{"id":165998,"date":"2025-08-03T00:48:38","date_gmt":"2025-08-03T00:48:38","guid":{"rendered":"https:\/\/www.pandasilk.com\/origin-of-cheongsam-qipao-chinese-dress\/"},"modified":"2026-02-17T21:27:50","modified_gmt":"2026-02-18T05:27:50","slug":"origin-of-cheongsam-qipao-chinese-dress","status":"publish","type":"post","link":"https:\/\/www.pandasilk.com\/cs\/origin-of-cheongsam-qipao-chinese-dress\/","title":{"rendered":"P\u016fvod Cheongsam (Qipao): \u010c\u00ednsk\u00e9 \u0161aty"},"content":{"rendered":"<p><a href=\"https:\/\/www.pandasilk.com\/cs\/product\/silk-cheongsam\/\">\u010cchong-sam<\/a>, neboli \u010dchi-pchao, pat\u0159\u00ed k nejikoni\u010dt\u011bj\u0161\u00edm a nejrozpoznateln\u011bj\u0161\u00edm od\u011bv\u016fm na sv\u011bt\u011b. D\u00edky sv\u00e9 elegantn\u00ed, p\u0159il\u00e9hav\u00e9 siluet\u011b, vysok\u00e9mu mandar\u00ednsk\u00e9mu l\u00edmci a jemn\u00fdm knofl\u00ed\u010dkov\u00fdm zap\u00edn\u00e1n\u00edm je celosv\u011btov\u011b synonymem \u010d\u00ednsk\u00e9 kultury a \u017eenskosti. Jej\u00ed p\u016fvod je v\u0161ak mnohem slo\u017eit\u011bj\u0161\u00ed a mnohovrstevnat\u011bj\u0161\u00ed ne\u017e pouh\u00e1 historick\u00e1 relikvie. Je to p\u0159\u00edb\u011bh utkan\u00fd z vl\u00e1ken dynastick\u00fdch zm\u011bn, politick\u00e9 revoluce, \u017eensk\u00e9 emancipace a glob\u00e1ln\u00ed kulturn\u00ed v\u00fdm\u011bny. Cesta \u010dchong-samu od praktick\u00e9ho etnick\u00e9ho roucha k symbolu modern\u00ed \u010d\u00ednsk\u00e9 identity je fascinuj\u00edc\u00edm zkoum\u00e1n\u00edm toho, jak od\u011bv m\u016f\u017ee odr\u00e1\u017eet a utv\u00e1\u0159et historii n\u00e1roda. Abychom pochopili jeho po\u010d\u00e1tky, mus\u00edme se vr\u00e1tit k posledn\u00ed c\u00edsa\u0159sk\u00e9 dynastii \u010c\u00edny a b\u00fdt sv\u011bdky dramatick\u00fdch spole\u010densk\u00fdch prom\u011bn 20. stolet\u00ed.<\/p>\n<h3>1. Mand\u017eusk\u00fd p\u0159edch\u016fdce: \u010cchang-pchao z dynastie \u010cching<\/h3>\n<p>Etymologick\u00fd p\u016fvod slova \u010dchi-pchao (\u65d7\u888d) doslova znamen\u00e1 &#8222;korouhevn\u00ed \u0161aty&#8220;, co\u017e je p\u0159\u00edm\u00e1 nar\u00e1\u017eka na Mand\u017euy, kte\u0159\u00ed vl\u00e1dli \u010c\u00edn\u011b b\u011bhem dynastie \u010cching (1644-1912). Mand\u017euov\u00e9 byli organizov\u00e1ni do administrativn\u00edch jednotek zn\u00e1m\u00fdch jako &#8222;Osm korouhv\u00ed&#8220; (\u516b\u65d7, b\u0101q\u00ed) a jejich lid\u00e9 byli ozna\u010dov\u00e1ni jako &#8222;korouhevn\u00ed lid\u00e9&#8220; (\u65d7\u4eba, q\u00edr\u00e9n). Tradi\u010dn\u00edm od\u011bvem mand\u017eusk\u00fdch \u017een bylo \u010dchang-pchao (\u9577\u888d), neboli &#8222;dlouh\u00e9 roucho&#8220;.