{"id":165918,"date":"2025-08-03T01:26:27","date_gmt":"2025-08-03T01:26:27","guid":{"rendered":"https:\/\/www.pandasilk.com\/shanghai-qipao-cheongsam-chinese-dress-history-and-characteristics\/"},"modified":"2026-02-17T21:27:55","modified_gmt":"2026-02-18T05:27:55","slug":"shanghai-qipao-cheongsam-chinese-dress-history-and-characteristics","status":"publish","type":"post","link":"https:\/\/www.pandasilk.com\/cs\/shanghai-qipao-cheongsam-chinese-dress-history-and-characteristics\/","title":{"rendered":"\u0160anghajsk\u00e9 Qipao (Cheongsam): Historie a charakteristika \u010d\u00ednsk\u00fdch \u0161at\u016f"},"content":{"rendered":"

\u010cchi-pchao<\/a>, zn\u00e1m\u00e9 v kanton\u0161tin\u011b jako cheongsam, pat\u0159\u00ed k nejikoni\u010dt\u011bj\u0161\u00edm a nejrozpoznateln\u011bj\u0161\u00edm od\u011bv\u016fm na sv\u011bt\u011b. Jde o p\u0159il\u00e9hav\u00e9 jednod\u00edln\u00e9 \u0161aty, kter\u00e9 se staly symbolem \u010d\u00ednsk\u00e9 \u017eenskosti, elegance a smyslnosti. A\u010dkoli jeho p\u016fvod lze vysledovat k mand\u017eusk\u00fdm r\u00f3b\u00e1m z obdob\u00ed dynastie \u010cching, teprve ve vibruj\u00edc\u00ed kosmopolitn\u00ed metropoli \u0160anghaji ve 20. a 30. letech 20. stolet\u00ed pro\u0161lo \u010dchi-pchao radik\u00e1ln\u00ed prom\u011bnou v modern\u00ed klasiku, jakou zn\u00e1me dnes. Tento \u0161anghajsk\u00fd styl, zrozen\u00fd z jedine\u010dn\u00e9 f\u00faze v\u00fdchodn\u00ed tradice a z\u00e1padn\u00ed modernity, p\u0159edstavuje zlat\u00fd v\u011bk tohoto od\u011bvu. Nejde jen o kus oble\u010den\u00ed; je to kulturn\u00ed artefakt, kter\u00fd vypr\u00e1v\u00ed p\u0159\u00edb\u011bh m\u011bn\u00edc\u00ed se \u010c\u00edny, vzestupu nov\u00e9ho pojet\u00ed \u017eenstv\u00ed a trval\u00e9 s\u00edly sofistikovan\u00e9ho designu. Tento \u010dl\u00e1nek zkoum\u00e1 bohatou historii \u0161anghajsk\u00e9ho \u010dchi-pchao, zab\u00fdv\u00e1 se jeho ur\u010duj\u00edc\u00edmi charakteristikami a zkoum\u00e1 jeho trval\u00fd odkaz ve sv\u011bt\u011b m\u00f3dy.<\/p>\n

1. Od mand\u017eusk\u00e9ho dvora k republik\u00e1nsk\u00e9 modernit\u011b<\/h3>\n

P\u0159edch\u016fdcem \u010dchi-pchao byl \u010dchang-pchao<\/em> (\u9577\u888d), dlouh\u00e1, rovn\u011b st\u0159i\u017een\u00e1 a pom\u011brn\u011b voln\u00e1 r\u00f3ba, kterou nosili Mand\u017euov\u00e9, kte\u0159\u00ed zalo\u017eili dynastii \u010cching (1644\u20131912). P\u016fvodn\u011b tento od\u011bv nosili mu\u017ei i \u017eeny z „korouhevn\u00edho“ syst\u00e9mu (\u010dchi \u017een<\/em>), od kter\u00e9ho je odvozen n\u00e1zev „\u010dchi-pchao“ (korouhevn\u00ed r\u00f3ba). \u017densk\u00e1 verze, charakteristick\u00e1 siluetou do A, dlouh\u00fdmi ruk\u00e1vy a postrann\u00edmi rozparky pro snadn\u00fd pohyb na koni, byla navr\u017eena pro skromnost a prakti\u010dnost, nikoli pro zv\u00fdrazn\u011bn\u00ed \u017eensk\u00e9 postavy.<\/p>\n

