{"id":166038,"date":"2025-08-03T00:35:13","date_gmt":"2025-08-03T00:35:13","guid":{"rendered":"https:\/\/www.pandasilk.com\/similar-yet-different-chinese-and-japanese-traditional-clothing\/"},"modified":"2026-02-17T21:27:58","modified_gmt":"2026-02-18T05:27:58","slug":"similar-yet-different-chinese-and-japanese-traditional-clothing","status":"publish","type":"post","link":"https:\/\/www.pandasilk.com\/cs\/similar-yet-different-chinese-and-japanese-traditional-clothing\/","title":{"rendered":"Podobn\u00e9, ale odli\u0161n\u00e9: Tradi\u010dn\u00ed \u010d\u00ednsk\u00e9 a japonsk\u00e9 oble\u010den\u00ed"},"content":{"rendered":"

Pro neznal\u00e9 oko se mohou tradi\u010dn\u00ed od\u011bvy v\u00fdchodn\u00ed Asie jevit jako kr\u00e1sn\u00e1, ale homogenn\u00ed tapis\u00e9rie z hedv\u00e1b\u00ed, slo\u017eit\u00fdch vzor\u016f a elegantn\u00edch siluet. Zejm\u00e9na voln\u00e9 roucho \u010c\u00edny a ikonick\u00e9 od\u011bvy ve tvaru T z Japonska jsou \u010dasto zam\u011b\u0148ov\u00e1ny, jejich spole\u010dn\u00e9 historick\u00e9 vazby tkaj\u00ed p\u0159\u00edb\u011bh kulturn\u00ed v\u00fdm\u011bny, kter\u00fd m\u016f\u017ee zast\u0159\u00edt jejich odli\u0161n\u00e9 identity. Pod povrchem t\u011bchto estetick\u00fdch podobnost\u00ed se v\u0161ak skr\u00fdv\u00e1 bohat\u00e1 historie odli\u0161nost\u00ed, inovac\u00ed a jedine\u010dn\u00e9ho kulturn\u00edho vyj\u00e1d\u0159en\u00ed. Zat\u00edmco japonsk\u00fd tradi\u010dn\u00ed od\u011bv vd\u011b\u010d\u00ed za mnoho sv\u00e9mu \u010d\u00ednsk\u00e9mu p\u0159edch\u016fdci, vyv\u00edjel se jedine\u010dnou cestou, co\u017e vedlo k od\u011bv\u016fm, kter\u00e9 se z\u00e1sadn\u011b li\u0161\u00ed formou, funkc\u00ed a filozofi\u00ed. Pono\u0159en\u00ed se do nuanc\u00ed \u010d\u00ednsk\u00e9ho hanfu, modern\u00edho cheongsamu a japonsk\u00e9ho kimona odhaluje fascinuj\u00edc\u00ed p\u0159\u00edb\u011bh o tom, jak dv\u011b kultury, a\u010d geograficky bl\u00edzk\u00e9, vytvo\u0159ily sv\u016fj vlastn\u00ed jedine\u010dn\u00fd vizu\u00e1ln\u00ed jazyk prost\u0159ednictv\u00edm l\u00e1tek a nit\u00ed.<\/p>\n

1. Starov\u011bk\u00e9 ko\u0159eny: \u010c\u00ednsk\u00e9 hanfu a p\u016fvod v\u00fdchodoasijsk\u00e9ho od\u011bvu<\/h3>\n

Term\u00edn „Hanfu“ (\u6c49\u670d) doslova znamen\u00e1 „od\u011bv n\u00e1roda Han“ a odkazuje na rozmanit\u00e9 syst\u00e9my tradi\u010dn\u00edho od\u011bvu, kter\u00e9 nosili \u010c\u00ed\u0148an\u00e9 n\u00e1roda Han po tis\u00edce let p\u0159ed dynasti\u00ed Qing (1644-1912). Nejde o jedin\u00fd kus od\u011bvu, ale o rozs\u00e1hl\u00fd a r\u016fznorod\u00fd \u0161atn\u00edk, kter\u00fd se vyv\u00edjel v r\u016fzn\u00fdch dynasti\u00edch, z nich\u017e ka\u017ed\u00e1 m\u011bla svou vlastn\u00ed odli\u0161nou estetiku. Z\u00e1kladn\u00ed slo\u017eky v\u011bt\u0161iny styl\u016f hanfu v\u0161ak z\u016fstaly konzistentn\u00ed.<\/p>\n

