{"id":166118,"date":"2025-08-03T00:07:00","date_gmt":"2025-08-03T00:07:00","guid":{"rendered":"https:\/\/www.pandasilk.com\/brief-introduction-to-cheongsam-qipao-chinese-dress\/"},"modified":"2026-02-17T21:26:52","modified_gmt":"2026-02-18T05:26:52","slug":"brief-introduction-to-cheongsam-qipao-chinese-dress","status":"publish","type":"post","link":"https:\/\/www.pandasilk.com\/cs\/brief-introduction-to-cheongsam-qipao-chinese-dress\/","title":{"rendered":"Stru\u010dn\u00fd \u00favod do Cheongsam (Qipao): \u010c\u00ednsk\u00e9 \u0161aty"},"content":{"rendered":"

\u010cchong-sam<\/a>, zn\u00e1m\u00fd tak\u00e9 jako \u010dchi-pchao, je jedn\u00edm z nejikoni\u010dt\u011bj\u0161\u00edch a nejrozpoznateln\u011bj\u0161\u00edch od\u011bv\u016f v historii \u010d\u00ednsk\u00e9 m\u00f3dy. Tento p\u0159il\u00e9hav\u00fd \u0161at, symbol p\u016fvabu, elegance a jemn\u00e9 smyslnosti, okouzlil sv\u011bt svou charakteristickou siluetou a propracovan\u00fdmi detaily. Jeho cesta \u010dasem odr\u00e1\u017e\u00ed dramatick\u00e9 spole\u010densk\u00e9 a kulturn\u00ed prom\u011bny samotn\u00e9 \u010c\u00edny, vyv\u00edjel se z voln\u00e9ho tradi\u010dn\u00edho roucha v modern\u00ed symbol kulturn\u00ed identity a vysok\u00e9 m\u00f3dy. Tento od\u011bv, zn\u00e1m\u00fd pod sv\u00fdm kantonsk\u00fdm n\u00e1zvem \u010dchong-sam (\u9577\u886b, co\u017e znamen\u00e1 „dlouh\u00e1 ko\u0161ile\/\u0161aty“) a mandar\u00ednsk\u00fdm n\u00e1zvem \u010dchi-pchao (\u65d7\u888d, co\u017e znamen\u00e1 „korouhevn\u00ed \u0161aty“), vypr\u00e1v\u00ed p\u0159\u00edb\u011bh dynastick\u00fdch zm\u011bn, koloni\u00e1ln\u00edho vlivu, \u017eensk\u00e9 emancipace a um\u011bleck\u00e9ho vyj\u00e1d\u0159en\u00ed. Dnes je cen\u011bn nejen jako kus spole\u010densk\u00e9ho oble\u010den\u00ed pro zvl\u00e1\u0161tn\u00ed p\u0159\u00edle\u017eitosti, ale tak\u00e9 jako zdroj inspirace pro sou\u010dasn\u00e9 n\u00e1vrh\u00e1\u0159e po cel\u00e9m sv\u011bt\u011b.<\/p>\n

