{"id":166138,"date":"2025-08-02T14:07:29","date_gmt":"2025-08-02T14:07:29","guid":{"rendered":"https:\/\/www.pandasilk.com\/history-characteristics-of-japanese-kimono\/"},"modified":"2026-02-17T21:27:24","modified_gmt":"2026-02-18T05:27:24","slug":"history-characteristics-of-japanese-kimono","status":"publish","type":"post","link":"https:\/\/www.pandasilk.com\/cs\/history-characteristics-of-japanese-kimono\/","title":{"rendered":"Historie a charakteristika japonsk\u00e9ho kimona"},"content":{"rendered":"

Kimono je jedn\u00edm z nejokam\u017eit\u011bji rozpoznateln\u00fdch od\u011bv\u016f na sv\u011bt\u011b a mocn\u00fdm symbolem japonsk\u00e9 kultury. Je mnohem v\u00edce ne\u017e jen kusem oble\u010den\u00ed; je pl\u00e1tnem um\u011bn\u00ed, n\u00e1dobou tradice a vyj\u00e1d\u0159en\u00edm identity. Jeho elegantn\u00ed, plynul\u00e9 linie a slo\u017eit\u00e9 vzory vypr\u00e1v\u011bj\u00ed p\u0159\u00edb\u011bhy o ro\u010dn\u00edch obdob\u00edch, postaven\u00ed a osobn\u00edm vkusu. A\u010dkoli je dnes vyhrazeno p\u0159edev\u0161\u00edm pro zvl\u00e1\u0161tn\u00ed p\u0159\u00edle\u017eitosti, cesta kimona japonskou histori\u00ed je fascinuj\u00edc\u00edm vypr\u00e1v\u011bn\u00edm o kulturn\u00ed v\u00fdm\u011bn\u011b, um\u011bleck\u00e9 inovaci a spole\u010densk\u00e9 zm\u011bn\u011b. Od sv\u00fdch skromn\u00fdch po\u010d\u00e1tk\u016f jako spodn\u00ed pr\u00e1dlo p\u0159es vrchol jako vyj\u00e1d\u0159en\u00ed \u0161pi\u010dkov\u00e9 od\u011bvn\u00ed elegance v obdob\u00ed Edo a\u017e po n\u00e1slednou prom\u011bnu v cen\u011bn\u00fd ceremoni\u00e1ln\u00ed od\u011bv \u2013 kimono zt\u011bles\u0148uje samotnou podstatu japonsk\u00e9 estetiky a filozofie. Tento \u010dl\u00e1nek se pono\u0159\u00ed do bohat\u00e9 historie, kter\u00e1 formovala tuto ikonickou r\u00f3bu, a prozkoum\u00e1 jej\u00ed v\u00fdrazn\u00e9 charakteristiky, je\u017e z n\u00ed \u010din\u00ed nad\u010dasov\u00e9 mistrovsk\u00e9 d\u00edlo designu.<\/p>\n

1. P\u016fvod a ran\u00fd v\u00fdvoj (obdob\u00ed Nara a Heian)<\/h3>\n

P\u0159\u00edm\u00fd p\u0159edch\u016fdce kimona, zn\u00e1m\u00fd jako kosode (doslova „mal\u00e9 ruk\u00e1vy“, odkazuj\u00edc\u00ed na mal\u00fd otvor pro z\u00e1p\u011bst\u00ed), m\u00e1 sv\u00e9 ko\u0159eny ve starov\u011bk\u00e9 \u010c\u00edn\u011b. B\u011bhem japonsk\u00e9ho obdob\u00ed Nara (710\u2013794) vedla rozs\u00e1hl\u00e1 kulturn\u00ed v\u00fdm\u011bna s \u010c\u00ednou dynastie Tchang k p\u0159ijet\u00ed mnoha zvyklost\u00ed, v\u010detn\u011b styl\u016f obl\u00e9k\u00e1n\u00ed. Japonsk\u00fd dv\u016fr p\u0159ijal r\u00f3by v \u010d\u00ednsk\u00e9m stylu a kosode se zpo\u010d\u00e1tku nosilo jako jednoduch\u00e9 spodn\u00ed pr\u00e1dlo pro aristokraty i aristokratky.<\/p>\n