Nejb\u011b\u017en\u011bj\u0161\u00ed forma se skl\u00e1d\u00e1 z vrchn\u00edho od\u011bvu, yi<\/em> (\u8863), a spodn\u00edho od\u011bvu, chang<\/em> (\u88f3). Yi<\/em> je typicky roucho s k\u0159\u00ed\u017eov\u00fdm l\u00edmcem, zap\u00ednan\u00e9 pravou stranou p\u0159es levou (y\u014dul\u01d0ng zu\u01d2r\u00e8n<\/em>), co\u017e je kl\u00ed\u010dov\u00fd detail, proto\u017ee opa\u010dn\u00e9 zap\u00edn\u00e1n\u00ed bylo pova\u017eov\u00e1no za barbarsk\u00e9 nebo vyhrazen\u00e9 pro poh\u0159ebn\u00ed od\u011bv. Ruk\u00e1vy byly \u010dasto dlouh\u00e9 a v\u00fdjime\u010dn\u011b \u0161irok\u00e9, voln\u011b plynouc\u00ed s pohyby nositele. Chang<\/em> byla sukn\u011b, kterou v d\u00e1vn\u00fdch dob\u00e1ch nosili mu\u017ei i \u017eeny. Dal\u0161\u00edm kl\u00ed\u010dov\u00fdm stylem je shenyi<\/em> (\u6df1\u8863), dlouh\u00e9 jednod\u00edln\u00e9 roucho vytvo\u0159en\u00e9 se\u0161it\u00edm yi<\/em> a chang<\/em> dohromady.<\/p>\n

Hanfu se vyzna\u010duje plynul\u00fdmi liniemi, vrstvenou konstrukc\u00ed a d\u016frazem na p\u0159irozen\u00fd, p\u016fvabn\u00fd pohyb. Silueta je obecn\u011b ve tvaru A nebo H, navr\u017een\u00e1 tak, aby voln\u011b spl\u00fdvala po t\u011ble, nikoli jej stahovala. K upevn\u011bn\u00ed rouch se pou\u017e\u00edvaly opasky nebo \u0161erpy, zn\u00e1m\u00e9 jako dai<\/em> (\u5e26), kter\u00e9 v\u0161ak byly \u010dasto \u0161t\u00edhl\u00e9 a m\u00e9n\u011b vizu\u00e1ln\u00edm st\u0159edem pozornosti ve srovn\u00e1n\u00ed s od\u011bvem samotn\u00fdm. L\u00e1tky \u2013 luxusn\u00ed hedv\u00e1b\u00ed, brok\u00e1ty a jemn\u00e1 ramie \u2013 slou\u017eily jako pl\u00e1tna pro vynikaj\u00edc\u00ed v\u00fd\u0161ivky zobrazuj\u00edc\u00ed draky, f\u00e9nixe, kv\u011btiny a krajiny, z nich\u017e ka\u017ed\u00e1 nesla hlubok\u00fd symbolick\u00fd v\u00fdznam. Dnes za\u017e\u00edv\u00e1 hanfu siln\u00e9 o\u017eiven\u00ed (hanfu yundong<\/em>), proto\u017ee mlad\u00ed lid\u00e9 v \u010c\u00edn\u011b a v diaspo\u0159e jej p\u0159ij\u00edmaj\u00ed jako zp\u016fsob, jak se spojit se sv\u00fdm p\u0159edkovsk\u00fdm d\u011bdictv\u00edm.<\/p>\n

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2. Japonsk\u00e1 evoluce: Cesta kimona<\/h3>\n

Kimono (\u7740\u7269), co\u017e znamen\u00e1 „v\u011bc k no\u0161en\u00ed“, je typick\u00fd tradi\u010dn\u00ed od\u011bv Japonska. Jeho p\u016fvod lze p\u0159\u00edmo vysledovat k hanfu, kter\u00e9 bylo do Japonska p\u0159ineseno prost\u0159ednictv\u00edm kulturn\u00edch v\u00fdm\u011bn p\u0159edev\u0161\u00edm b\u011bhem \u010d\u00ednsk\u00e9 dynastie Tang (618-907 n. l.), obdob\u00ed obrovsk\u00e9ho kulturn\u00edho vlivu. Ran\u00fd japonsk\u00fd dvorn\u00ed od\u011bv \u00fazce napodoboval hanfu ve stylu Tang. B\u011bhem stalet\u00ed v\u0161ak Japonci za\u010dali tyto n\u00e1vrhy p\u0159izp\u016fsobovat a zdokonalovat, co\u017e vedlo ke vzniku kimona, jak jej zn\u00e1me dnes.<\/p>\n

