{"id":165778,"date":"2025-08-03T01:42:40","date_gmt":"2025-08-03T01:42:40","guid":{"rendered":"https:\/\/www.pandasilk.com\/types-and-characteristics-of-traditional-chinese-clothing\/"},"modified":"2026-02-17T21:28:29","modified_gmt":"2026-02-18T05:28:29","slug":"types-and-characteristics-of-traditional-chinese-clothing","status":"publish","type":"post","link":"https:\/\/www.pandasilk.com\/cs\/types-and-characteristics-of-traditional-chinese-clothing\/","title":{"rendered":"Typy a charakteristiky tradi\u010dn\u00edho \u010d\u00ednsk\u00e9ho oble\u010den\u00ed"},"content":{"rendered":"<p>Historie \u010c\u00edny je rozs\u00e1hl\u00e1 a slo\u017eit\u00e1 tapiserie tkan\u00e1 po tis\u00edcilet\u00ed a jej\u00ed tradi\u010dn\u00ed od\u011bvy jsou jedn\u00edm z jej\u00edch nej\u017eiv\u011bj\u0161\u00edch a nejv\u00fdmluvn\u011bj\u0161\u00edch vl\u00e1ken. Tradi\u010dn\u00ed \u010d\u00ednsk\u00fd od\u011bv, \u0161iroce zn\u00e1m\u00fd jako Hanfu, zdaleka nen\u00ed jedin\u00fdm statick\u00fdm kost\u00fdmem. P\u0159edstavuje slo\u017eit\u00fd a vyv\u00edjej\u00edc\u00ed se syst\u00e9m od\u011bv\u016f, kter\u00fd odr\u00e1\u017e\u00ed filozofii, soci\u00e1ln\u00ed strukturu a estetick\u00e9 c\u00edt\u011bn\u00ed ka\u017ed\u00e9 dynastie. Je to vizu\u00e1ln\u00ed jazyk, kter\u00fd sd\u011bluje postaven\u00ed, p\u0159\u00edle\u017eitost a kulturn\u00ed identitu. Od plynouc\u00edch, \u00e9terick\u00fdch r\u00f3b starov\u011bk\u00fdch dynasti\u00ed po elegantn\u00ed, p\u0159il\u00e9hav\u00e9 siluety po\u010d\u00e1tku 20. stolet\u00ed nab\u00edz\u00ed \u010d\u00ednsk\u00fd od\u011bv hlubok\u00fd pohled do du\u0161e n\u00e1roda. Tento \u010dl\u00e1nek zkoum\u00e1 hlavn\u00ed typy tradi\u010dn\u00edch \u010d\u00ednsk\u00fdch od\u011bv\u016f, jejich charakteristick\u00e9 rysy a bohatou symboliku ukrytou v jejich samotn\u00fdch vl\u00e1knech.<\/p>\n<h3>1. Hanfu: Od\u011bv n\u00e1roda Chan<\/h3>\n<p>Term\u00edn Hanfu (\u6f22\u670d) doslova znamen\u00e1 &#8222;od\u011bv n\u00e1roda Chan&#8220; a odkazuje na tradi\u010dn\u00ed od\u011bvn\u00ed syst\u00e9m Chan\u016f, hlavn\u00ed etnick\u00e9 skupiny v \u010c\u00edn\u011b, z doby p\u0159ed 17. stolet\u00edm. Nejde o jedin\u00fd od\u011bv, ale o \u0161irokou kategorii zahrnuj\u00edc\u00ed r\u016fzn\u00e9 styly, kter\u00e9 byly vyvinuty a no\u0161eny p\u0159ed dynasti\u00ed \u010cching. Z\u00e1kladn\u00ed struktura Hanfu je zalo\u017eena na n\u011bkolika kl\u00ed\u010dov\u00fdch principech. Typicky se skl\u00e1d\u00e1 z vrchn\u00ed \u010d\u00e1sti zvan\u00e9 <em>yi<\/em> (\u8863) a spodn\u00ed \u010d\u00e1sti, kterou m\u016f\u017ee b\u00fdt sukn\u011b zvan\u00e1 <em>shang<\/em> (\u88f3) nebo