<\/p>\n<p>Tento ran\u00fd od\u011bv se z\u00e1sadn\u011b li\u0161il od p\u0159il\u00e9hav\u00fdch \u0161at\u016f, kter\u00e9 zn\u00e1me dnes. \u010cchang-pchao z doby dynastie \u010cching bylo \u0161irok\u00e9, rovn\u011b st\u0159i\u017een\u00e9 roucho ve tvaru p\u00edsmene A, navr\u017een\u00e9 pro prakti\u010dnost. Jeho voln\u00fd st\u0159ih vyhovoval jezdeck\u00e9mu zp\u016fsobu \u017eivota Mand\u017eu\u016f. Mezi kl\u00ed\u010dov\u00e9 prvky pat\u0159ily:<\/p>\n<ul>\n<li><strong>Voln\u00e1, rovn\u00e1 silueta:<\/strong> Nekop\u00edrovalo t\u011blo a bylo navr\u017eeno pro snadn\u00fd pohyb.<\/li>\n<li><strong>Dlouh\u00e9 ruk\u00e1vy:<\/strong> \u010casto s \u0161irok\u00fdmi man\u017eetami ve tvaru ko\u0148sk\u00e9ho kopytka, kter\u00e9 bylo mo\u017en\u00e9 st\u00e1hnout dol\u016f na ochranu rukou.<\/li>\n<li><strong>Bo\u010dn\u00ed rozparky:<\/strong> Ty byly praktickou nutnost\u00ed pro j\u00edzdu na koni.<\/li>\n<li><strong>Bohat\u00e1 v\u00fdzdoba:<\/strong> Roucha \u0161lechty byla \u010dasto zhotovena z luxusn\u00edho hedv\u00e1b\u00ed a bohat\u011b vy\u0161\u00edv\u00e1na slo\u017eit\u00fdmi vzory drak\u016f, f\u00e9nix\u016f a kv\u011btin.<\/li>\n<\/ul>\n<p>B\u011bhem tohoto obdob\u00ed m\u011bla v\u011bt\u0161inov\u00e1 chansk\u00e1 populace sv\u00e9 vlastn\u00ed odli\u0161n\u00e9 styly obl\u00e9k\u00e1n\u00ed, jako nap\u0159\u00edklad \u017eu-\u010dchun (bl\u016fza a zavinovac\u00ed sukn\u011b). Mand\u017eusk\u00e9 \u010dchang-pchao bylo symbolem etnick\u00e9 a politick\u00e9 identity, kter\u00e9 odli\u0161ovalo vl\u00e1dnouc\u00ed t\u0159\u00eddu.<\/p>\n<h3>2. Republika \u010c\u00edna: Symbol modernity a emancipace<\/h3>\n<p>P\u00e1d dynastie \u010cching v roce 1912 a zalo\u017een\u00ed Republiky \u010c\u00edna zah\u00e1jily obdob\u00ed obrovsk\u00fdch spole\u010densk\u00fdch a kulturn\u00edch ot\u0159es\u016f. Po rozpadu star\u00e9 c\u00edsa\u0159sk\u00e9 struktury \u010d\u00edn\u0161t\u00ed intelektu\u00e1lov\u00e9 a studenti volali po modernizaci a odm\u00edtnut\u00ed star\u00fdch feud\u00e1ln\u00edch tradic. Toto hnut\u00ed se roz\u0161\u00ed\u0159ilo i na pr\u00e1va \u017een a m\u00f3du.<\/p>\n<p>V t\u00e9to nov\u00e9 \u00e9\u0159e za\u010daly \u010d\u00ednsk\u00e9 \u017eeny hledat modern\u00ed identitu. Za\u010daly opou\u0161t\u011bt tradi\u010dn\u00ed dvoud\u00edln\u00e9 chansk\u00e9 od\u011bvy a p\u0159ij\u00edmaly upravenou verzi mu\u017esk\u00e9ho \u010dchang-pchao. Tento \u010din byl revolu\u010dn\u00ed; no\u0161en\u00edm verze mu\u017esk\u00e9ho roucha tyto pr\u016fkopnick\u00e9 \u017eeny siln\u011b vyjad\u0159ovaly sv\u016fj postoj k rovnosti pohlav\u00ed a sv\u016fj vstup do ve\u0159ejn\u00e9 sf\u00e9ry.