Tato evoluce zahrnovala zjednodu\u0161en\u00ed. Zat\u00edmco hanfu m\u00e1 nes\u010detn\u00e9 variace ve st\u0159ihu a konstrukci, kimono se vyvinulo ve v\u00edce standardizovan\u00e9 rovn\u00e9 roucho ve tvaru T. Tato forma, zdokonalen\u00e1 b\u011bhem obdob\u00ed Edo (1603-1868), byla snadn\u011bj\u0161\u00ed na v\u00fdrobu a skl\u00e1d\u00e1n\u00ed. Na rozd\u00edl od \u010dasto v\u00edce d\u00edln\u00e9ho hanfu je kimono jedin\u00e9 roucho omotan\u00e9 kolem t\u011bla, v\u017edy levou stranou p\u0159es pravou.<\/p>\n

Nejv\u00fdrazn\u011bj\u0161\u00edm rysem kimona je obi<\/em> (\u5e2f), \u0161irok\u00e1, \u010dasto tuh\u00e1 a ozdobn\u00e1 \u0161erpa uv\u00e1zan\u00e1 vzadu. Obi<\/em> nen\u00ed pouze funk\u010dn\u00ed; je to \u00fast\u0159edn\u00ed dekorativn\u00ed prvek a jeho slo\u017eit\u00fd uzel, musubi<\/em>, m\u016f\u017ee zna\u010dit postaven\u00ed nositele a formalitu p\u0159\u00edle\u017eitosti. Silueta kimona je v\u00fdrazn\u011b sloupovit\u00e1, z\u00e1m\u011brn\u011b skr\u00fdvaj\u00edc\u00ed k\u0159ivky t\u011bla, aby vytvo\u0159ila hladk\u00fd, v\u00e1lcovit\u00fd tvar. Tento ploch\u00fd povrch je pova\u017eov\u00e1n za ide\u00e1ln\u00ed pl\u00e1tno pro p\u0159edv\u00e1d\u011bn\u00ed kr\u00e1sn\u00fdch textili\u00ed. Ruk\u00e1vy, a\u010d \u0161irok\u00e9, jsou po velk\u00e9 \u010d\u00e1sti sv\u00e9 vn\u011bj\u0161\u00ed hrany se\u0161ity, \u010d\u00edm\u017e vytv\u00e1\u0159ej\u00ed velkou, kapsovitou kapsu. D\u00e9lka ruk\u00e1vu, zn\u00e1m\u00e1 jako furi<\/em>, je v\u00fdznamn\u00e1; nap\u0159\u00edklad kimono furisode<\/em> („houpaj\u00edc\u00ed se ruk\u00e1vy“) s velmi dlouh\u00fdmi ruk\u00e1vy nos\u00ed v\u00fdhradn\u011b neprovdan\u00e9 mlad\u00e9 \u017eeny.<\/p>\n

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3. P\u0159\u00edb\u011bh siluet, \u0161erp a ruk\u00e1v\u016f: Kl\u00ed\u010dov\u00e9 rozd\u00edly<\/h3>\n