kalhoty zvan\u00e9 <em>ku<\/em> (\u8932). Charakteristick\u00fdm rysem je vrchn\u00ed od\u011bv s p\u0159ek\u0159\u00ed\u017een\u00fdm l\u00edmcem, kde se lev\u00fd pl\u00e1\u0161\u0165 p\u0159ekl\u00e1d\u00e1 p\u0159es prav\u00fd (\u4ea4\u9818\u53f3\u887d, <em>ji\u0101ol\u01d0ng y\u00f2ur\u00e8n<\/em>). Tento specifick\u00fd zp\u016fsob p\u0159ek\u0159\u00ed\u017een\u00ed byl pova\u017eov\u00e1n za znak civilizace, odli\u0161uj\u00edc\u00ed Chany od &#8222;barbarsk\u00fdch&#8220; skupin, kter\u00e9 si sv\u00e9 r\u00f3by \u010dasto zap\u00ednaly opa\u010dn\u011b. Hanfu je tak\u00e9 charakteristick\u00e9 sv\u00fdmi \u0161irok\u00fdmi, plynouc\u00edmi ruk\u00e1vy, pou\u017eit\u00edm \u0161erpy nebo opasku (<em>dai<\/em>, \u5e36) k zap\u00edn\u00e1n\u00ed m\u00edsto knofl\u00edk\u016f a celkov\u00fdm d\u016frazem na p\u016fvabnou, harmonickou siluetu, kter\u00e1 dopl\u0148uje p\u0159irozen\u00e9 pohyby t\u011bla. V posledn\u00edch letech se objevilo \u017eiv\u00e9 kulturn\u00ed hnut\u00ed usiluj\u00edc\u00ed o obnovu a oslavu Hanfu, kter\u00e9 tyto starobyl\u00e9 styly vrac\u00ed do modern\u00edho sv\u011bta.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-8872\" src=\"https:\/\/www.pandasilk.com\/wp-content\/uploads\/2026\/01\/Hanfu-1.jpg\" alt=\"\" width=\"1280\" height=\"1920\" \/><\/p>\n<h3>2. \u0160en-i: Symbol jednoty a slu\u0161nosti<\/h3>\n<p>\u0160en-i (\u6df1\u8863), neboli &#8222;hlubok\u00e1 r\u00f3ba&#8220;, je jednou z historicky nejv\u00fdznamn\u011bj\u0161\u00edch forem Hanfu. Je to dlouh\u00e1, jednod\u00edln\u00e1 r\u00f3ba vytvo\u0159en\u00e1 se\u0161it\u00edm horn\u00edho <em>yi<\/em> a spodn\u00edho <em>shang<\/em> dohromady, symbolizuj\u00edc\u00ed spojen\u00ed mezi nebem (reprezentovan\u00fdm vr\u0161kem) a zem\u00ed (reprezentovanou spodkem). Tento design odr\u00e1\u017eel konfuci\u00e1nsk\u00e9 ide\u00e1ly \u0159\u00e1du a slu\u0161nosti, d\u00edky \u010demu\u017e byla \u0160en-i form\u00e1ln\u00edm od\u011bvem, kter\u00fd nosili u\u010denci, \u00fa\u0159edn\u00edci a \u0161lechta p\u0159i slavnostn\u00edch p\u0159\u00edle\u017eitostech. Jej\u00ed konstrukce byla vysoce symbolick\u00e1, s konkr\u00e9tn\u00edmi m\u00edrami odpov\u00eddaj\u00edc\u00edmi filozofick\u00fdm koncept\u016fm. Existovaly dv\u011b hlavn\u00ed varianty \u0160en-i:<\/p>\n<ul>\n<li><strong>\u010cch\u00fc-\u0165\u00fc \u0160en-i (\u66f2\u88fe\u6df1\u8863):<\/strong> &#8222;Hlubok\u00e1 r\u00f3ba se \u0161ikm\u00fdm l\u00edmcem&#8220; m\u00e1 dlouh\u00fd troj\u00faheln\u00edkov\u00fd l\u00edmec, kter\u00fd se jednou nebo v\u00edcekr\u00e1t obt\u00e1\u010d\u00ed kolem t\u011bla, ne\u017e je upevn\u011bn. Tento design byl zvl\u00e1\u0161t\u011b roz\u0161\u00ed\u0159en\u00fd v dynastii Chan a d\u0159\u00edve, proto\u017ee zabra\u0148oval odhalen\u00ed spodn\u00edho pr\u00e1dla, \u010d\u00edm\u017e uspokojoval p\u0159\u00edsn\u00fd kodex skromnosti.