Po p\u00e1du dynastie \u010cching a zalo\u017een\u00ed \u010c\u00ednsk\u00e9 republiky v roce 1912 vstoupil n\u00e1rod do obdob\u00ed hlubok\u00fdch spole\u010densk\u00fdch a kulturn\u00edch ot\u0159es\u016f. Intelektu\u00e1lov\u00e9 a studenti volali po modernizaci a opu\u0161t\u011bn\u00ed star\u00fdch feud\u00e1ln\u00edch zvyk\u016f, v\u010detn\u011b tradi\u010dn\u00edho oble\u010den\u00ed. V t\u00e9to atmosf\u00e9\u0159e zm\u011bn za\u010daly \u010d\u00ednsk\u00e9 \u017eeny z etnika Chan, zejm\u00e9na studentky a m\u011bstsk\u00e1 elita, p\u0159ij\u00edmat upravenou verzi \u010dchang-pchao<\/em>. Toto po\u010d\u00e1te\u010dn\u00ed p\u0159ijet\u00ed bylo politick\u00fdm vyj\u00e1d\u0159en\u00edm \u2013 aktem genderov\u00e9 rovnosti a osvobozen\u00ed od omezuj\u00edc\u00edho dvoud\u00edln\u00e9ho od\u011bvu tradice Chan\u016f. Tato ran\u00e1 republik\u00e1nsk\u00e1 \u010dchi-pchao byla st\u00e1le voln\u00e1 a skromn\u00e1, ale polo\u017eila z\u00e1klad pro revolu\u010dn\u00ed zm\u011bny, kter\u00e9 m\u011bly p\u0159ij\u00edt.<\/p>\n

\"Mand\u017eusk\u00e9<\/p>\n

2. Zlat\u00fd v\u011bk: \u0160anghaj ve 20. a\u017e 40. letech 20. stolet\u00ed<\/h3>\n

Skute\u010dn\u00e9 zrozen\u00ed modern\u00edho \u010dchi-pchao se odehr\u00e1lo v \u0160anghaji, „Pa\u0159\u00ed\u017ei V\u00fdchodu“. Ve 20. a 30. letech 20. stolet\u00ed byla \u0160anghaj ru\u0161n\u00fdm mezin\u00e1rodn\u00edm centrem obchodu, kultury a financ\u00ed, kde se v\u00fdchodn\u00ed a z\u00e1padn\u00ed vlivy st\u0159et\u00e1valy a spojovaly. Toto prost\u0159ed\u00ed se uk\u00e1zalo b\u00fdt dokonalou l\u00edhn\u00ed m\u00f3dn\u00edch inovac\u00ed. \u0160anghaj\u0161t\u00ed krej\u010d\u00ed za\u010dali do tradi\u010dn\u00edho \u010dchi-pchao za\u010dle\u0148ovat z\u00e1padn\u00ed krej\u010dovsk\u00e9 techniky, co\u017e vedlo k dramatick\u00e9 prom\u011bn\u011b.<\/p>\n

Voln\u00e1 silueta do A byla tvarov\u00e1na tak, aby kop\u00edrovala p\u0159irozen\u00e9 k\u0159ivky t\u011bla. Byly zavedeny z\u00e1padn\u00ed prvky jako \u0161ipky, vsazen\u00e9 ruk\u00e1vy a pozd\u011bji postrann\u00ed zip, aby vznikl mnohem v\u00edce p\u0159il\u00e9hav\u00fd a lichotiv\u00fd od\u011bv. Styl zpopularizovaly okouzluj\u00edc\u00ed \u0161anghajsk\u00e9 spole\u010dnice, filmov\u00e9 hv\u011bzdy jako Ruan Lingyu a Hu Die a „kalend\u00e1\u0159ov\u00e9 d\u00edvky“, jejich\u017e malovan\u00e9 portr\u00e9ty zdobily nes\u010detn\u00e9 reklamy a plak\u00e1ty. \u0160anghajsk\u00e9 \u010dchi-pchao se stalo symbolem modern\u00ed \u010d\u00ednsk\u00e9 \u017eeny \u2013 sofistikovan\u00e9, sebev\u011bdom\u00e9 a bez v\u00fd\u010ditek \u017eensk\u00e9.<\/p>\n