B\u011bhem n\u00e1sleduj\u00edc\u00edho obdob\u00ed Heian (794\u20131185) se za\u010dala objevovat jedine\u010dn\u011b japonsk\u00e1 estetika. Dvorn\u00ed d\u00e1my nosily neuv\u011b\u0159iteln\u011b propracovan\u00e9 j\u016bnihitoe, neboli „dvan\u00e1ctivrstvou r\u00f3bu“, kter\u00e1 se skl\u00e1dala z mnoha vrstev hedv\u00e1bn\u00fdch r\u00f3b r\u016fzn\u00fdch barev. Nejvnit\u0159n\u011bj\u0161\u00ed a nejosobn\u011bj\u0161\u00ed z t\u011bchto vrstev bylo kosode. A\u010dkoli bylo skryt\u00e9 pohled\u016fm, bylo to z\u00e1kladn\u00ed oble\u010den\u00ed. Kl\u00ed\u010dov\u00fdm v\u00fdvojem t\u00e9to \u00e9ry bylo zdokonalen\u00ed konstruk\u010dn\u00ed metody st\u0159ihu v p\u0159\u00edm\u00fdch lini\u00edch. Od\u011bvy se \u0161ily z rovn\u00fdch kus\u016f l\u00e1tky, co\u017e nab\u00edzelo n\u011bkolik v\u00fdhod: padlo na \u0161irokou \u0161k\u00e1lu postav, snadno se skl\u00e1dalo pro uskladn\u011bn\u00ed a umo\u017e\u0148ovalo op\u011btovn\u00e9 pou\u017eit\u00ed l\u00e1tky z opot\u0159ebovan\u00fdch od\u011bv\u016f. Tato konstrukce ve tvaru p\u00edsmene T s rovn\u00fdmi \u0161vy se stala ur\u010duj\u00edc\u00edm rysem kimona.<\/p>\n

2. Zlat\u00fd v\u011bk kimona (obdob\u00ed Kamakura a\u017e Edo)<\/h3>\n

Jak b\u011bhem obdob\u00ed Kamakura (1185\u20131333) a Muroma\u010di (1336\u20131573) sl\u00e1bla moc c\u00edsa\u0159sk\u00e9ho dvora a t\u0159\u00edda samuraj\u016f z\u00edsk\u00e1vala na v\u00fdznamu, japonsk\u00e1 spole\u010dnost a m\u00f3da se posouvaly k v\u011bt\u0161\u00ed jednoduchosti a prakti\u010dnosti. Objemn\u00e9 vrstvy j\u016bnihitoe byly opu\u0161t\u011bny ve prosp\u011bch funk\u010dn\u011bj\u0161\u00edho oble\u010den\u00ed. \u017deny za\u010daly nosit kosode jako svrchn\u00ed od\u011bv, \u010dasto jej upev\u0148ovaly jednoduchou \u00fazkou \u0161erpou.<\/p>\n