<\/li>\n<li><strong>\u010c&#8216;-\u0165\u00fc \u0160en-i (\u76f4\u88fe\u6df1\u8863):<\/strong> &#8222;Hlubok\u00e1 r\u00f3ba s rovn\u00fdmi kl\u00edny&#8220; m\u00e1 rovn\u00fd l\u00edmec, kter\u00fd sestupuje svisle. Stala se b\u011b\u017en\u011bj\u0161\u00ed v polovin\u011b a\u017e pozdn\u00ed dynastii Chan, kdy\u017e se roz\u0161\u00ed\u0159ilo pou\u017e\u00edv\u00e1n\u00ed spodn\u00edho pr\u00e1dla jako <em>ku<\/em> (kalhot), co\u017e u\u010dinilo slo\u017eit\u00e9 obmot\u00e1v\u00e1n\u00ed \u010cch\u00fc-\u0165\u00fc pro skromnost zbyte\u010dn\u00fdm.<\/li>\n<\/ul>\n<table class=\"table table-striped table-bordered\">\n<thead>\n<tr>\n<th align=\"left\">Vlastnost<\/th>\n<th align=\"left\">\u010cch\u00fc-\u0165\u00fc \u0160en-i<\/th>\n<th align=\"left\">\u010c&#8216;-\u0165\u00fc \u0160en-i<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td align=\"left\"><strong>Styl l\u00edmce<\/strong><\/td>\n<td align=\"left\">Dlouh\u00fd, zak\u0159iven\u00fd l\u00edmec, kter\u00fd se obt\u00e1\u010d\u00ed kolem t\u011bla.<\/td>\n<td align=\"left\">Rovn\u00fd l\u00edmec, kter\u00fd vis\u00ed svisle vep\u0159edu.<\/td>\n<\/tr>\n<tr>\n<td align=\"left\"><strong>Hlavn\u00ed obdob\u00ed<\/strong><\/td>\n<td align=\"left\">P\u0159ed dynasti\u00ed \u010cchin, \u010cchin a ran\u00e1 Z\u00e1padn\u00ed Chan.<\/td>\n<td align=\"left\">Dynastie V\u00fdchodn\u00ed Chan a n\u00e1sleduj\u00edc\u00ed obdob\u00ed.<\/td>\n<\/tr>\n<tr>\n<td align=\"left\"><strong>Hlavn\u00ed funkce<\/strong><\/td>\n<td align=\"left\">Zaji\u0161\u0165ovala skromnost t\u00edm, \u017ee poskytovala \u00fapln\u00e9 zakryt\u00ed v dob\u011b, kdy nebyly kalhoty b\u011b\u017en\u00e9.<\/td>\n<td align=\"left\">Slou\u017eila jako form\u00e1ln\u00ed od\u011bv, kdy\u017e se spodn\u00ed pr\u00e1dlo stalo standardem.<\/td>\n<\/tr>\n<tr>\n<td align=\"left\"><strong>Estetika<\/strong><\/td>\n<td align=\"left\">Vizu\u00e1ln\u011b slo\u017eit\u00e1 a vrstven\u00e1.<\/td>\n<td align=\"left\">Jednodu\u0161\u0161\u00ed, v\u00edce zjednodu\u0161en\u00fd vzhled.