N\u00e1sleduj\u00edc\u00ed tabulka ilustruje kl\u00ed\u010dov\u00e1 v\u00fdvojov\u00e1 st\u00e1dia od mand\u017eusk\u00e9 r\u00f3by po typick\u00fd \u0161anghajsk\u00fd styl.<\/p>\n\n\n\n\n\n\n\n\n\n\n
Vlastnost<\/th>\n\u010cchang-pchao z dynastie \u010cching<\/th>\nRan\u00e1 republik\u00e1nsk\u00e1 \u010dchi-pchao (cca 10. a\u017e 20. l\u00e9ta 20. stol.)<\/th>\n\u0160anghajsk\u00fd styl \u010dchi-pchao (cca 30. a\u017e 40. l\u00e9ta 20. stol.)<\/th>\n<\/tr>\n<\/thead>\n
Silueta<\/strong><\/td>\nVoln\u00e1, do A, rovn\u00fd st\u0159ih<\/td>\nSt\u00e1le pom\u011brn\u011b voln\u00e1, m\u00edrn\u011b zu\u017euj\u00edc\u00ed se<\/td>\nVysoce tvarovan\u00e1, p\u0159il\u00e9hav\u00e1, zd\u016fraz\u0148uje k\u0159ivky<\/td>\n<\/tr>\n
D\u00e9lka<\/strong><\/td>\nPo kotn\u00edky<\/td>\nPo kotn\u00edky nebo m\u00edrn\u011b krat\u0161\u00ed<\/td>\nR\u016fzn\u00e1, od d\u00e9lky na zem po d\u00e9lku pod kolena<\/td>\n<\/tr>\n
Ruk\u00e1vy<\/strong><\/td>\nDlouh\u00e9 a \u0161irok\u00e9<\/td>\nZvonovit\u00e9 ruk\u00e1vy, n\u011bkdy zkr\u00e1cen\u00e9<\/td>\nVelmi variabiln\u00ed: dlouh\u00e9, t\u0159\u00ed\u010dtvrte\u010dn\u00ed, kr\u00e1tk\u00e9, s lemem nebo bez ruk\u00e1v\u016f<\/td>\n<\/tr>\n
L\u00edmec<\/strong><\/td>\nN\u00edzk\u00fd, pohodln\u00fd l\u00edmec<\/td>\nVy\u0161\u0161\u00ed mandar\u00ednsk\u00fd l\u00edmec se stal standardem<\/td>\nTuh\u00fd, vysok\u00fd mandar\u00ednsk\u00fd l\u00edmec, \u010dasto v\u00fdrazn\u00fd prvek<\/td>\n<\/tr>\n
Zap\u00edn\u00e1n\u00ed<\/strong><\/td>\nJednoduch\u00e9 pankou (ozdobn\u00e9 knofl\u00edky)<\/td>\nPankou pod\u00e9l prav\u00e9 strany<\/td>\nPropracovan\u00e9 a dekorativn\u00ed pankou; \u010dasto p\u0159idan\u00fd zip na boku<\/td>\n<\/tr>\n
Celkov\u00fd styl<\/strong><\/td>\nSkromn\u00fd, zakr\u00fdvaj\u00edc\u00ed, praktick\u00fd<\/td>\nSymbol modernity a osvobozen\u00ed<\/td>\nSymbol elegance, p\u016fvabu a smyslnosti<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

3. Charakteristick\u00e9 rysy \u0161anghajsk\u00e9ho \u010dchi-pchao<\/h3>\n

\u0160anghajsk\u00e9 \u010dchi-pchao se vyzna\u010duje souborem specifick\u00fdch designov\u00fdch prvk\u016f, kter\u00e9 spolupracuj\u00ed na vytvo\u0159en\u00ed jeho jedine\u010dn\u00e9 estetiky. Tyto charakteristiky odr\u00e1\u017eej\u00ed mistrovsk\u00e9 spojen\u00ed tradi\u010dn\u00edch \u010d\u00ednsk\u00fdch motiv\u016f a sofistikovan\u00e9ho z\u00e1padn\u00edho krej\u010dovstv\u00ed.<\/p>\n