Obdob\u00ed Edo (1603\u20131868) je v\u0161eobecn\u011b pova\u017eov\u00e1no za zlat\u00fd v\u011bk kimona. Dlouh\u00e9 obdob\u00ed m\u00edru a politick\u00e9 stability pod \u0161\u00f3gun\u00e1tem Tokugawa vedlo k neb\u00fdval\u00e9mu hospod\u00e1\u0159sk\u00e9mu r\u016fstu a rozkv\u011btu um\u011bn\u00ed. Vyno\u0159ila se bohat\u00e1 obchodnick\u00e1 t\u0159\u00edda, dychtiv\u00e1 uk\u00e1zat sv\u016fj blahobyt prost\u0159ednictv\u00edm m\u00f3dy. Kdysi jednoduch\u00e9 kosode se prom\u011bnilo ve sofistikovan\u00fd prost\u0159edek um\u011bleck\u00e9ho vyj\u00e1d\u0159en\u00ed. Tkadleni a barv\u00ed\u0159i vyvinuli brilantn\u00ed nov\u00e9 techniky k dekoraci l\u00e1tky. Metody jako j\u016bzen (rezervn\u00ed barven\u00ed umo\u017e\u0148uj\u00edc\u00ed mal\u00ed\u0159sk\u00e9, slo\u017eit\u00e9 vzory) a \u0161ibori (v\u00e1zan\u00e9 barven\u00ed) se vysoce zdokonalily. Obi, \u0161erpa pou\u017e\u00edvan\u00e1 k uv\u00e1z\u00e1n\u00ed kimona, se stala \u0161ir\u0161\u00ed, del\u0161\u00ed a dekorativn\u011bj\u0161\u00ed a stala se \u00fast\u0159edn\u00edm bodem cel\u00e9ho od\u011bvu s rozv\u00edjej\u00edc\u00edmi se slo\u017eit\u00fdmi uzly a styly.<\/p>\n\n\n\n\n\n\n\n\n
Obdob\u00ed<\/th>\nKl\u00ed\u010dov\u00fd styl od\u011bvu<\/th>\nDominantn\u00ed nositel\u00e9<\/th>\nKl\u00ed\u010dov\u00e9 charakteristiky<\/th>\n<\/tr>\n<\/thead>\n
Nara (710\u2013794)<\/strong><\/td>\nR\u00f3by v \u010d\u00ednsk\u00e9m stylu (tarikubi)<\/td>\nAristokracie<\/td>\nNoseno se sukn\u00ed (mo) nebo kalhotami (hakama). Kosode pou\u017e\u00edv\u00e1no jako spodn\u00ed pr\u00e1dlo.<\/td>\n<\/tr>\n
Heian (794\u20131185)<\/strong><\/td>\nJ\u016bnihitoe<\/em> (pro \u017eeny)<\/td>\nC\u00edsa\u0159sk\u00fd dv\u016fr<\/td>\nV\u00edce vrstev nezdoben\u00fdch hedv\u00e1bn\u00fdch r\u00f3b. Barevn\u00e9 kombinace byly kl\u00ed\u010dov\u00e9.<\/td>\n<\/tr>\n
Muroma\u010di (1336\u20131573)<\/strong><\/td>\nKosode<\/em> jako svrchn\u00ed od\u011bv<\/td>\nT\u0159\u00edda samuraj\u016f, prost\u00ed lid\u00e9<\/td>\nJednovrstv\u00fd od\u011bv. Jednoduch\u00e9 vzory, \u010dasto noseno se hakama \u017eenami.<\/td>\n<\/tr>\n
Edo (1603\u20131868)<\/strong><\/td>\nKosode<\/em> (vyvinulo se v kimono)<\/td>\nV\u0161echny t\u0159\u00eddy, zejm\u00e9na obchodn\u00edci<\/td>\nPropracovan\u00e9 barven\u00ed (j\u016bzen, \u0161ibori), \u0161ir\u0161\u00ed obi, ruk\u00e1vy se prodlu\u017eovaly. Um\u011bn\u00ed vzkv\u00e9talo.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

