovlivn\u011bn\u00fd z\u00e1padn\u00edmi ve\u010dern\u00edmi \u0161aty, ale tak\u00e9 praktick\u00e1 \u00faprava, kter\u00e1 umo\u017e\u0148ovala v\u011bt\u0161\u00ed volnost pohybu v modern\u00edm m\u011bst\u011b.<\/li>\n
  • Ruk\u00e1vy a l\u00edmec:<\/strong> Ruk\u00e1vy se staly st\u0159edobodem variac\u00ed. Sahaly od dlouh\u00fdch a zvonovit\u00fdch p\u0159es kr\u00e1tk\u00e9, ruk\u00e1vky a\u017e po zcela bez ruk\u00e1v\u016f pro letn\u00ed no\u0161en\u00ed. L\u00edmec, a\u010dkoli si zachoval sv\u016fj tradi\u010dn\u00ed mandar\u00ednsk\u00fd styl, se stal vy\u0161\u0161\u00edm a tu\u017e\u0161\u00edm, prodlu\u017eoval krk a dod\u00e1val n\u00e1dech form\u00e1ln\u00ed elegance.<\/li>\n
  • Materi\u00e1ly a ozdoby:<\/strong> Postaven\u00ed \u0160anghaje jako glob\u00e1ln\u00edho p\u0159\u00edstavu dalo krej\u010d\u00edm p\u0159\u00edstup k neb\u00fdval\u00e9 \u0161k\u00e1le l\u00e1tek. K tradi\u010dn\u00edmu hedv\u00e1b\u00ed se p\u0159idaly dov\u00e1\u017een\u00e9 samety, krajky, georgetty a poti\u0161t\u011bn\u00e9 rayonov\u00e9 l\u00e1tky. Ikoni\u010dt\u00ed pankou<\/em>, neboli ozdobn\u00e9 knofl\u00edkov\u00e9 zap\u00edn\u00e1n\u00ed, z\u016fstaly kl\u00ed\u010dov\u00fdm dekora\u010dn\u00edm prvkem, ale staly se slo\u017eit\u011bj\u0161\u00edmi a \u010dasto byly kombinov\u00e1ny s modern\u00edmi zipy pro lep\u0161\u00ed padnut\u00ed.<\/li>\n<\/ul>\n

    N\u00e1sleduj\u00edc\u00ed tabulka zd\u016fraz\u0148uje kl\u00ed\u010dov\u00e9 rozd\u00edly mezi tradi\u010dn\u00edm rouchem a modern\u00edm \u0161anghajsk\u00fdm \u010dchong-samem, kter\u00fd se objevil.<\/p>\n\n\n\n\n\n\n\n\n\n\n
    Vlastnost<\/th>\nTradi\u010dn\u00ed mand\u017eusk\u00e9 \u010dchi-pchao (p\u0159ed rokem 1912)<\/th>\nModern\u00ed \u0161anghajsk\u00fd \u010dchong-sam (cca 30. l\u00e9ta 20. stolet\u00ed)<\/th>\n<\/tr>\n<\/thead>\n
    Silueta<\/strong><\/td>\nVoln\u00e1, ve tvaru A, rovn\u00fd st\u0159ih<\/td>\nP\u0159il\u00e9hav\u00e1, p\u0159izp\u016fsoben\u00e1 postav\u011b, st\u0159i\u017een\u00e1 se \u0161ipkami<\/td>\n<\/tr>\n
    D\u00e9lka<\/strong><\/td>\nPo kotn\u00edky<\/td>\nR\u016fzn\u00e1, od d\u00e9lky po kotn\u00edky a\u017e po d\u00e9lku t\u011bsn\u011b pod kolena<\/td>\n<\/tr>\n
    Ruk\u00e1vy<\/strong><\/td>\nDlouh\u00e9 a \u0161irok\u00e9<\/td>\nR\u016fzn\u00e9: dlouh\u00e9, t\u0159\u00ed\u010dtvrte\u010dn\u00ed, kr\u00e1tk\u00e9, ruk\u00e1vky nebo bez ruk\u00e1v\u016f<\/td>\n<\/tr>\n
    Postrann\u00ed rozparky<\/strong><\/td>\nN\u00edzk\u00e9, funk\u010dn\u00ed ventily<\/td>\nVysok\u00e9, \u010dasto sahaj\u00edc\u00ed ke stehnu, pro styl a pohyb<\/td>\n<\/tr>\n
    L\u00e1tka<\/strong><\/td>\nT\u011b\u017ek\u00e9 hedv\u00e1b\u00ed, bavlna, brok\u00e1ty<\/td>\n\u0160irok\u00e1 \u0161k\u00e1la: hedv\u00e1b\u00ed, samet, krajka, rayon, poti\u0161t\u011bn\u00e9 textilie<\/td>\n<\/tr>\n
    Kulturn\u00ed symbolika<\/strong><\/td>\nMand\u017eusk\u00e1 etnick\u00e1 identita, feud\u00e1ln\u00ed status<\/td>\nModernita, \u017eensk\u00e1 emancipace, n\u00e1rodn\u00ed hrdost<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    4. Zlat\u00fd v\u011bk a jeho ikony<\/h3>\n