    \n
  • Mandar\u00ednsk\u00fd l\u00edmec (Ling-kchou, \u9818\u53e3):<\/strong> Tuh\u00fd stoj\u00e1\u010dek je mo\u017en\u00e1 nejikoni\u010dt\u011bj\u0161\u00edm prvkem \u010dchi-pchao. U \u0161anghajsk\u00e9ho stylu se jeho v\u00fd\u0161ka mohla li\u0161it od jemn\u011b n\u00edzk\u00e9ho po dramaticky vysok\u00fd, elegantn\u011b r\u00e1muj\u00edc\u00ed krk a obli\u010dej.<\/li>\n
  • Pankou (Pchan-kchou, \u76e4\u6263):<\/strong> Tyto slo\u017eit\u00e9, ru\u010dn\u011b v\u00e1zan\u00e9 ozdobn\u00e9 knofl\u00edky jsou jak funk\u010dn\u00ed, tak vysoce dekorativn\u00ed. Zat\u00edmco hlavn\u00ed zap\u00edn\u00e1n\u00ed mohl b\u00fdt postrann\u00ed zip, \u0159ada pankou by st\u00e1le vedla od spodn\u00ed \u010d\u00e1sti l\u00edmce p\u0159es hru\u010f. \u010casto byly vytv\u00e1\u0159eny do propracovan\u00fdch tvar\u016f, jako jsou kv\u011btiny, hmyz nebo p\u0159\u00edzniv\u00e9 znaky, co\u017e ukazovalo na vynikaj\u00edc\u00ed \u0159emesln\u00e9 zpracov\u00e1n\u00ed.<\/li>\n
  • Asymetrick\u00fd v\u00fdst\u0159ih (Ta-\u0165in, \u5927\u895f):<\/strong> Diagon\u00e1ln\u00ed v\u00fdst\u0159ih p\u0159es hru\u010f, kdy prav\u00e1 strana p\u0159ekr\u00fdv\u00e1 levou, je charakteristick\u00fdm prvkem odvozen\u00fdm od mand\u017eusk\u00e9 r\u00f3by. Vytv\u00e1\u0159\u00ed elegantn\u00ed linii, kter\u00e1 p\u0159itahuje pohled, a poskytuje pl\u00e1tno pro dekorativn\u00ed pankou.<\/li>\n
  • Postrann\u00ed rozparky (Kchaj-\u010dcha, \u958b\u8869):<\/strong> P\u016fvodn\u011b praktick\u00fd prvek pro pohyb se v\u00fd\u0161ka postrann\u00edch rozpark\u016f v \u0160anghaji stala odv\u00e1\u017en\u00fdm m\u00f3dn\u00edm prohl\u00e1\u0161en\u00edm. Rozparky mohly b\u00fdt od skromn\u00fdch \u0159ez\u016f v koleni a\u017e po vysok\u00e9 rozparky po stehna, kter\u00e9 nab\u00edzely l\u00e1kav\u00fd pohled na nohu, co\u017e p\u0159id\u00e1valo prvek p\u0159ita\u017elivosti.<\/li>\n
  • L\u00e1tka a vzory:<\/strong> \u0160anghajsk\u00e1 \u010dchi-pchao byla zhotovena z \u0161irok\u00e9 \u0161k\u00e1ly luxusn\u00edch l\u00e1tek. Tradi\u010dn\u00ed \u010d\u00ednsk\u00e9 hedv\u00e1b\u00ed a brok\u00e1ty s motivy drak\u016f, f\u00e9nix\u016f a pivon\u011bk z\u016fstaly popul\u00e1rn\u00ed, ale krej\u010d\u00ed tak\u00e9 p\u0159ijali dov\u00e1\u017een\u00e9 materi\u00e1ly jako samet, krajky a vlnu. Vzory se vyv\u00edjely a zahrnovaly z\u00e1padn\u00edmi vlivy ovlivn\u011bn\u00e9 geometrick\u00e9 art deco motivy, punt\u00edky a kv\u011btinov\u00e9 potisky, odr\u00e1\u017eej\u00edc\u00ed glob\u00e1ln\u00ed estetiku t\u00e9 doby.<\/li>\n
  • St\u0159ih a padnut\u00ed:<\/strong> To je to, co skute\u010dn\u011b odli\u0161ovalo \u0161anghajsk\u00e9 \u010dchi-pchao. Pou\u017eit\u00ed \u0161ipek v oblasti poprs\u00ed a pasu spolu s p\u0159esn\u011b st\u0159i\u017een\u00fdmi d\u00edly umo\u017enilo, aby \u0161aty p\u0159il\u00e9haly k t\u011blu zp\u016fsobem, kter\u00fd byl v \u010d\u00ednsk\u00e9m od\u011bvu dosud nev\u00eddan\u00fd. Tento d\u016fraz na \u017eenskou siluetu byl revolu\u010dn\u00edm odklonem od tradice.<\/li>\n<\/ul>\n