1. P\u016fvod a souvislost s Mand\u017euy<\/h3>\n

Po\u010d\u00e1tky \u010dchong-samu lze vysledovat do 17. stolet\u00ed a zalo\u017een\u00ed dynastie \u010cching Mand\u017euy. Term\u00edn „\u010dchi-pchao“ doslova znamen\u00e1 „korouhevn\u00ed \u0161aty“, co\u017e je p\u0159\u00edm\u00e1 nar\u00e1\u017eka na od\u011bv, kter\u00fd nosili Mand\u017euov\u00e9, kte\u0159\u00ed byli organizov\u00e1ni do spr\u00e1vn\u00edch jednotek zn\u00e1m\u00fdch jako „Osm korouhv\u00ed“ (\u516b\u65d7). P\u016fvodn\u00ed \u010dchi-pchao se velmi li\u0161ilo od elegantn\u00edch \u0161at\u016f, kter\u00e9 zn\u00e1me dnes. Byl to voln\u00fd, rovn\u011b st\u0159i\u017een\u00fd, do „A“ se roz\u0161i\u0159uj\u00edc\u00ed \u0161at ur\u010den\u00fd pro mu\u017ee i \u017eeny. Jeho hlavn\u00edm \u00fa\u010delem byla prakti\u010dnost, poskytoval pohodl\u00ed a snadn\u00fd pohyb pro jezdeck\u00fd mand\u017eusk\u00fd zp\u016fsob \u017eivota. Tato ran\u00e1 verze skr\u00fdvala postavu nositele a pokr\u00fdvala cel\u00e9 t\u011blo, s rozparky po stran\u00e1ch pro usnadn\u011bn\u00ed j\u00edzdy na koni. Z\u00e1sadn\u011b se li\u0161il od dvoud\u00edln\u00fdch od\u011bv\u016f, zn\u00e1m\u00fdch jako i-\u010dchang<\/em> (\u8863\u88f3), kter\u00e9 up\u0159ednost\u0148ovala v\u011bt\u0161ina Chan\u016f b\u011bhem p\u0159edchoz\u00ed dynastie Ming. Jak Mand\u017euov\u00e9 vl\u00e1dli \u010c\u00edn\u011b, jejich dress code byl prosazov\u00e1n a \u010dchi-pchao se stalo od\u011bvem postaven\u00ed a identity v c\u00edsa\u0159sk\u00e9m dvo\u0159e a mezi vl\u00e1dnouc\u00ed t\u0159\u00eddou.<\/p>\n

2. Zlat\u00fd v\u011bk: \u0160anghaj ve 20. a\u017e 40. letech 20. stolet\u00ed<\/h3>\n

Skute\u010dn\u00e1 prom\u011bna \u010dchi-pchao v modern\u00ed \u010dchong-sam nastala v \u017eiv\u00e9 kosmopolitn\u00ed metropoli \u0160anghaji b\u011bhem 20., 30. a 40. let 20. stolet\u00ed. Toto obdob\u00ed, \u010dasto ozna\u010dovan\u00e9 jako „zlat\u00fd v\u011bk“ \u010dchong-samu, p\u0159ineslo od\u011bvu zbaven\u00ed se tradi\u010dn\u00ed voln\u00e9 formy a p\u0159ijet\u00ed nov\u00e9, postavu obep\u00ednaj\u00edc\u00ed siluety. Pod vlivem p\u0159\u00edlivu z\u00e1padn\u00ed kultury