3. Modernizace a prom\u011bna (obdob\u00ed Meiji a\u017e sou\u010dasnost)<\/h3>\n

Reformy Meid\u017ei v roce 1868 uvrhly Japonsko do obdob\u00ed rychl\u00e9 modernizace a westernizace. Vl\u00e1da aktivn\u011b podporovala p\u0159ijet\u00ed z\u00e1padn\u00edho stylu obl\u00e9k\u00e1n\u00ed, neboli j\u014dfuku, jako symbolu modernity a mezin\u00e1rodn\u00edho postaven\u00ed. St\u00e1tn\u00edm \u00fa\u0159edn\u00edk\u016fm, policist\u016fm a vojensk\u00e9mu person\u00e1lu bylo na\u0159\u00edzeno nosit z\u00e1padn\u00ed uniformy. Pro \u0161irokou ve\u0159ejnost bylo j\u014dfuku propagov\u00e1no jako prakti\u010dt\u011bj\u0161\u00ed a hygieni\u010dt\u011bj\u0161\u00ed pro \u017eivot v industrializuj\u00edc\u00ed se zemi.<\/p>\n

V d\u016fsledku toho za\u010dalo kimono pomalu ustupovat z ka\u017edodenn\u00edho \u017eivota. Postupn\u011b bylo vytla\u010deno do sf\u00e9ry form\u00e1ln\u00edho a ceremoni\u00e1ln\u00edho oble\u010den\u00ed, vyhrazen\u00e9ho pro zvl\u00e1\u0161tn\u00ed p\u0159\u00edle\u017eitosti, jako jsou svatby, poh\u0159by, \u010dajov\u00e9 ob\u0159ady, promoce a sez\u00f3nn\u00ed festivaly (macuri). Ve 20. stolet\u00ed byl proces obl\u00e9k\u00e1n\u00ed kimona zjednodu\u0161en a zaveden\u00ed syntetick\u00fdch l\u00e1tek jej u\u010dinilo dostupn\u011bj\u0161\u00edm, a\u010dkoli hedv\u00e1b\u00ed z\u016fst\u00e1v\u00e1 nejcen\u011bj\u0161\u00edm materi\u00e1lem pro form\u00e1ln\u00ed oble\u010den\u00ed. Dnes, i kdy\u017e je ka\u017edodenn\u00ed no\u0161en\u00ed vz\u00e1cn\u00e9, kimono si nad\u00e1le zachov\u00e1v\u00e1 drah\u00e9 m\u00edsto v japonsk\u00e9m srdci. Modern\u00ed design\u00e9\u0159i \u010dasto reinterpretuj\u00ed jeho ikonickou siluetu pro sou\u010dasnou m\u00f3du, \u010d\u00edm\u017e zaji\u0161\u0165uj\u00ed, \u017ee jeho odkaz i nad\u00e1le \u017eije.<\/p>\n