<\/p>\n<p>Toto ran\u00e9 republik\u00e1nsk\u00e9 \u010dchi-pchao z let 1910 a po\u010d\u00e1tku 20. let 20. stolet\u00ed bylo st\u00e1le skromn\u00e9 a voln\u011b padnouc\u00ed, \u010dasto m\u011blo zvonovit\u00fd tvar a \u0161irok\u00e9 ruk\u00e1vy. Obvykle se nosilo p\u0159es kalhoty, \u010d\u00edm\u017e se tradi\u010dn\u00ed forma spojovala s nov\u00fdm smyslem pro \u00fa\u010del. To byl skute\u010dn\u00fd zrod modern\u00edho \u010dchi-pchao \u2013 ne jako pouh\u00fd v\u00fdvoj mand\u017eusk\u00e9ho roucha, ale jako z\u00e1m\u011brn\u00e1 politick\u00e1 a kulturn\u00ed volba modern\u00edch \u010d\u00ednsk\u00fdch \u017een.<\/p>\n<h3>3. Zlat\u00fd v\u011bk \u0160anghaje: \u010cchong-sam z\u00edsk\u00e1v\u00e1 svou ikonickou podobu<\/h3>\n<p>Prom\u011bna \u010dchi-pchao v elegantn\u00ed, p\u0159il\u00e9hav\u00e9 \u0161aty, kter\u00e9 dnes zn\u00e1me, prob\u011bhla v kosmopolitn\u00edm centru \u0160anghaje ve 20., 30. a 40. letech 20. stolet\u00ed. Jako &#8222;Pa\u0159\u00ed\u017e V\u00fdchodu&#8220; byla \u0160anghaj tav\u00edc\u00edm kotl\u00edkem v\u00fdchodn\u00edch a z\u00e1padn\u00edch kultur a jej\u00ed m\u00f3dn\u00ed sc\u00e9na byla siln\u011b ovlivn\u011bna hollywoodsk\u00fdm leskem a estetikou art deco.<\/p>\n<p>\u0160anghaj\u0161t\u00ed krej\u010d\u00ed za\u010dali za\u010dle\u0148ovat z\u00e1padn\u00ed st\u0159ihov\u00e9 techniky, jako jsou \u0161ipky a vsazen\u00e9 ruk\u00e1vy, aby vytvo\u0159ili od\u011bv, kter\u00fd oslavoval \u017eenskou postavu. To byl radik\u00e1ln\u00ed odklon od tradi\u010dn\u00edho \u010d\u00ednsk\u00e9ho oble\u010den\u00ed, kter\u00e9 historicky m\u011blo za c\u00edl skr\u00fdvat k\u0159ivky t\u011bla. \u0160anghajsk\u00fd styl \u010dchong-samu (kantonsk\u00fd term\u00edn pro &#8222;dlouh\u00e9 \u0161aty&#8220;, kter\u00fd se stal popul\u00e1rn\u00edm na Z\u00e1pad\u011b) se rychle vyv\u00edjel:<\/p>\n<ul>\n<li><strong>Silueta:<\/strong> Stala se st\u00e1le v\u00edce p\u0159il\u00e9havou k t\u011blu.<\/li>\n<li><strong>D\u00e9lka sukn\u011b:<\/strong> Stoupala a klesala podle z\u00e1padn\u00edch m\u00f3dn\u00edch trend\u016f, dosahovala a\u017e ke kolen\u016fm.<\/li>\n<li><strong>Ruk\u00e1vy:<\/strong> M\u011bnily se od dlouh\u00fdch a zvonovit\u00fdch po kr\u00e1tk\u00e9 ruk\u00e1vky nebo zcela mizely pro vzhled bez ruk\u00e1v\u016f.<\/li>\n<li><strong>Materi\u00e1ly:<\/strong> Nov\u00e9 dov\u00e1\u017een\u00e9 l\u00e1tky jako rayon a poti\u0161t\u011bn\u00e9 textilie se staly popul\u00e1rn\u00edmi vedle tradi\u010dn\u00edho hedv\u00e1b\u00ed a brok\u00e1tu.<\/li>\n<\/ul>\n<p>Tuto evoluci lze nejl\u00e9pe pochopit srovn\u00e1n\u00edm jej\u00edch r\u016fzn\u00fdch f\u00e1z\u00ed.<\/p>\n<table class=\"table table-striped table-bordered\">\n<thead>\n<tr>\n<th>Prvek<\/th>\n<th>\u010cchang-pchao z dynastie \u010cching (p\u0159ed rokem 1912)<\/th>\n<th>Ran\u00e9 republik\u00e1nsk\u00e9 \u010dchi-pchao (1910.