    30. l\u00e9ta 20. stolet\u00ed p\u0159edstavovala Zlat\u00fd v\u011bk \u010dchong-samu. Stal se de facto uniformou pro m\u011bstsk\u00e9 \u017eeny v\u0161ech t\u0159\u00edd v \u0160anghaji, od spole\u010densk\u00fdch celebrit a filmov\u00fdch hv\u011bzd po \u00fa\u0159ednice a studentky. Nejslavn\u011bj\u0161\u00ed \u017eeny t\u00e9 doby, jako here\u010dka Ruan Lingyu, zp\u011bva\u010dka Zhou Xuan a spole\u010densk\u00e1 celebrita a prvn\u00ed d\u00e1ma Madame Wellington Koo, se staly stylov\u00fdmi ambasadorkami tohoto od\u011bvu. Jejich portr\u00e9ty a filmov\u00e1 vystoupen\u00ed upevnily image \u010dchong-samu jako vrcholu glamouru a sofistikovanosti.<\/p>\n

    Tato \u00e9ra tak\u00e9 upevnila v\u00fdznam zak\u00e1zkov\u00e9ho krej\u010dovstv\u00ed. Prav\u00fd \u0161anghajsk\u00fd \u010dchong-sam nebyl zbo\u017e\u00edm z reg\u00e1lu; byl u\u0161it na m\u00edru mistrem krej\u010d\u00edm, kter\u00fd provedl pe\u010dliv\u00e1 m\u011b\u0159en\u00ed, aby zajistil dokonal\u00e9, rukavi\u010dkov\u00e9 padnut\u00ed. Toto odd\u00e1n\u00ed se \u0159emeslu je d\u011bdictv\u00edm, kter\u00e9 i nad\u00e1le inspiruje sou\u010dasn\u00e9 n\u00e1vrh\u00e1\u0159e. Nad\u0161enci a zna\u010dky, kter\u00e9 se sna\u017e\u00ed porozum\u011bt tomuto d\u011bdictv\u00ed, jako jsou ty na platform\u00e1ch jako PandaSilk.com, \u010dasto studuj\u00ed st\u0159ihy a techniky, kter\u00e9 v tomto obdob\u00ed zdokonalili legend\u00e1rn\u00ed \u0161anghaj\u0161t\u00ed krej\u010d\u00ed.<\/p>\n

    5. \u00dapadek, diaspora a zachov\u00e1n\u00ed<\/h3>\n

    Zlat\u00fd v\u011bk n\u00e1hle skon\u010dil s druhou \u010d\u00ednsko-japonskou v\u00e1lkou a n\u00e1slednou komunistickou revoluc\u00ed v roce 1949. V pevninsk\u00e9 \u010c\u00edn\u011b byl \u010dchong-sam odsouzen jako bur\u017eoazn\u00ed a dekadentn\u00ed, symbol kapitalistick\u00e9 minulosti. Od\u011bv na desetilet\u00ed prakticky zmizel z ve\u0159ejn\u00e9ho \u017eivota.<\/p>\n

    Styl v\u0161ak nezanikl. Mnoho z nejzru\u010dn\u011bj\u0161\u00edch \u0161anghajsk\u00fdch krej\u010d\u00edch uprchlo do Hongkongu, Tchaj-wanu a Singapuru a vzalo si s sebou sv\u00e9 \u0159emeslo. Hongkong se zejm\u00e9na stal nov\u00fdm centrem v\u00fdroby \u010dchong-samu a zachoval tuto tradici b\u011bhem 50. a 60. let. Ikoni\u010dt\u00ed filmy re\u017eis\u00e9ra Wong Kar-waie, zejm\u00e9na „N\u00e1lada l\u00e1sky“ (2000), samy o sob\u011b vyvolaly glob\u00e1ln\u00ed o\u017eiven\u00ed z\u00e1jmu o \u010dchong-sam, p\u0159edstavuj\u00edce jeho nad\u010dasovou smyslnost a eleganci prost\u0159ednictv\u00edm objektivu Hongkongu 60. let, p\u0159\u00edm\u00e9ho d\u011bdice \u0161anghajsk\u00e9ho stylu.<\/p>\n