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h3>3. \u017du-\u010dch\u00fcn: Nad\u010dasov\u00fd dvoud\u00edln\u00fd soubor<\/h3>\n<p>\u017du-\u010dch\u00fcn (\u8966\u88d9) je klasick\u00fd dvoud\u00edln\u00fd soubor skl\u00e1daj\u00edc\u00ed se z vrchn\u00ed bl\u016fzy (<em>\u017eu<\/em>, \u8966) a ovinovac\u00ed sukn\u011b (<em>\u010dch\u00fcn<\/em>, \u88d9). Tento v\u0161estrann\u00fd a pohodln\u00fd styl nosily \u017eeny po stalet\u00ed, ji\u017e od obdob\u00ed V\u00e1l\u010d\u00edc\u00edch st\u00e1t\u016f a\u017e po dynastii Ming, p\u0159i\u010dem\u017e jeho podoba se vyv\u00edjela tak, aby odpov\u00eddala estetice ka\u017ed\u00e9 \u00e9ry. Vr\u0161ek mohl b\u00fdt kr\u00e1tk\u00e1 bl\u016fza nebo del\u0161\u00ed kab\u00e1tek a sukn\u011b mohla b\u00fdt stylizov\u00e1na mnoha zp\u016fsoby. Nejv\u00fdznamn\u011bj\u0161\u00ed variace se t\u00fdkaj\u00ed v\u00fd\u0161ky sukn\u011b v pase. <em>\u010cchi-jiao \u017du-\u010dch\u00fcn<\/em> (\u9f4a\u8170\u8966\u88d9) m\u00e1 sukni uv\u00e1zanou v p\u0159irozen\u00e9m pase, co\u017e vytv\u00e1\u0159\u00ed vyv\u00e1\u017een\u00fd a skromn\u00fd vzhled, obl\u00edben\u00fd v mnoha dynasti\u00edch. Naproti tomu dynastie Tchang d\u00e1vala p\u0159ednost <em>\u010cchi-siung \u017du-\u010dch\u00fcn<\/em> (\u9f4a\u80f8\u8966\u88d9), kde byla sukn\u011b uv\u00e1z\u00e1na vysoko pod podpa\u017e\u00ed, t\u011bsn\u011b pod hrudn\u00edkem. Tento styl prodlu\u017eoval postavu a v kombinaci s kr\u00e1tkou bl\u016fzou a dlouhou, plynouc\u00ed \u0161\u00e1lou zvanou <em>pcho-po<\/em> (\u62ab\u5e1b) vytv\u00e1\u0159el ok\u00e1zalou a romantickou siluetu charakteristickou pro dv\u016fr dynastie Tchang.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-8873\" src=\"https:\/\/www.pandasilk.com\/wp-content\/uploads\/2026\/01\/Hanfu-3.jpg\" alt=\"\" width=\"1280\" height=\"1920\" \/><\/p>\n<h3>4. \u010congsam a \u010cchi-pchao: Modern\u00ed evoluce<\/h3>\n<p>A\u010dkoli se tyto term\u00edny \u010dasto pou\u017e\u00edvaj\u00ed zam\u011bniteln\u011b, <a href=\"https:\/\/www.pandasilk.com\/cs\/product\/silk-cheongsam\/\">\u010congsam<\/a> a \u010cchi-pchao maj\u00ed odli\u0161n\u00fd p\u016fvod. \u010cchi-pchao (\u65d7\u888d), neboli &#8222;korouhevn\u00ed r\u00f3ba&#8220;, poch\u00e1z\u00ed z rovn\u011b st\u0159i\u017een\u00fdch, \u00e1\u010dkov\u00fdch r\u00f3b, kter\u00e9 nosily mand\u017eusk\u00e9 \u017eeny b\u011bhem dynastie \u010cching (1644\u20131912). Tato ran\u00e1 \u010cchi-pchao byla voln\u00e1, zakr\u00fdvala postavu a byla navr\u017eena pro snadn\u00fd pohyb, zejm\u00e9na pro j\u00edzdu na koni.<\/p>\n<p>Radik\u00e1ln\u00ed prom\u011bna tohoto od\u011bvu nastala v ru\u0161n\u00e9m kosmopolitn\u00edm m\u011bst\u011b \u0160anghaji ve 20. a 30. letech 20. stolet\u00ed. Pod vlivem z\u00e1padn\u00edho krej\u010dovstv\u00ed a modernizuj\u00edc\u00ed se spole\u010dnosti bylo \u010cchi-pchao upraveno do p\u0159il\u00e9hav\u00fdch \u0161at\u016f, kter\u00e9 jsou nyn\u00ed celosv\u011btov\u011b zn\u00e1m\u00e9 jako \u010congsam (\u9577\u886b, &#8222;dlouh\u00e1 