A\u010dkoli ob\u011b tradice sd\u00edlej\u00ed design s k\u0159\u00ed\u017eov\u00fdm l\u00edmcem, konkr\u00e9tn\u00ed vizu\u00e1ln\u00ed prvky poskytuj\u00ed jasn\u00e9 body odli\u0161en\u00ed. Rozd\u00edly v siluet\u011b, zap\u00edn\u00e1n\u00ed a ruk\u00e1vech jsou nejz\u0159eteln\u011bj\u0161\u00edmi rozpozn\u00e1vac\u00edmi znaky.<\/p>\n\n\n\n\n\n\n\n\n\n\n
Vlastnost<\/th>\n\u010c\u00ednsk\u00e9 hanfu<\/th>\nJaponsk\u00e9 kimono<\/th>\n<\/tr>\n<\/thead>\n
Silueta<\/strong><\/td>\nPlynul\u00e1, ve tvaru A nebo H, vrstven\u00e1, zd\u016fraz\u0148uje p\u016fvabn\u00fd pohyb a spl\u00fdv\u00e1n\u00ed.<\/td>\nSloupovit\u00e1, ve tvaru T, omezuj\u00edc\u00ed, vytv\u00e1\u0159\u00ed hladk\u00fd, v\u00e1lcovit\u00fd povrch.<\/td>\n<\/tr>\n
Konstrukce<\/strong><\/td>\nRozmanit\u00e1; b\u011b\u017en\u011b dvoud\u00edln\u00e1 sada vr\u0161ku (yi<\/em>) a sukn\u011b (chang<\/em>), nebo jednod\u00edln\u00e9 roucho (shenyi<\/em>).<\/td>\nJedin\u00e9 roucho ve tvaru T omotan\u00e9 kolem t\u011bla.<\/td>\n<\/tr>\n
\u0160erpa\/Opasek<\/strong><\/td>\nTypicky \u00fazk\u00e1 \u0161erpa nebo opasek (dai<\/em>), \u010dasto jednodu\u0161e uv\u00e1zan\u00e1 vp\u0159edu nebo na boku, n\u011bkdy skryt\u00e1 vn\u011bj\u0161\u00edmi vrstvami.<\/td>\nVelmi \u0161irok\u00e1, tuh\u00e1 \u0161erpa (obi<\/em>), kter\u00e1 je hlavn\u00edm dekorativn\u00edm st\u0159edem pozornosti, uv\u00e1zan\u00e1 slo\u017eit\u00fdm uzlem (musubi<\/em>) vzadu.<\/td>\n<\/tr>\n
Ruk\u00e1vy<\/strong><\/td>\nExtr\u00e9mn\u011b \u0161irok\u00e9 a otev\u0159en\u00e9 u man\u017eety, vytv\u00e1\u0159ej\u00edc\u00ed zvonovit\u00fd, plynul\u00fd efekt.<\/td>\n\u0160irok\u00e9, ale \u010d\u00e1ste\u010dn\u011b se\u0161it\u00e9, aby vytvo\u0159ily velkou kapsovitou kapsu. D\u00e9lka ruk\u00e1vu nazna\u010duje v\u011bk a rodinn\u00fd stav.<\/td>\n<\/tr>\n
L\u00edmec<\/strong><\/td>\nK\u0159\u00ed\u017eov\u00fd l\u00edmec (y\u014dul\u01d0ng zu\u01d2r\u00e8n<\/em>), obecn\u011b m\u011bk\u010d\u00ed a p\u0159il\u00e9h\u00e1 bl\u00ed\u017ee ke krku.<\/td>\nK\u0159\u00ed\u017eov\u00fd l\u00edmec (lev\u00fd p\u0159es prav\u00fd), \u0161ir\u0161\u00ed, tu\u017e\u0161\u00ed a \u010dasto sta\u017een\u00fd dozadu, aby odhalil z\u00e1tylek (emon<\/em>), co\u017e je pova\u017eov\u00e1no za sv\u016fdn\u00e9.<\/td>\n<\/tr>\n
Obuv<\/strong><\/td>\nR\u016fzn\u00e9 styly l\u00e1tkov\u00fdch bot, \u010dasto se zahnut\u00fdmi \u0161pi\u010dkami nebo dekorativn\u00ed v\u00fd\u0161ivkou.<\/td>\nNosit se tradi\u010dn\u00edmi pono\u017ekami s odd\u011blen\u00fdm palcem (tabi<\/em>) a sand\u00e1ly (zori<\/em> nebo geta<\/em>).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

4. Modern\u00ed interpretace: Cheongsam (Qipao)<\/h3>\n

\u010cast\u00fdm zdrojem zmatku je Cheongsam<\/a> (zn\u00e1m\u00fd jako Qipao<\/em> \u65d7\u888d v mandar\u00edn\u0161tin\u011b), kter\u00fd je na mezin\u00e1rodn\u00ed sc\u00e9n\u011b \u010dasto prezentov\u00e1n jako „tradi\u010dn\u00ed \u010d\u00ednsk\u00fd od\u011bv“. Ve skute\u010dnosti je cheongsam relativn\u011b modern\u00ed od\u011bv s odd\u011blenou lini\u00ed od hanfu. Vznikl v \u0160anghaji ve 20. letech 20. stolet\u00ed jako produkt jedine\u010dn\u00e9ho kulturn\u00edho okam\u017eiku.<\/p>\n