    V\u00fdvoj a \u0161\u00ed\u0159en\u00ed \u010dchong-samu lze pozorovat nap\u0159\u00ed\u010d r\u016fzn\u00fdmi obdob\u00edmi:<\/p>\n\n\n\n\n\n\n\n\n\n
    Obdob\u00ed<\/th>\nKl\u00ed\u010dov\u00fd v\u00fdvoj<\/th>\nKulturn\u00ed kontext<\/th>\n<\/tr>\n<\/thead>\n
    Dynastie \u010cching<\/strong><\/td>\nVoln\u00e9 mand\u017eusk\u00e9 roucho ve tvaru A (\u010dchi-pchao<\/em>)<\/td>\nSymbol mand\u017eusk\u00e9 etnicity a c\u00edsa\u0159sk\u00e9 vl\u00e1dy.<\/td>\n<\/tr>\n
    \u0160anghaj 20. let 20. stolet\u00ed<\/strong><\/td>\nZu\u017eov\u00e1n\u00ed siluety, p\u0159ijet\u00ed z\u00e1padn\u00edho krej\u010dovstv\u00ed.<\/td>\nPoc\u00edsa\u0159sk\u00e9 obdob\u00ed, vliv „Modern\u00ed d\u00edvky“.<\/td>\n<\/tr>\n
    \u0160anghaj 30. a 40. let 20. stolet\u00ed<\/strong><\/td>\n„Zlat\u00fd v\u011bk,“ vysoce p\u0159il\u00e9hav\u00e9, rozmanit\u00e9 styly.<\/td>\nVrchol kosmopolitismu \u0160anghaje; od\u011bv no\u0161en\u00fd v\u0161emi.<\/td>\n<\/tr>\n
    50. a\u017e 70. l\u00e9ta 20. stolet\u00ed<\/strong><\/td>\n\u00dapadek v pevninsk\u00e9 \u010c\u00edn\u011b; zachov\u00e1n\u00ed v Hongkongu\/Tchaj-wanu.<\/td>\nKomunistick\u00e1 revoluce; studenov\u00e1le\u010dn\u00e1 diaspora.<\/td>\n<\/tr>\n
    80. l\u00e9ta 20. stolet\u00ed – sou\u010dasnost<\/strong><\/td>\nO\u017eiven\u00ed v pevninsk\u00e9 \u010c\u00edn\u011b; glob\u00e1ln\u00ed vliv na m\u00f3du.<\/td>\nEkonomick\u00e1 reforma; uzn\u00e1n\u00ed jako symbolu kulturn\u00edho d\u011bdictv\u00ed.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    P\u0159\u00edb\u011bh modern\u00edho \u010dchong-samu je neodd\u011bliteln\u011b spjat s p\u0159\u00edb\u011bhem \u0160anghaje 20. stolet\u00ed. Bylo to v tomto dynamick\u00e9m, pokrokov\u00e9m m\u011bst\u011b, kde se c\u00edsa\u0159sk\u00e9 roucho prom\u011bnilo v siln\u00fd v\u00fdraz modern\u00ed identity. \u0160anghajsk\u00fd \u010dchong-sam p\u0159edstavuje dokonalou synt\u00e9zu V\u00fdchodu a Z\u00e1padu, tradice a inovace, skromnosti a p\u016fvabu. Zachytil ducha jedine\u010dn\u00e9 doby a m\u00edsta, zt\u011bles\u0148uj\u00edc\u00ed sebev\u011bdom\u00ed a eleganci modern\u00ed \u010d\u00ednsk\u00e9 \u017eeny. A\u010dkoli za\u017eil obdob\u00ed \u00fapadku a o\u017eiven\u00ed, jeho z\u00e1kladn\u00ed silueta \u2013 ta, kterou vytvo\u0159ili mist\u0159i \u0161anghaj\u0161t\u00ed krej\u010d\u00ed \u2013 z\u016fst\u00e1v\u00e1 trvalou a celosv\u011btov\u011b uzn\u00e1vanou podobou, nad\u010dasov\u00fdm sv\u011bdectv\u00edm o m\u011bst\u011b, kter\u00e9 mu dalo jeho du\u0161i.<\/p>\n","protected":false},"excerpt":{"rendered":"

    \u010cchong-sam, neboli \u010dchi-pchao, pat\u0159\u00ed k nejikoni\u010dt\u011bj\u0161\u00edm a nejp\u016fsobiv\u011bj\u0161\u00edm od\u011bv\u016fm na sv\u011bt\u011b. Jako symbol elegance, \u017eenskosti a \u010d\u00ednsk\u00e9 kulturn\u00ed identity je jeho \u0161t\u00edhl\u00e1 silueta a elegantn\u00ed detaily okam\u017eit\u011b rozpoznateln\u00e1. A\u010dkoli jeho historick\u00e9 ko\u0159eny lze vysledovat k mand\u017eusk\u00e9 etnick\u00e9 skupin\u011b z obdob\u00ed dynastie \u010cching, podoba, kterou dnes oslavujeme \u2013 p\u0159il\u00e9hav\u00e9, sofistikovan\u00e9 \u0161aty, kter\u00e9 okouzlily jak m\u00f3dn\u00ed n\u00e1vrh\u00e1\u0159e,<\/p>\n","protected":false},"author":1,"featured_media":163694,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37823],"tags":[],"class_list":["post-165718","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-faqs-cs","prodpage-classic"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts\/165718","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/comments?post=165718"}],"version-history":[{"count":0,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts\/165718\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/media\/163694"}],"wp:attachment":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/media?parent=165718"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/categories?post=165718"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/tags?post=165718"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}