    \"Lust,<\/p>\n

    N\u00e1sleduj\u00edc\u00ed tabulka shrnuje tyto kl\u00ed\u010dov\u00e9 prvky a jejich v\u00fdznam.<\/p>\n\n\n\n\n\n\n\n\n\n
    Prvek<\/th>\nPopis<\/th>\nM\u00f3dn\u00ed a kulturn\u00ed v\u00fdznam<\/th>\n<\/tr>\n<\/thead>\n
    Mandar\u00ednsk\u00fd l\u00edmec<\/strong><\/td>\nTuh\u00fd stoj\u00e1\u010dek, obvykle 3,8 a\u017e 5 cm vysok\u00fd.<\/td>\nVyjad\u0159uje d\u016fstojnost, p\u016fvab a smysl pro formalitu. Kr\u00e1sn\u011b r\u00e1muje obli\u010dej.<\/td>\n<\/tr>\n
    Pankou (ozdobn\u00e9 knofl\u00edky)<\/strong><\/td>\nRu\u010dn\u011b v\u00e1zan\u00e9 knofl\u00edky z l\u00e1tky, \u010dasto ve slo\u017eit\u00fdch vzorech.<\/td>\nHlavn\u00ed dekorativn\u00ed prvek ukazuj\u00edc\u00ed um\u011bleck\u00e9 \u0159emeslo a \u010d\u00ednskou tradici.<\/td>\n<\/tr>\n
    Postrann\u00ed rozparky<\/strong><\/td>\nRozparky na jedn\u00e9 nebo obou stran\u00e1ch sukn\u011b.<\/td>\nPoskytovaly snadn\u00fd pohyb a z\u00e1rove\u0148 p\u0159id\u00e1valy jemn\u00fd nebo odv\u00e1\u017en\u00fd prvek smyslnosti.<\/td>\n<\/tr>\n
    V\u00fdb\u011br l\u00e1tky<\/strong><\/td>\nHedv\u00e1b\u00ed, brok\u00e1t, samet, krajka, bavlna, vlna.<\/td>\nOdr\u00e1\u017eel spole\u010densk\u00e9 postaven\u00ed nositele, p\u0159\u00edle\u017eitost a ro\u010dn\u00ed obdob\u00ed. Ukazoval vlivy glob\u00e1ln\u00edho obchodu.<\/td>\n<\/tr>\n
    P\u0159il\u00e9hav\u00fd st\u0159ih<\/strong><\/td>\nTvarovan\u00e9 pomoc\u00ed \u0161ipek a \u0161v\u016f, aby kop\u00edrovaly k\u0159ivky t\u011bla.<\/td>\nRadik\u00e1ln\u00ed posun sm\u011brem k oslav\u011b \u017eensk\u00e9 postavy, zt\u011bles\u0148uj\u00edc\u00ed modern\u00ed p\u0159edstavy o \u017eenskosti.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    4. \u00dapadek, diaspora a modern\u00ed obrozen\u00ed<\/h3>\n

    Po zalo\u017een\u00ed \u010c\u00ednsk\u00e9 lidov\u00e9 republiky v roce 1949 \u010dchi-pchao na pevnin\u011b vy\u0161lo z m\u00f3dy. Bylo odsouzeno jako symbol bur\u017eoazn\u00ed dekadence a z\u00e1padn\u00edho vlivu a \u017eeny byly nab\u00e1d\u00e1ny, aby m\u00edsto toho nosily jednoduch\u00e9, \u00fa\u010deln\u00e9 oble\u010den\u00ed. Tradice v\u0161ak nezanikla. Mnoho nejzru\u010dn\u011bj\u0161\u00edch \u0161anghajsk\u00fdch krej\u010d\u00edch uprchlo do Hongkongu, kter\u00fd se stal nov\u00fdm centrem \u0159emesln\u00e9 v\u00fdroby \u010dchi-pchao. V Hongkongu se \u010dchi-pchao nad\u00e1le nosilo jako ka\u017edodenn\u00ed od\u011bv a\u017e do 60. let a bylo zv\u011b\u010dn\u011bno ve filmech, jako je In the Mood for Love<\/em> Wonga Kar-waie, kde se \u00fachvatn\u00e1 kolekce \u010dchi-pchao Maggie Cheungov\u00e9 stala \u00fast\u0159edn\u00edm prvkem estetiky filmu.<\/p>\n