a krej\u010dovsk\u00fdch technik za\u010dali \u0161anghaj\u0161t\u00ed krej\u010d\u00ed za\u010dle\u0148ovat prvky jako \u0161ipky, vsazen\u00e9 ruk\u00e1vy a zipy, aby vytvo\u0159ili v\u00edce tvarovan\u00fd st\u0159ih, kter\u00fd zd\u016fraz\u0148oval \u017eenskou postavu. Toto modernizovan\u00e9 \u010dchi-pchao p\u0159ijaly za symbol sv\u00e9 nov\u011b nalezen\u00e9 svobody a sofistikovanosti spole\u010dnice, filmov\u00e9 hv\u011bzdy jako Ruan Lingyu a vzd\u011blan\u00e9 \u017eeny Republiky \u010c\u00edny. \u0160aty se zkr\u00e1tily, postrann\u00ed rozparky se zvedly v\u00fd\u0161e a p\u0159i\u0161ly do m\u00f3dy r\u016fzn\u00e9 styly ruk\u00e1v\u016f \u2013 od kr\u00e1tk\u00fdch ruk\u00e1vk\u016f po dlouh\u00e9, roz\u0161\u00ed\u0159en\u00e9 ruk\u00e1vy. Tato evoluce znamenala v\u00fdznamn\u00fd odklon od konfuci\u00e1nsk\u00fdch ide\u00e1l\u016f, kter\u00e9 na\u0159izovaly skr\u00fdvat \u017eensk\u00e1 t\u011bla, a prom\u011bnila \u010dchong-sam ve v\u00fdraz modern\u00ed \u017eenskosti.<\/p>\n\n\n\n\n\n\n\n\n\n\n
Vlastnost<\/th>\nP\u016fvodn\u00ed \u010dchi-pchao z dynastie \u010cching<\/th>\n\u010cchong-sam ve \u0161anghajsk\u00e9m stylu (30. l\u00e9ta 20. stolet\u00ed)<\/th>\n<\/tr>\n<\/thead>\n
Silueta<\/strong><\/td>\nVoln\u00e1, do „A“, rovn\u00fd st\u0159ih<\/td>\nP\u0159il\u00e9hav\u00e1, tvaruj\u00edc\u00ed postavu<\/td>\n<\/tr>\n
St\u0159ih<\/strong><\/td>\nSkr\u00fdval tvar t\u011bla<\/td>\nZd\u016fraz\u0148oval pas a boky<\/td>\n<\/tr>\n
Konstrukce<\/strong><\/td>\nJednod\u00edln\u00e9 st\u0159\u00edh\u00e1n\u00ed<\/td>\nZ\u00e1padn\u00ed krej\u010dovstv\u00ed (\u0161ipky, vsazen\u00e9 ruk\u00e1vy)<\/td>\n<\/tr>\n
D\u00e9lka<\/strong><\/td>\nPo kotn\u00edky nebo del\u0161\u00ed<\/td>\nOd d\u00e9lky na podlahu po d\u00e9lku pod kolena<\/td>\n<\/tr>\n
\u00da\u010del<\/strong><\/td>\nKa\u017edodenn\u00ed a spole\u010densk\u00fd od\u011bv pro Mand\u017euy<\/td>\nM\u00f3dn\u00ed v\u00fdraz pro modern\u00ed m\u011bstsk\u00e9 \u017eeny<\/td>\n<\/tr>\n
Rozparky<\/strong><\/td>\nFunk\u010dn\u00ed pro j\u00edzdu na koni<\/td>\nEstetick\u00fd a smysln\u00fd prvek<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