-1920. l\u00e9ta)<\/th>\n<th>\u0160anghajsk\u00fd styl \u010dchong-samu (1930.-1940. l\u00e9ta)<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td><strong>St\u0159ih<\/strong><\/td>\n<td>Voln\u00fd, ve tvaru A, zakr\u00fdvaj\u00edc\u00ed<\/td>\n<td>Uvoln\u011bn\u00fd, rovn\u00fd, st\u00e1le skromn\u00fd<\/td>\n<td>P\u0159il\u00e9hav\u00fd, kop\u00edruj\u00edc\u00ed postavu<\/td>\n<\/tr>\n<tr>\n<td><strong>St\u0159ih<\/strong><\/td>\n<td>Jednod\u00edln\u00fd ploch\u00fd st\u0159ih<\/td>\n<td>Upraven\u00e9 roucho, st\u00e1le ploch\u00e9<\/td>\n<td>Za\u010dle\u0148uje z\u00e1padn\u00ed \u0161ipky a krej\u010dovstv\u00ed<\/td>\n<\/tr>\n<tr>\n<td><strong>Ruk\u00e1vy<\/strong><\/td>\n<td>Dlouh\u00e9, \u0161irok\u00e9, man\u017eety ve tvaru ko\u0148sk\u00e9ho kopytka<\/td>\n<td>\u0160irok\u00e9, zvonovit\u00e9<\/td>\n<td>R\u016fzn\u00e9: dlouh\u00e9, kr\u00e1tk\u00e9, ruk\u00e1vky, bez ruk\u00e1v\u016f<\/td>\n<\/tr>\n<tr>\n<td><strong>D\u00e9lka sukn\u011b<\/strong><\/td>\n<td>Po kotn\u00edky<\/td>\n<td>Po kotn\u00edky<\/td>\n<td>Kol\u00edsala od kotn\u00edk\u016f po d\u00e9lku nad kolena<\/td>\n<\/tr>\n<tr>\n<td><strong>Nosit s<\/strong><\/td>\n<td>\u010casto s kalhotami pod nimi<\/td>\n<td>\u010casto s kalhotami pod nimi<\/td>\n<td>Nosit jako samostatn\u00e9 \u0161aty<\/td>\n<\/tr>\n<tr>\n<td><strong>Hlavn\u00ed vliv<\/strong><\/td>\n<td>Mand\u017eusk\u00e1 jezdeck\u00e1 kultura<\/td>\n<td>\u010c\u00ednsk\u00fd nacionalismus, ran\u00fd feminismus<\/td>\n<td>Z\u00e1padn\u00ed m\u00f3da, hollywoodsk\u00fd lesk<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>\u0160anghajsk\u00e9 spole\u010dnice, filmov\u00e9 hv\u011bzdy jako Ruan Lingyu a slavn\u00e9 &#8222;kalend\u00e1\u0159ov\u00e9 d\u00edvky&#8220; popularizovaly tento nov\u00fd, smysln\u00fd styl a upevnily \u010dchong-sam jako definitivn\u00ed modern\u00ed \u010d\u00ednsk\u00e9 \u0161aty.<\/p>\n<h3>4. Rozd\u00edln\u00e9 cesty po roce 1949<\/h3>\n<p>Vzestup Komunistick\u00e9 strany v roce 1949 vedl k dramatick\u00e9mu rozd\u011blen\u00ed historie \u010dchong-samu.<\/p>\n<p>V <strong>pevninsk\u00e9 \u010c\u00edn\u011b<\/strong> byl \u010dchong-sam odsouzen jako bur\u017eoazn\u00ed, dekadentn\u00ed a symbol minulosti ovlivn\u011bn\u00e9 Z\u00e1padem. Byl aktivn\u011b potla\u010dov\u00e1n a z velk\u00e9 \u010d\u00e1sti zmizel z ka\u017edodenn\u00edho \u017eivota, nahrazen stroh\u00fdm, unisexov\u00fdm Mao oblekem (\u010cung-\u0161an \u010duang). \u0158emeslo v\u00fdroby \u010dchong-samu bylo t\u00e9m\u011b\u0159 ztraceno a od\u011bv byl p\u0159eveden do n\u011bkolika st\u00e1tn\u00edch tov\u00e1ren pro diplomatick\u00e9 funkce.