Cheongsam byl adaptac\u00ed changpao<\/em>, rovn\u00e9ho, voln\u00e9ho roucha, kter\u00e9 nosily mand\u017eusk\u00e9 \u017eeny b\u011bhem dynastie Qing. V kosmopolitn\u00edm a modernizuj\u00edc\u00edm se prost\u0159ed\u00ed republik\u00e1nsk\u00e9 \u010c\u00edny za\u010dali krej\u010d\u00ed za\u010dle\u0148ovat z\u00e1padn\u00ed st\u0159ihov\u00e9 a krej\u010dovsk\u00e9 techniky, co\u017e vedlo k p\u0159il\u00e9hav\u00e9, t\u011blo obep\u00ednaj\u00edc\u00ed siluet\u011b, kter\u00e1 byla radik\u00e1ln\u00edm odklonem od t\u011blo skr\u00fdvaj\u00edc\u00edch rouch minulosti. Jeho kl\u00ed\u010dov\u00e9 vlastnosti \u2013 vysok\u00fd mandar\u00ednsk\u00fd l\u00edmec, zap\u00edn\u00e1n\u00ed na knofl\u00edky ve stylu \u017eabky (pankou<\/em>), postrann\u00ed rozparky a st\u0159ih zd\u016fraz\u0148uj\u00edc\u00ed postavu \u2013 jsou ikonick\u00e9.<\/p>\n

Na rozd\u00edl od hanfu a kimona, kter\u00e9 skr\u00fdvaj\u00ed tvar t\u011bla, byl cheongsam navr\u017een tak, aby jej oslavoval, symbolizuje modern\u00ed \u010d\u00ednskou \u017eenu, kter\u00e1 se osvobozovala od feud\u00e1ln\u00edch omezen\u00ed. Je to siln\u00fd symbol modern\u00ed \u010d\u00ednsk\u00e9 \u017eenskosti, ale nem\u011bl by b\u00fdt zam\u011b\u0148ov\u00e1n za starov\u011bk\u00fd od\u011bv n\u00e1roda Han. Sou\u010dasn\u00ed design\u00e9\u0159i a platformy jako PandaSilk.com ukazuj\u00ed, jak se cheongsam st\u00e1le vyv\u00edj\u00ed, propojuje tradici s modern\u00edm m\u00f3dn\u00edm c\u00edt\u011bn\u00edm.<\/p>\n

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5. Kulturn\u00ed kontext a p\u0159\u00edle\u017eitosti k no\u0161en\u00ed<\/h3>\n

Role, kterou tyto od\u011bvy hraj\u00ed v sou\u010dasn\u00e9 spole\u010dnosti, tak\u00e9 zd\u016fraz\u0148uje jejich rozd\u00edly. Kimono, a\u010dkoli se nenos\u00ed denn\u011b, si zachovalo kontinu\u00e1ln\u00ed a dob\u0159e definovan\u00e9 m\u00edsto v japonsk\u00e9m \u017eivot\u011b. Nos\u00ed se pro v\u00fdznamn\u00e9 \u017eivotn\u00ed ud\u00e1losti a ob\u0159ady, jako jsou svatby, \u010dajov\u00e9 ob\u0159ady, poh\u0159by a Den dosp\u011blosti (Seijin no Hi<\/em>). Leh\u010d\u00ed bavln\u011bn\u00e9 yukata<\/em> se st\u00e1le b\u011b\u017en\u011b nos\u00ed na letn\u00ed festivaly.<\/p>\n

Pou\u017e\u00edv\u00e1n\u00ed hanfu je odli\u0161n\u00e9. Po potla\u010den\u00ed a nahrazen\u00ed b\u011bhem dynastie Qing bylo jeho no\u0161en\u00ed p\u0159eru\u0161eno na v\u00edce ne\u017e 300 let. Sou\u010dasn\u00e9 hnut\u00ed hanfu je v\u011bdom\u00fdm \u00fasil\u00edm z\u00edskat zp\u011bt ztracenou \u010d\u00e1st kulturn\u00ed identity. Proto se hanfu dnes nos\u00ed p\u0159ev\u00e1\u017en\u011b nad\u0161enci na kulturn\u00edch festivalech, historick\u00fdch ud\u00e1lostech, tematick\u00fdch setk\u00e1n\u00edch a um\u011bleck\u00fdch focen\u00edch.<\/p>\n