4. Anatomie kimona a jeho dopl\u0148k\u016f<\/h3>\n

Nosit form\u00e1ln\u00ed kimono je slo\u017eit\u00e9 um\u011bn\u00ed zahrnuj\u00edc\u00ed \u010detn\u00e9 sou\u010d\u00e1sti, kter\u00e9 spolupracuj\u00ed na vytvo\u0159en\u00ed jednotn\u00e9ho a elegantn\u00edho vzhledu. Ka\u017ed\u00fd kus m\u00e1 specifickou funkci a n\u00e1zev.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
Sou\u010d\u00e1st<\/th>\nJaponsk\u00fd n\u00e1zev<\/th>\nPopis a funkce<\/th>\n<\/tr>\n<\/thead>\n
Hlavn\u00ed r\u00f3ba<\/strong><\/td>\nKimono<\/td>\nSvrchn\u00ed od\u011bv ve tvaru T, hlavn\u00ed prvek outfitu.<\/td>\n<\/tr>\n
Spodn\u00ed kimono<\/strong><\/td>\nNagajuban<\/td>\nTen\u010d\u00ed r\u00f3ba ve tvaru kimona nosen\u00e1 pod kimonem, aby jej udr\u017eovala \u010dist\u00e9 a pom\u00e1hala vytvo\u0159it jeho tvar. Viditeln\u00fd je pouze l\u00edmec.<\/td>\n<\/tr>\n
\u0160erpa<\/strong><\/td>\nObi<\/td>\n\u0160irok\u00e1, dekorativn\u00ed \u0161erpa uv\u00e1zan\u00e1 kolem pasu, kter\u00e1 dr\u017e\u00ed kimono zav\u0159en\u00e9. Styl uzlu (musubi) m\u016f\u017ee nazna\u010dovat v\u011bk a p\u0159\u00edle\u017eitost.<\/td>\n<\/tr>\n
Ozdoba na \u0161erp\u011b<\/strong><\/td>\nObi-age<\/td>\nKousek hedv\u00e1b\u00ed zastr\u010den\u00fd do horn\u00ed \u010d\u00e1sti obi, kter\u00fd p\u0159id\u00e1v\u00e1 n\u00e1dech barvy a pom\u00e1h\u00e1 udr\u017eet uzel obi na m\u00edst\u011b.<\/td>\n<\/tr>\n
\u0160\u0148\u016fra na \u0161erpu<\/strong><\/td>\nObi-jime<\/td>\nDekorativn\u00ed \u0161\u0148\u016fra uv\u00e1zan\u00e1 kolem st\u0159edu obi, poskytuj\u00edc\u00ed dodate\u010dn\u00e9 zaji\u0161t\u011bn\u00ed a fin\u00e1ln\u00ed dekorativn\u00ed prvek.<\/td>\n<\/tr>\n
Pono\u017eky<\/strong><\/td>\nTabi<\/td>\nB\u00edl\u00e9 pono\u017eky s odd\u011blen\u00fdm palcem ur\u010den\u00e9 k no\u0161en\u00ed s tradi\u010dn\u00ed obuv\u00ed.<\/td>\n<\/tr>\n
Obuv<\/strong><\/td>\nZ\u014dri \/ Geta<\/td>\nZ\u014dri<\/em> jsou form\u00e1ln\u00ed sand\u00e1ly s plochou podr\u00e1\u017ekou. Geta<\/em> jsou neform\u00e1ln\u00ed d\u0159ev\u011bn\u00e9 pantofle.<\/td>\n<\/tr>\n
Vlasov\u00e9 ozdoby<\/strong><\/td>\nKanzashi<\/td>\nDekorativn\u00ed jehlice a h\u0159ebeny pou\u017e\u00edvan\u00e9 v tradi\u010dn\u00edch japonsk\u00fdch \u00fa\u010desech k dopln\u011bn\u00ed kimona.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

5. Kl\u00ed\u010dov\u00e9 charakteristiky a symbolika<\/h3>\n

Design kimona je zd\u00e1nliv\u011b jednoduch\u00fd, ale bohat\u00fd na v\u00fdznam. Jeho ur\u010duj\u00edc\u00ed charakteristiky jsou dokladem jedine\u010dn\u00e9 estetick\u00e9 filozofie.<\/p>\n