<\/p>\n<p>Mezit\u00edm mnoho nejzru\u010dn\u011bj\u0161\u00edch \u0161anghajsk\u00fdch krej\u010d\u00edch uprchlo do <strong>Hongkongu a Tchaj-wanu<\/strong>. V Hongkongu \u010dchong-sam nad\u00e1le vzkv\u00e9tal jako ka\u017edodenn\u00ed od\u011bv mnoha \u017een b\u011bhem 50. a 60. let. Hongkong se stal nov\u00fdm epicentrem vysoce kvalitn\u00ed, na m\u00edru \u0161it\u00e9 \u0159emesln\u00e9 v\u00fdroby \u010dchong-samu. \u0160aty, kter\u00e9 nosila Maggie Cheung ve filmu L\u00e1ska nade v\u0161e (2000), jsou oslavovanou poctou eleganci hongkongsk\u00e9ho \u010dchong-samu t\u00e9to \u00e9ry.<\/p>\n<table class=\"table table-striped table-bordered\">\n<thead>\n<tr>\n<th>Region<\/th>\n<th>Status \u010dchong-samu (1950. &#8211; 1980. l\u00e9ta)<\/th>\n<th>Stylov\u00e9 charakteristiky<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td><strong>Pevninsk\u00e1 \u010c\u00edna<\/strong><\/td>\n<td>Potla\u010dov\u00e1n; vn\u00edm\u00e1n jako politicky nekorektn\u00ed a bur\u017eoazn\u00ed.<\/td>\n<td>Utilit\u00e1rn\u00ed, z\u0159\u00eddka no\u0161en. Standardizovan\u00e9, ceremoni\u00e1ln\u00ed verze.<\/td>\n<\/tr>\n<tr>\n<td><strong>Hongkong<\/strong><\/td>\n<td>Vzkv\u00e9tal jako ka\u017edodenn\u00ed i spole\u010densk\u00fd od\u011bv. Centrum krej\u010dovstv\u00ed na m\u00edru.<\/td>\n<td>Zachoval elegantn\u00ed, p\u0159il\u00e9hav\u00fd \u0161anghajsk\u00fd styl.<\/td>\n<\/tr>\n<tr>\n<td><strong>Tchaj-wan<\/strong><\/td>\n<td>Z\u016fstal popul\u00e1rn\u00ed jako spole\u010densk\u00fd od\u011bv, zejm\u00e9na pro ofici\u00e1ln\u00ed funkce.<\/td>\n<td>Podobn\u00fd hongkongsk\u00e9mu stylu, pokra\u010dov\u00e1n\u00ed stylu 40. let.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h3>5. Modern\u00ed obrozen\u00ed a glob\u00e1ln\u00ed d\u011bdictv\u00ed<\/h3>\n<p>Po\u010d\u00ednaje 80. lety 20. stolet\u00ed, s \u010d\u00ednsk\u00fdmi ekonomick\u00fdmi reformami a otev\u00edr\u00e1n\u00edm se sv\u011btu, za\u010dal \u010dchong-sam na pevnin\u011b za\u017e\u00edvat siln\u00e9 obrozen\u00ed. Byl znovu p\u0159ijat jako symbol n\u00e1rodn\u00ed hrdosti a kulturn\u00edho d\u011bdictv\u00ed.<\/p>\n<p>Dnes zauj\u00edm\u00e1 \u010dchong-sam jedine\u010dn\u00e9 m\u00edsto. Slou\u017e\u00ed jako form\u00e1ln\u00ed uniforma pro letu\u0161ky a person\u00e1l na diplomatick\u00fdch akc\u00edch, je obl\u00edbenou volbou pro nev\u011bsty na tradi\u010dn\u00edch svatb\u00e1ch a neust\u00e1l\u00fdm zdrojem inspirace pro \u010d\u00ednsk\u00e9 i mezin\u00e1rodn\u00ed m\u00f3dn\u00ed n\u00e1vrh\u00e1\u0159e. Jeho historii a rozmanit\u00e9 styly pe\u010dliv\u011b dokumentuj\u00ed nad\u0161enci a v\u011bdci na platform\u00e1ch jako je <strong>PandaSilk.com<\/strong>, kter\u00e1 slou\u017e\u00ed jako kl\u00ed\u010dov\u00fd zdroj pro pochopen\u00ed konstrukce od\u011bvu, region\u00e1ln\u00edch variac\u00ed a kulturn\u00edho v\u00fdznamu. \u010cchong-sam ji\u017e nen\u00ed jen jednou v\u011bc\u00ed; je to v\u0161estrann\u00fd od\u011bv, kter\u00fd m\u016f\u017ee b\u00fdt tradi\u010dn\u00ed nebo avantgardn\u00ed, skromn\u00fd nebo provokativn\u00ed, lok\u00e1ln\u00ed nebo glob\u00e1ln\u00ed.