Cheongsam zauj\u00edm\u00e1 prostor mezi ob\u011bma. Je v\u0161eobecn\u011b uzn\u00e1v\u00e1n jako spole\u010densk\u00fd od\u011bv a \u010dasto se nos\u00ed na svatb\u00e1ch, ve\u010d\u00edrc\u00edch a form\u00e1ln\u00edch akc\u00edch. Slou\u017e\u00ed tak\u00e9 jako stylov\u00e1 uniforma v luxusn\u00edm pohostinstv\u00ed a z\u016fst\u00e1v\u00e1 obl\u00edbenou volbou pro sv\u00e1te\u010dn\u00ed p\u0159\u00edle\u017eitosti, jako je \u010d\u00ednsk\u00fd Nov\u00fd rok.<\/p>\n

A\u010dkoli se zrodily ze spole\u010dn\u00e9ho d\u011bdictv\u00ed, tradi\u010dn\u00ed od\u011bvy \u010c\u00edny a Japonska vypr\u00e1v\u011bj\u00ed dva odli\u0161n\u00e9 p\u0159\u00edb\u011bhy. Hanfu je rozmanit\u00fd a starov\u011bk\u00fd syst\u00e9m, sv\u011bdectv\u00ed tis\u00edc\u016f let dynastick\u00e9 historie, charakterizovan\u00e9 svou plynulou, \u00e9terickou gr\u00e1ci\u00ed. Kimono je jeho potomkem, jedine\u010dnou japonskou inovac\u00ed, kter\u00e1 vym\u011bnila plynul\u00e9 linie za strukturovanou, sloupovitou eleganci, \u010d\u00edm\u017e vytvo\u0159ila spole\u010densk\u00fd od\u011bv prosycen\u00fd ritu\u00e1lem a estetick\u00fdm minimalismem. Modern\u00ed cheongsam stoj\u00ed stranou, symbol nikoli starov\u011bk\u00e9 tradice, ale kulturn\u00ed f\u00faze a modernity 20. stolet\u00ed. Ocenit tyto od\u011bvy znamen\u00e1 pod\u00edvat se za hedv\u00e1b\u00ed a v\u00fd\u0161ivky a vid\u011bt historii, filozofii a identitu vetkanou do ka\u017ed\u00e9ho \u0161vu. Jsou to \u017eiv\u00e9 kusy kultury, ka\u017ed\u00fd kr\u00e1sn\u00fd, ka\u017ed\u00fd v\u00fdznamn\u00fd a ka\u017ed\u00fd s vlastn\u00edm hrd\u00fdm p\u0159\u00edb\u011bhem.<\/p>\n","protected":false},"excerpt":{"rendered":"

Pro neznal\u00e9 oko se mohou tradi\u010dn\u00ed od\u011bvy v\u00fdchodn\u00ed Asie jevit jako kr\u00e1sn\u00e1, ale homogenn\u00ed tapis\u00e9rie z hedv\u00e1b\u00ed, slo\u017eit\u00fdch vzor\u016f a elegantn\u00edch siluet. Zejm\u00e9na voln\u00e9 roucho \u010c\u00edny a ikonick\u00e9 od\u011bvy ve tvaru T z Japonska jsou \u010dasto zam\u011b\u0148ov\u00e1ny, jejich spole\u010dn\u00e9 historick\u00e9 vazby tkaj\u00ed p\u0159\u00edb\u011bh kulturn\u00ed v\u00fdm\u011bny, kter\u00fd m\u016f\u017ee zast\u0159\u00edt jejich odli\u0161n\u00e9 identity. Pod povrchem t\u011bchto estetick\u00fdch<\/p>\n","protected":false},"author":1,"featured_media":163627,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37823],"tags":[],"class_list":["post-166038","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-faqs-cs","prodpage-classic"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts\/166038","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/comments?post=166038"}],"version-history":[{"count":0,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts\/166038\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/media\/163627"}],"wp:attachment":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/media?parent=166038"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/categories?post=166038"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/tags?post=166038"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}