ko\u0161ile&#8220;). Tato modern\u00ed verze se vyzna\u010duje mandar\u00ednsk\u00fdm l\u00edmcem, uzlov\u00fdmi knofl\u00edky (<em>pchan-kchou<\/em>, \u76e4\u6263), vysok\u00fdmi postrann\u00edmi rozparky a st\u0159ihem, kter\u00fd zd\u016fraz\u0148uje \u017eenskou postavu. \u010congsam se stal symbolem modern\u00ed \u010d\u00ednsk\u00e9 \u017eenskosti, kombinuj\u00edc\u00edm tradi\u010dn\u00ed prvky s modern\u00edm stylem. Pro ty, kte\u0159\u00ed se zaj\u00edmaj\u00ed o slo\u017eit\u00e9 um\u011bn\u00ed a modern\u00ed obnovu t\u00e9to ikonick\u00e9 r\u00f3by, nab\u00edzej\u00ed zdroje jako <strong>PandaSilk.com<\/strong> hlub\u0161\u00ed pohledy na jej\u00ed historii, \u0159emesln\u00e9 zpracov\u00e1n\u00ed a kulturn\u00ed v\u00fdznam.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-8878\" src=\"https:\/\/www.pandasilk.com\/wp-content\/uploads\/2026\/01\/Accessorizing-Your-Cheongsam-1.jpg\" alt=\"\" width=\"800\" height=\"1067\" \/><\/p>\n<table class=\"table table-striped table-bordered\">\n<thead>\n<tr>\n<th align=\"left\">Vlastnost<\/th>\n<th align=\"left\">Tradi\u010dn\u00ed \u010cchi-pchao (dynastie \u010cching)<\/th>\n<th align=\"left\">Modern\u00ed \u010congsam (20. stolet\u00ed)<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td align=\"left\"><strong>Silueta<\/strong><\/td>\n<td align=\"left\">Voln\u00e1, rovn\u00e1, \u00e1\u010dkov\u00fd st\u0159ih.<\/td>\n<td align=\"left\">P\u0159il\u00e9hav\u00e1, st\u0159i\u017een\u00e1 podle k\u0159ivek t\u011bla.<\/td>\n<\/tr>\n<tr>\n<td align=\"left\"><strong>L\u00e1tka<\/strong><\/td>\n<td align=\"left\">P\u0159edev\u0161\u00edm hedv\u00e1b\u00ed, sat\u00e9n a brok\u00e1ty s t\u011b\u017ek\u00fdm vy\u0161\u00edv\u00e1n\u00edm.<\/td>\n<td align=\"left\">\u0160ir\u0161\u00ed \u0161k\u00e1la, v\u010detn\u011b bavlny, veluru, krajky a modern\u00edch sm\u011bs\u00ed.<\/td>\n<\/tr>\n<tr>\n<td align=\"left\"><strong>P\u0159\u00edle\u017eitost<\/strong><\/td>\n<td align=\"left\">Denn\u00ed a form\u00e1ln\u00ed od\u011bv pro mand\u017eusk\u00e9 \u017eeny.<\/td>\n<td align=\"left\">Stal se m\u00f3dn\u00edmi \u0161aty pro spole\u010densk\u00e9 ud\u00e1losti, form\u00e1ln\u00ed p\u0159\u00edle\u017eitosti a denn\u00ed no\u0161en\u00ed.<\/td>\n<\/tr>\n<tr>\n<td align=\"left\"><strong>Ruk\u00e1vy<\/strong><\/td>\n<td align=\"left\">Dlouh\u00e9 a \u0161irok\u00e9, \u010dasto s odd\u011blen\u00fdmi man\u017eetami.<\/td>\n<td align=\"left\">R\u016fzn\u00e9, od dlouh\u00fdch po kr\u00e1tk\u00e9 nebo bez ruk\u00e1v\u016f.<\/td>\n<\/tr>\n<tr>\n<td align=\"left\"><strong>Rozparky<\/strong><\/td>\n<td align=\"left\">Rozparky na v\u0161ech \u010dty\u0159ech \u0161vech pro jezdeckou mobilitu.