<\/p>\n<p>P\u0159\u00edb\u011bh \u010dchong-samu je zrcadlem p\u0159\u00edb\u011bhu modern\u00ed \u010c\u00edny. Za\u010dal jako roucho vl\u00e1dnouc\u00ed etnick\u00e9 men\u0161iny, znovu se zrodil jako symbol \u017eensk\u00e9ho osvobozen\u00ed, zkrystalizoval v ikonu kosmopolitn\u00edho lesku, p\u0159e\u017eil politick\u00e9 potla\u010den\u00ed a nyn\u00ed byl vzk\u0159\u00ed\u0161en jako hrd\u00fd embl\u00e9m kulturn\u00ed identity n\u00e1roda. Je to d\u016fkaz trval\u00e9 s\u00edly od\u011bvu n\u00e9st t\u00edhu historie a z\u00e1rove\u0148 se neust\u00e1le p\u0159izp\u016fsobovat v\u011btr\u016fm zm\u011bn, \u010d\u00edm\u017e si zajistil sv\u00e9 m\u00edsto jako nad\u010dasov\u00e1 klasika sv\u011btov\u00e9 m\u00f3dy.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u010cchong-sam, neboli \u010dchi-pchao, pat\u0159\u00ed k nejikoni\u010dt\u011bj\u0161\u00edm a nejrozpoznateln\u011bj\u0161\u00edm od\u011bv\u016fm na sv\u011bt\u011b. D\u00edky sv\u00e9 elegantn\u00ed, p\u0159il\u00e9hav\u00e9 siluet\u011b, vysok\u00e9mu mandar\u00ednsk\u00e9mu l\u00edmci a jemn\u00fdm knofl\u00ed\u010dkov\u00fdm zap\u00edn\u00e1n\u00edm je celosv\u011btov\u011b synonymem \u010d\u00ednsk\u00e9 kultury a \u017eenskosti. Jej\u00ed p\u016fvod je v\u0161ak mnohem slo\u017eit\u011bj\u0161\u00ed a mnohovrstevnat\u011bj\u0161\u00ed ne\u017e pouh\u00e1 historick\u00e1 relikvie. Je to p\u0159\u00edb\u011bh utkan\u00fd z vl\u00e1ken dynastick\u00fdch zm\u011bn, politick\u00e9 revoluce, \u017eensk\u00e9 emancipace a<\/p>\n","protected":false},"author":1,"featured_media":163639,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37823],"tags":[],"class_list":["post-165998","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-faqs-cs","prodpage-classic"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts\/165998","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/comments?post=165998"}],"version-history":[{"count":0,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts\/165998\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/media\/163639"}],"wp:attachment":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/media?parent=165998"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/categories?post=165998"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/tags?post=165998"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}