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  • Tvar T a konstrukce:<\/strong> St\u0159ih v p\u0159\u00edm\u00fdch lini\u00edch zaji\u0161\u0165uje, \u017ee cel\u00fd pruh l\u00e1tky, zn\u00e1m\u00fd jako tanmono, je vyu\u017eit s minim\u00e1ln\u00edm odpadem. Tento tvar vytv\u00e1\u0159\u00ed hladkou, sloupovitou siluetu, kter\u00e1 potla\u010duje k\u0159ivky t\u011bla a m\u00edsto toho zam\u011b\u0159uje pozornost na kr\u00e1su vzor\u016f a barev l\u00e1tky.<\/li>\n
  • Ruk\u00e1vy (Sode<\/em>):<\/strong> D\u00e9lka a tvar ruk\u00e1v\u016f jsou vysoce v\u00fdznamn\u00e9. Nejn\u00e1padn\u011bj\u0161\u00ed jsou dlouh\u00e9, plynouc\u00ed ruk\u00e1vy furisode, kimona v\u00fdhradn\u011b pro svobodn\u00e9 mlad\u00e9 \u017eeny, symbolizuj\u00edc\u00ed jejich ml\u00e1d\u00ed a vhodnost k s\u0148atku. Naopak krat\u0161\u00ed ruk\u00e1vy tomesode nos\u00ed vdan\u00e9 \u017eeny.<\/li>\n
  • Vzory a motivy:<\/strong> Motivy na kimonu jsou hluboce symbolick\u00e9 a jsou \u010dasto voleny tak, aby odr\u00e1\u017eely ro\u010dn\u00ed obdob\u00ed, p\u0159\u00edle\u017eitost nebo aspirace nositele. Jedin\u00fd od\u011bv m\u016f\u017ee vypr\u00e1v\u011bt slo\u017eit\u00fd p\u0159\u00edb\u011bh.<\/li>\n<\/ul>\n\n\n\n\n\n\n\n\n\n\n
    Motiv<\/th>\nSymbolika<\/th>\nSouvisej\u00edc\u00ed ro\u010dn\u00ed obdob\u00ed<\/th>\n<\/tr>\n<\/thead>\n
    Je\u0159\u00e1b (Tsuru<\/em>)<\/strong><\/td>\nDlouhov\u011bkost, \u0161t\u011bst\u00ed, man\u017eelsk\u00e1 v\u011brnost (je\u0159\u00e1bi \u017eij\u00ed v p\u00e1rech cel\u00fd \u017eivot).<\/td>\nCel\u00fd rok, zejm\u00e9na pro svatby.<\/td>\n<\/tr>\n
    T\u0159e\u0161\u0148ov\u00fd kv\u011bt (Sakura<\/em>)<\/strong><\/td>\nPom\u00edjivost \u017eivota, kr\u00e1sa, obnova.<\/td>\nJaro<\/td>\n<\/tr>\n
    Borovice (Matsu<\/em>)<\/strong><\/td>\nDlouhov\u011bkost, vytrvalost, ctnost.<\/td>\nZima, Nov\u00fd rok<\/td>\n<\/tr>\n
    Kv\u011bt \u0161vestky (Ume<\/em>)<\/strong><\/td>\nVytrvalost, nad\u011bje (kvete koncem zimy).<\/td>\nZima<\/td>\n<\/tr>\n
    Chryzant\u00e9ma (Kiku<\/em>)<\/strong><\/td>\nDlouhov\u011bkost, omlazen\u00ed, pe\u010de\u0165 c\u00edsa\u0159sk\u00e9 rodiny.<\/td>\nPodzim<\/td>\n<\/tr>\n
    Bambus (Take<\/em>)<\/strong><\/td>\nS\u00edla, pru\u017enost, odolnost.<\/td>\nCel\u00fd rok<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
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    • Barvy:<\/strong> Barva je tak\u00e9 mocn\u00fdm symbolick\u00fdm prvkem. B\u00edl\u00e1 je barvou \u010distoty a je \u00fast\u0159edn\u00ed pro \u0161intoistick\u00e9 svatebn\u00ed oble\u010den\u00ed i poh\u0159ebn\u00ed od\u011bvy. \u010cerven\u00e1 zna\u010d\u00ed vitalitu a \u0161t\u011bst\u00ed, co\u017e z n\u00ed \u010din\u00ed obl\u00edbenou barvu pro slavnostn\u00ed od\u011bvy. Indigov\u011b modr\u00e1 byla historicky b\u011b\u017enou barvou pro pracuj\u00edc\u00ed t\u0159\u00eddu kv\u016fli odolnosti barviva.<\/li>\n<\/ul>\n