3. Kl\u00ed\u010dov\u00e9 anatomick\u00e9 prvky \u010dchong-samu<\/h3>\n

Trval\u00e1 p\u0159ita\u017elivost \u010dchong-samu spo\u010d\u00edv\u00e1 v jeho jedine\u010dn\u00e9 kombinaci v\u00fdrazn\u00fdch designov\u00fdch prvk\u016f, kter\u00e9 vytv\u00e1\u0159ej\u00ed harmonick\u00fd a elegantn\u00ed celek. Tyto prvky nejsou pouze dekorativn\u00ed; jsou zakotveny v tradici a \u0159emesln\u00e9m um\u011bn\u00ed a p\u0159isp\u00edvaj\u00ed k jedine\u010dn\u00e9 identit\u011b od\u011bvu.<\/p>\n\n\n\n\n\n\n\n\n\n
Prvek<\/th>\nPopis<\/th>\nKulturn\u00ed\/funk\u010dn\u00ed v\u00fdznam<\/th>\n<\/tr>\n<\/thead>\n
Mand\u017eusk\u00fd l\u00edmec (\u7acb\u9818)<\/strong><\/td>\nTuh\u00fd, vzp\u0159\u00edmen\u00fd l\u00edmec, obvykle vysok\u00fd 3 a\u017e 5 cm, kter\u00fd se zap\u00edn\u00e1 u krku.<\/td>\nProp\u016fj\u010duje n\u00e1dech form\u00e1lnosti a d\u016fstojnosti, elegantn\u011b r\u00e1muje krk a obli\u010dej.<\/td>\n<\/tr>\n
Pchan-kchou (\u76e4\u6263)<\/strong><\/td>\nSlo\u017eit\u011b ru\u010dn\u011b v\u00e1zan\u00e9 knofl\u00edky z l\u00e1tky, \u010dasto ve tvaru kv\u011btin nebo symbolick\u00fdch tvar\u016f.<\/td>\nKl\u00ed\u010dov\u00fd dekorativn\u00ed prvek, kter\u00fd ukazuje vynikaj\u00edc\u00ed \u0159emesln\u00e9 zpracov\u00e1n\u00ed. Slou\u017e\u00ed jako hlavn\u00ed uzav\u00edrac\u00ed syst\u00e9m pod\u00e9l \u0161ikm\u00e9ho zap\u00edn\u00e1n\u00ed.<\/td>\n<\/tr>\n
\u0160ikm\u00e9 zap\u00edn\u00e1n\u00ed (\u5927\u895f)<\/strong><\/td>\nAsymetrick\u00fd p\u0159edn\u00ed d\u00edl, kter\u00fd se zap\u00edn\u00e1 na prav\u00e9 stran\u011b t\u011bla, od spodn\u00ed \u010d\u00e1sti l\u00edmce k podpa\u017e\u00ed.<\/td>\nTradi\u010dn\u00ed prvek \u010d\u00ednsk\u00e9ho od\u011bvu, o kter\u00e9m se v\u011b\u0159\u00ed, \u017ee p\u0159in\u00e1\u0161\u00ed \u0161t\u011bst\u00ed. Vytv\u00e1\u0159\u00ed \u010dist\u00fd, nep\u0159eru\u0161ovan\u00fd p\u0159edn\u00ed panel, ide\u00e1ln\u00ed pro prezentaci vzor\u016f l\u00e1tky.<\/td>\n<\/tr>\n
Postrann\u00ed rozparky (\u958b\u8869)<\/strong><\/td>\nOtvory na jedn\u00e9 nebo obou stran\u00e1ch sukn\u011b, s v\u00fd\u0161kou od skromn\u00e9 po odv\u00e1\u017enou.<\/td>\nP\u016fvodn\u011b pro snadn\u00fd pohyb, postrann\u00ed rozparky se vyvinuly v kl\u00ed\u010dov\u00fd estetick\u00fd prvek, umo\u017e\u0148uj\u00edc\u00ed n\u00e1znak nohy a zvy\u0161uj\u00edc\u00ed p\u0159ita\u017elivost \u0161at\u016f.<\/td>\n<\/tr>\n
L\u00e1tka<\/strong><\/td>\nTradi\u010dn\u011b hedv\u00e1b\u00ed, brok\u00e1t nebo samet. Modern\u00ed verze pou\u017e\u00edvaj\u00ed bavlnu, len, krajku a syntetick\u00e9 sm\u011bsi.<\/td>\nVolba l\u00e1tky ur\u010duje formalitu, pocit a padnut\u00ed \u0161at\u016f. Hedv\u00e1bn\u00e9 brok\u00e1ty \u010dasto zobrazuj\u00ed p\u0159\u00edzniv\u00e9 symboly jako draky, f\u00e9nixe a pivo\u0148ky.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

4. \u00dapadek, p\u0159e\u017eit\u00ed a sou\u010dasn\u00e9 o\u017eiven\u00ed<\/h3>\n

Po zalo\u017een\u00ed \u010c\u00ednsk\u00e9 lidov\u00e9 republiky v roce 1949 \u010dchong-sam na pevnin\u011b vy\u0161el z m\u00f3dy. Byl odsuzov\u00e1n jako symbol bur\u017eoazn\u00ed dekadence a z\u00e1padn\u00edho vlivu a jeho p\u0159\u00edtomnost z ka\u017edodenn\u00edho \u017eivota z velk\u00e9 \u010d\u00e1sti vymizela. Nicm\u00e9n\u011b odkaz tohoto od\u011bvu byl udr\u017eov\u00e1n na\u017eivu v Hongkongu, na Tchaj-wanu a mezi z\u00e1mo\u0159sk\u00fdmi \u010d\u00ednsk\u00fdmi komunitami. V Hongkongu z\u016fstal z\u00e1kladn\u00edm kamenem spole\u010densk\u00e9ho oble\u010den\u00ed a byl zn\u00e1m\u011b p\u0159ijat jako uniforma pro serv\u00edrky a letu\u0161ky, \u010d\u00edm\u017e upevnil sv\u016fj obraz jako od\u011bv profesion\u00e1ln\u00edch slu\u017eeb a klasick\u00e9 kr\u00e1sy.<\/p>\n