<\/td>\n<td align=\"left\">Vysok\u00e9 rozparky na jedn\u00e9 nebo obou stran\u00e1ch pro styl a snadn\u00fd pohyb.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h3>5. Styly specifick\u00e9 pro dynastie: Pohled do historie<\/h3>\n<p>Estetika \u010d\u00ednsk\u00e9ho od\u00edv\u00e1n\u00ed se dramaticky m\u011bnila od jedn\u00e9 dynastie ke druh\u00e9, odr\u00e1\u017eej\u00edc ducha doby.<\/p>\n<ul>\n<li><strong>Dynastie Tchang (618\u2013907):<\/strong> V \u00e9\u0159e neb\u00fdval\u00e9ho blahobytu a kulturn\u00ed otev\u0159enosti bylo oble\u010den\u00ed dynastie Tchang odv\u00e1\u017en\u00e9, \u017eiv\u00e9 a luxusn\u00ed. \u017densk\u00e1 m\u00f3da se vyzna\u010dovala v\u00fdst\u0159ihy, sukn\u011bmi s vysok\u00fdm pasem (<em>\u010cchi-siung \u017du-\u010dch\u00fcn<\/em>) a z\u00e1\u0159iv\u00fdmi barvami, jako je karm\u00ednov\u00e1, tmav\u011b fialov\u00e1 a smaragdov\u011b zelen\u00e1. Vlivy Hedv\u00e1bn\u00e9 stezky byly patrn\u00e9 v pou\u017e\u00edv\u00e1n\u00ed r\u00f3b s kulat\u00fdm l\u00edmcem (<em>j\u00fcan-ling-pchao<\/em>) a nov\u00fdch motiv\u016f.<\/li>\n<li><strong>Dynastie Sung (960\u20131279):<\/strong> Na rozd\u00edl od ok\u00e1zalosti Tchang\u016f se estetika Sung\u016f \u0159\u00eddila neokonfuci\u00e1nsk\u00fdmi ide\u00e1ly racionalismu a jemnosti. Oble\u010den\u00ed se stalo zdr\u017eenliv\u011bj\u0161\u00edm, \u0161t\u00edhlej\u0161\u00edm a elegantn\u011bj\u0161\u00edm. Kl\u00ed\u010dov\u00fdm od\u011bvem byl <em>Pej-c&#8216;<\/em> (\u8919\u5b50), dlouh\u00e1, rovn\u00e1 vrchn\u00ed vesta nebo kab\u00e1t, kter\u00fd nosili mu\u017ei i \u017eeny a kter\u00fd vyjad\u0159oval pocit u\u010den\u00e9 elegance.<\/li>\n<li><strong>Dynastie Ming (1368\u20131644):<\/strong> Dynastie Ming p\u0159inesla obnovu chanovsk\u00fdch zvyklost\u00ed po mongolsk\u00e9 dynastii J\u00fcan. Oble\u010den\u00ed se stalo konzervativn\u011bj\u0161\u00edm a d\u016fstojn\u011bj\u0161\u00edm. \u017deny b\u011b\u017en\u011b nosily vrchn\u00ed od\u011bv s dlouh\u00fdmi ruk\u00e1vy (<em>Ao<\/em>, \u8956) s plisovanou sukn\u00ed zn\u00e1mou jako <em>Ma-mien-\u010dch\u00fcn<\/em> (\u99ac\u9762\u88d9, &#8222;sukn\u011b s ko\u0148skou tv\u00e1\u0159\u00ed&#8220;), kter\u00e1 m\u011bla ploch\u00e9 panely vp\u0159edu a vzadu s v\u00fdrazn\u011b plisovan\u00fdmi stranami. Form\u00e1ln\u00ed od\u011bv byl velkolep\u00fd a zdoben\u00fd, s propracovan\u00fdm vy\u0161\u00edv\u00e1n\u00edm a slo\u017eit\u00fdmi \u010delenkami.