    \"\"<\/p>\n

    Po\u010d\u00ednaje 80. lety 20. stolet\u00ed, s \u010d\u00ednsk\u00fdmi reformami a otev\u00edr\u00e1n\u00edm se sv\u011btu, za\u017eilo \u010dchi-pchao obnoven\u00ed popularity. Bylo znovu p\u0159ijato jako symbol n\u00e1rodn\u00ed hrdosti a kulturn\u00edho d\u011bdictv\u00ed. Dnes se nos\u00ed p\u0159edev\u0161\u00edm p\u0159i form\u00e1ln\u00edch p\u0159\u00edle\u017eitostech, jako jsou svatby, bankety a ofici\u00e1ln\u00ed diplomatick\u00e9 ud\u00e1losti. Design\u00e9\u0159i v \u010c\u00edn\u011b i mezin\u00e1rodn\u011b pokra\u010duj\u00ed v reinterpretaci \u010dchi-pchao, experimentuj\u00ed s nov\u00fdmi l\u00e1tkami, krat\u0161\u00edmi lemy a modern\u00edmi st\u0159ihy, aby oslovili sou\u010dasn\u00e9 publikum. Studium a zachov\u00e1n\u00ed jeho bohat\u00e9 historie se tak\u00e9 stalo v\u00e1\u0161n\u00ed pro mnoh\u00e9, p\u0159i\u010dem\u017e platformy a komunity jako PandaSilk.com hraj\u00ed kl\u00ed\u010dovou roli v dokumentaci v\u00fdvoje \u010dchi-pchao, od jeho historick\u00fdch ko\u0159en\u016f po modern\u00ed interpretace, a podporuj\u00ed hlub\u0161\u00ed ocen\u011bn\u00ed jeho \u0159emesln\u00e9ho zpracov\u00e1n\u00ed a kulturn\u00edho kontextu.<\/p>\n

    \u0160anghajsk\u00e9 \u010dchi-pchao je mnohem v\u00edc ne\u017e jen \u0161aty. Je to kronika p\u0159elomov\u00e9ho obdob\u00ed \u010d\u00ednsk\u00e9 historie, zachycuj\u00edc\u00ed ducha m\u011bsta, kter\u00e9 se odv\u00e1\u017eilo spojit V\u00fdchod a Z\u00e1pad. Zrozen\u00e9 z tradic dynastick\u00e9ho dvora a znovuzrozen\u00e9 v p\u016fvabu kosmopolitn\u00ed metropole, vyvinulo se ze skromn\u00e9 r\u00f3by v mocn\u00fd embl\u00e9m modern\u00ed \u017eenskosti. Jeho ur\u010duj\u00edc\u00ed charakteristiky \u2013 vysok\u00fd l\u00edmec, slo\u017eit\u00e9 pankou a p\u0159il\u00e9hav\u00e1 silueta \u2013 p\u0159edstavuj\u00ed dokonalou synt\u00e9zu zdr\u017eenlivosti a smyslnosti, tradice a inovace. A\u010dkoli se jeho role v ka\u017edodenn\u00edm \u017eivot\u011b zm\u011bnila, \u0161anghajsk\u00e9 \u010dchi-pchao p\u0159etrv\u00e1v\u00e1 jako nad\u010dasov\u00e1 klasika, sv\u011bdectv\u00ed o trval\u00e9 p\u0159ita\u017elivosti \u010d\u00ednsk\u00e9 kultury a oslavovan\u00e1 ikona v glob\u00e1ln\u00ed panoram\u011b m\u00f3dy.<\/p>\n","protected":false},"excerpt":{"rendered":"

    \u010cchi-pchao, zn\u00e1m\u00e9 v kanton\u0161tin\u011b jako cheongsam, pat\u0159\u00ed k nejikoni\u010dt\u011bj\u0161\u00edm a nejrozpoznateln\u011bj\u0161\u00edm od\u011bv\u016fm na sv\u011bt\u011b. Jde o p\u0159il\u00e9hav\u00e9 jednod\u00edln\u00e9 \u0161aty, kter\u00e9 se staly symbolem \u010d\u00ednsk\u00e9 \u017eenskosti, elegance a smyslnosti. A\u010dkoli jeho p\u016fvod lze vysledovat k mand\u017eusk\u00fdm r\u00f3b\u00e1m z obdob\u00ed dynastie \u010cching, teprve ve vibruj\u00edc\u00ed kosmopolitn\u00ed metropoli \u0160anghaji ve 20. a 30. letech 20. stolet\u00ed pro\u0161lo \u010dchi-pchao<\/p>\n","protected":false},"author":1,"featured_media":163640,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37823],"tags":[],"class_list":["post-165918","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-faqs-cs","prodpage-classic"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts\/165918","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/comments?post=165918"}],"version-history":[{"count":0,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts\/165918\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/media\/163640"}],"wp:attachment":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/media?parent=165918"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/categories?post=165918"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/tags?post=165918"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}