Konec 20. a za\u010d\u00e1tek 21. stolet\u00ed p\u0159inesl siln\u00fd n\u00e1vrat \u010dchong-samu. Toto o\u017eiven\u00ed bylo poh\u00e1n\u011bno n\u011bkolika faktory, v\u010detn\u011b obnoven\u00e9ho z\u00e1jmu o tradi\u010dn\u00ed \u010d\u00ednskou kulturu a glob\u00e1ln\u00edho dopadu \u010d\u00ednsk\u00e9 kinematografie. Kritiky uzn\u00e1van\u00fd film Wong Kar-waie „L\u00e1ska v \u010dase nen\u00e1visti“ (2000), ve kter\u00e9m hr\u00e1la here\u010dka Maggie Cheung v \u00fa\u017easn\u00e9 \u0159ad\u011b \u0161it\u00fdch \u010dchong-sam\u016f na m\u00edru, sehr\u00e1l kl\u00ed\u010dovou roli p\u0159i op\u011btovn\u00e9m p\u0159edstaven\u00ed \u0161at\u016f glob\u00e1ln\u00edmu publiku a vyvol\u00e1n\u00ed nov\u00e9 vlny obdivu. Dnes n\u00e1vrh\u00e1\u0159i reinterpretuj\u00ed \u010dchong-sam s modern\u00edmi l\u00e1tkami, inovativn\u00edmi st\u0159ihy a sou\u010dasn\u00fdm stylingem. Platformy v\u011bnovan\u00e9 um\u011bn\u00ed tohoto od\u011bvu, jako je online zdroj PandaSilk.com, zkoumaj\u00ed tyto modern\u00ed adaptace a poskytuj\u00ed vhled jak do \u0161it\u00ed na m\u00edru, tak do inovac\u00ed ready-to-wear, kter\u00e9 udr\u017euj\u00ed \u0161aty relevantn\u00ed pro novou generaci.<\/p>\n