<\/li>\n<\/ul>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-8901\" src=\"https:\/\/www.pandasilk.com\/wp-content\/uploads\/2026\/01\/Traditional-Chinese-Hanfu-Dress-Clothing-12.jpg\" alt=\"\" width=\"700\" height=\"700\" \/><\/p>\n<table class=\"table table-striped table-bordered\">\n<thead>\n<tr>\n<th align=\"left\">Dynastie<\/th>\n<th align=\"left\">Kl\u00ed\u010dov\u00e9 od\u011bvy<\/th>\n<th align=\"left\">Estetick\u00e9 charakteristiky<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td align=\"left\"><strong>Dynastie Tchang<\/strong><\/td>\n<td align=\"left\">\u010cchi-siung \u017du-\u010dch\u00fcn, J\u00fcan-ling-pchao, Pcho-po<\/td>\n<td align=\"left\">Ok\u00e1zal\u00e9, \u017eiv\u00e9, odv\u00e1\u017en\u00e9, otev\u0159en\u00e9, mezin\u00e1rodn\u00ed vlivy.<\/td>\n<\/tr>\n<tr>\n<td align=\"left\"><strong>Dynastie Sung<\/strong><\/td>\n<td align=\"left\">Pej-c&#8216;, bl\u016fzy s \u00fazk\u00fdmi ruk\u00e1vy<\/td>\n<td align=\"left\">Jednoduch\u00e9, elegantn\u00ed, zdr\u017eenliv\u00e9, jemn\u00e9, u\u010den\u00e9.<\/td>\n<\/tr>\n<tr>\n<td align=\"left\"><strong>Dynastie Ming<\/strong><\/td>\n<td align=\"left\">Ao, Ma-mien-\u010dch\u00fcn, Pi-\u0165ia (bezruk\u00e1vov\u00e1 vesta)<\/td>\n<td align=\"left\">D\u016fstojn\u00e9, konzervativn\u00ed, velkolep\u00e9, strukturovan\u00e9, obnova chanovsk\u00fdch styl\u016f.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h3>6. Symbolika v l\u00e1tk\u00e1ch, barv\u00e1ch a motivech<\/h3>\n<p>Tradi\u010dn\u00ed \u010d\u00ednsk\u00fd od\u011bv nikdy nebyl pouze o estetice; byl pl\u00e1tnem pro sd\u011blov\u00e1n\u00ed slo\u017eit\u00fdch symbolick\u00fdch v\u00fdznam\u016f. Volba l\u00e1tky okam\u017eit\u011b nazna\u010dovala soci\u00e1ln\u00ed postaven\u00ed, p\u0159i\u010dem\u017e hedv\u00e1b\u00ed bylo vyhrazeno \u0161lecht\u011b a bohat\u00fdm, zat\u00edmco prost\u00ed lid\u00e9 nosili od\u011bvy z konop\u00ed, ramie a pozd\u011bji bavlny.<\/p>\n<p>Barvou se \u0159\u00eddil p\u0159\u00edsn\u00fd kodex zalo\u017een\u00fd na teorii P\u011bti prvk\u016f. \u017dlut\u00e1 byla c\u00edsa\u0159skou barvou, vyhrazenou v\u00fdhradn\u011b pro c\u00edsa\u0159e, proto\u017ee p\u0159edstavovala zemi a st\u0159ed vesm\u00edru. \u010cerven\u00e1 symbolizovala ohe\u0148, \u0161t\u011bst\u00ed a radost, co\u017e z n\u00ed \u010dinilo barvu volby pro svatby a festivaly. B\u00edl\u00e1, spojovan\u00e1 s kovem a smutkem, se nosila b\u011bhem poh\u0159b\u016f. \u010cern\u00e1 p\u0159edstavovala vodu a pou\u017e\u00edvala se pro form\u00e1ln\u00ed, slavnostn\u00ed od\u011bv. Motivy vy\u0161\u00edvan\u00e9 na l\u00e1tku byly tak\u00e9 bohat\u00e9 na v\u00fdznam. Drak symbolizoval moc c\u00edsa\u0159e, zat\u00edmco f\u00e9nix p\u0159edstavoval c\u00edsa\u0159ovnu. Je\u0159\u00e1bi zna\u010dili dlouhov\u011bkost, pivo\u0148ky st\u00e1ly za bohatstv\u00edm a prosperitou a lotosov\u00e9 kv\u011bty p\u0159edstavovaly \u010distotu a osv\u00edcen\u00ed.