5. No\u0161en\u00ed \u010dchong-samu v modern\u00ed dob\u011b<\/h3>\n

Dnes je \u010dchong-sam v\u0161estrann\u00fd od\u011bv no\u0161en\u00fd pro \u0161irokou \u0161k\u00e1lu p\u0159\u00edle\u017eitost\u00ed. Je obl\u00edbenou volbou pro nev\u011bsty jako tradi\u010dn\u00ed svatebn\u00ed \u0161aty nebo jako druh\u00e9 \u0161aty na hostinu. Tak\u00e9 se b\u011b\u017en\u011b nos\u00ed b\u011bhem oslav jako je \u010c\u00ednsk\u00fd nov\u00fd rok, na form\u00e1ln\u00edch banketech a jako ve\u010dern\u00ed oble\u010den\u00ed. P\u0159i v\u00fdb\u011bru \u010dchong-samu je nejd\u016fle\u017eit\u011bj\u0161\u00edm faktorem st\u0159ih. Dokonale padnouc\u00ed \u010dchong-sam by m\u011bl t\u011bsn\u011b p\u0159il\u00e9hat k t\u011blu, ani\u017e by byl nep\u0159\u00edjemn\u011b t\u011bsn\u00fd. Volba mezi ready-to-wear a \u0161it\u00fdm na m\u00edru \u010dasto z\u00e1vis\u00ed na rozpo\u010dtu, p\u0159\u00edle\u017eitosti a po\u017eadovan\u00e9m st\u0159ihu.<\/p>\n\n\n\n\n\n\n\n\n\n
Srovn\u00e1n\u00ed<\/th>\nReady-to-wear \u010dchong-sam<\/th>\n\u010cchong-sam na m\u00edru<\/th>\n<\/tr>\n<\/thead>\n
St\u0159ih<\/strong><\/td>\nStandardizovan\u00e9 velikosti; m\u016f\u017ee vy\u017eadovat \u00fapravy.<\/td>\nU\u0161it\u00fd podle p\u0159esn\u00fdch m\u00edry nositele pro dokonal\u00fd st\u0159ih.<\/td>\n<\/tr>\n
Cena<\/strong><\/td>\nObecn\u011b dostupn\u011bj\u0161\u00ed.<\/td>\nDra\u017e\u0161\u00ed kv\u016fli pr\u00e1ci a p\u0159izp\u016fsoben\u00ed.<\/td>\n<\/tr>\n
P\u0159izp\u016fsoben\u00ed<\/strong><\/td>\nOmezen\u00e9 mo\u017enosti pro l\u00e1tku, barvu a design.<\/td>\nPln\u00e1 kontrola nad l\u00e1tkou, designov\u00fdmi detaily, v\u00fd\u0161kou rozpark\u016f a stylem pchan-kchou.<\/td>\n<\/tr>\n
\u010cas<\/strong><\/td>\nLze zakoupit okam\u017eit\u011b.<\/td>\nVy\u017eaduje v\u00edce zkou\u0161ek a m\u016f\u017ee trvat t\u00fddny nebo m\u011bs\u00edce, ne\u017e je dokon\u010den.<\/td>\n<\/tr>\n
Ide\u00e1ln\u00ed pro<\/strong><\/td>\nNeform\u00e1ln\u00ed ud\u00e1losti, hosty na svatb\u00e1ch, ty s omezen\u00fdm rozpo\u010dtem.<\/td>\nNev\u011bsty, velmi form\u00e1ln\u00ed p\u0159\u00edle\u017eitosti, jedince s nestandardn\u00edmi t\u011blesn\u00fdmi typy.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Od sv\u00fdch skromn\u00fdch po\u010d\u00e1tk\u016f jako mand\u017eusk\u00e9ho roucha p\u0159es svou okouzluj\u00edc\u00ed vrcholnou \u00e9ru v \u0160anghaji a\u017e po sou\u010dasn\u00fd status glob\u00e1ln\u00ed m\u00f3dn\u00ed ikony je \u010dchong-sam od\u011bv, kter\u00fd kr\u00e1sn\u011b zt\u011bles\u0148uje spojen\u00ed tradice a modernosti. Je to v\u00edce ne\u017e jen \u0161aty; je to kus \u017eiv\u00e9 historie, um\u011bleck\u00e9 d\u00edlo a trval\u00fd symbol \u010d\u00ednsk\u00e9 elegance, kter\u00fd se neust\u00e1le vyv\u00edj\u00ed, ani\u017e by ztratil sv\u016fj nad\u010dasov\u00fd p\u016fvab. Jeho schopnost p\u0159izp\u016fsobit se estetick\u00e9mu c\u00edt\u011bn\u00ed ka\u017ed\u00e9 \u00e9ry, p\u0159i zachov\u00e1n\u00ed sv\u00e9 z\u00e1kladn\u00ed identity, zaji\u0161\u0165uje, \u017ee \u010dchong-sam z\u016fstane milovan\u00fdm a oslavovan\u00fdm od\u011bvem pro p\u0159\u00ed\u0161t\u00ed generace.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u010cchong-sam, zn\u00e1m\u00fd tak\u00e9 jako \u010dchi-pchao, je jedn\u00edm z nejikoni\u010dt\u011bj\u0161\u00edch a nejrozpoznateln\u011bj\u0161\u00edch od\u011bv\u016f v historii \u010d\u00ednsk\u00e9 m\u00f3dy. Tento p\u0159il\u00e9hav\u00fd \u0161at, symbol p\u016fvabu, elegance a jemn\u00e9 smyslnosti, okouzlil sv\u011bt svou charakteristickou siluetou a propracovan\u00fdmi detaily. Jeho cesta \u010dasem odr\u00e1\u017e\u00ed dramatick\u00e9 spole\u010densk\u00e9 a kulturn\u00ed prom\u011bny samotn\u00e9 \u010c\u00edny, vyv\u00edjel se z voln\u00e9ho tradi\u010dn\u00edho roucha v modern\u00ed symbol kulturn\u00ed identity<\/p>\n","protected":false},"author":1,"featured_media":163626,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37823],"tags":[],"class_list":["post-166118","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-faqs-cs","prodpage-classic"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts\/166118","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/comments?post=166118"}],"version-history":[{"count":0,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts\/166118\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/media\/163626"}],"wp:attachment":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/media?parent=166118"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/categories?post=166118"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/tags?post=166118"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}