<\/p>\n<p>Od filozofick\u00e9 hloubky \u0160en-i p\u0159es nad\u010dasovou v\u0161estrannost \u017du-\u010dch\u00fcn a\u017e po modern\u00ed eleganci \u010congsamu je tradi\u010dn\u00ed \u010d\u00ednsk\u00fd od\u011bv sv\u011bdectv\u00edm kultury, kter\u00e1 v\u017edy pova\u017eovala od\u011bv za prodlou\u017een\u00ed identity, filozofie a historie. Tyto od\u011bvy nejsou relikty minulosti, ale \u017eiv\u00e9 tradice, kter\u00e9 st\u00e1le inspiruj\u00ed a vyv\u00edjej\u00ed se. Nesou p\u0159\u00edb\u011bhy dynasti\u00ed, moudrost mudrc\u016f a um\u011bleck\u00e9ho ducha nes\u010detn\u00fdch generac\u00ed a nab\u00edzej\u00ed kr\u00e1sn\u00fd a hlubok\u00fd zp\u016fsob, jak porozum\u011bt jednomu z nejtrvalej\u0161\u00edch kulturn\u00edch d\u011bdictv\u00ed \u010c\u00edny. Pokra\u010duj\u00edc\u00ed obnova Hanfu a celosv\u011btov\u00fd obdiv k \u010congsamu zaji\u0161\u0165uj\u00ed, \u017ee se tato vl\u00e1kna historie budou d\u00e1le tk\u00e1t do l\u00e1tky budoucnosti.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Historie \u010c\u00edny je rozs\u00e1hl\u00e1 a slo\u017eit\u00e1 tapiserie tkan\u00e1 po tis\u00edcilet\u00ed a jej\u00ed tradi\u010dn\u00ed od\u011bvy jsou jedn\u00edm z jej\u00edch nej\u017eiv\u011bj\u0161\u00edch a nejv\u00fdmluvn\u011bj\u0161\u00edch vl\u00e1ken. Tradi\u010dn\u00ed \u010d\u00ednsk\u00fd od\u011bv, \u0161iroce zn\u00e1m\u00fd jako Hanfu, zdaleka nen\u00ed jedin\u00fdm statick\u00fdm kost\u00fdmem. P\u0159edstavuje slo\u017eit\u00fd a vyv\u00edjej\u00edc\u00ed se syst\u00e9m od\u011bv\u016f, kter\u00fd odr\u00e1\u017e\u00ed filozofii, soci\u00e1ln\u00ed strukturu a estetick\u00e9 c\u00edt\u011bn\u00ed ka\u017ed\u00e9 dynastie. Je to vizu\u00e1ln\u00ed jazyk,<\/p>\n","protected":false},"author":1,"featured_media":163665,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37823],"tags":[],"class_list":["post-165778","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-faqs-cs","prodpage-classic"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts\/165778","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/comments?post=165778"}],"version-history":[{"count":0,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts\/165778\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/media\/163665"}],"wp:attachment":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/media?parent=165778"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/categories?post=165778"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/tags?post=165778"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}