      6. Typy kimona pro r\u016fzn\u00e9 p\u0159\u00edle\u017eitosti<\/h3>\n

      Typ kimona, kter\u00fd \u010dlov\u011bk nos\u00ed, je ur\u010den slo\u017eit\u00fdm souborem spole\u010densk\u00fdch pravidel zalo\u017een\u00fdch na formalit\u011b, ro\u010dn\u00edm obdob\u00ed, v\u011bku a rodinn\u00e9m stavu. Zejm\u00e9na \u017eensk\u00e1 kimona maj\u00ed vysoce rozvinut\u00fd syst\u00e9m klasifikace.<\/p>\n

        \n
      • Kurotomesode<\/em>:<\/strong> Nejform\u00e1ln\u011bj\u0161\u00ed kimono pro vdanou \u017eenu. Je cel\u00e9 \u010dern\u00e9 se slo\u017eit\u00fdm vzorem (moy\u014d) pouze pod pasem. Je ozdobeno p\u011bti rodov\u00fdmi erby (kamon) a typicky jej nos\u00ed matky nev\u011bsty a \u017eenicha na svatb\u011b.<\/li>\n
      • Furisode<\/em>:<\/strong> Nejform\u00e1ln\u011bj\u0161\u00ed kimono pro svobodnou \u017eenu, charakteristick\u00e9 sv\u00fdmi dlouh\u00fdmi „vlaj\u00edc\u00edmi ruk\u00e1vy“. M\u00e1 \u017eiv\u00fd, barevn\u00fd vzor po cel\u00e9m od\u011bvu a nos\u00ed se na ceremoni\u00edch dosp\u011blosti a svobodn\u00fdmi p\u0159\u00edbuzn\u00fdmi na svatb\u00e1ch.<\/li>\n
      • Irotomesode<\/em>:<\/strong> Polofom\u00e1ln\u00ed kimono pro vdan\u00e9 \u017eeny. Je toto\u017en\u00e9 s kurotomesode, ale je v jednolit\u00e9 barv\u011b jin\u00e9 ne\u017e \u010dern\u00e9. Po\u010det erb\u016f (jeden, t\u0159i nebo p\u011bt) ur\u010duje jeho stupe\u0148 form\u00e1lnosti.<\/li>\n
      • H\u014dmongi<\/em>:<\/strong> Doslova „oble\u010den\u00ed na n\u00e1v\u0161t\u011bvy“, toto je polofom\u00e1ln\u00ed kimono pro vdan\u00e9 i svobodn\u00e9 \u017eeny. Je charakterizov\u00e1no vzory, kter\u00e9 plynou p\u0159es \u0161vy na ramenou, ruk\u00e1vech a t\u011ble od\u011bvu. Je vhodn\u00e9 pro ve\u010d\u00edrky, \u010dajov\u00e9 ob\u0159ady a jako oble\u010den\u00ed pro hosty na svatb\u00e1ch.<\/li>\n
      • Komon<\/em>:<\/strong> Neform\u00e1ln\u00ed kimono s mal\u00fdm, opakuj\u00edc\u00edm se vzorem pokr\u00fdvaj\u00edc\u00edm cel\u00fd od\u011bv. Je pova\u017eov\u00e1no za ka\u017edodenn\u00ed oble\u010den\u00ed nebo pro neform\u00e1ln\u00ed v\u00fdlety.<\/li>\n
      • Jukata<\/em>:<\/strong> Nepod\u0161\u00edvkovan\u00e9, neform\u00e1ln\u00ed bavln\u011bn\u00e9 kimono p\u016fvodn\u011b nosen\u00e9 po koupeli. Dnes je nej\u010dast\u011bji k vid\u011bn\u00ed na letn\u00edch festivalech (macuri) a oh\u0148ostroj\u00edch. Je to nejjednodu\u0161\u0161\u00ed kimono k no\u0161en\u00ed, \u010dasto upevn\u011bn\u00e9 jednoduch\u00fdm obi a nosen\u00e9 bez pono\u017eek tabi.<\/li>\n<\/ul>\n

        Ve sv\u011bt\u011b rychl\u00e9 m\u00f3dy a neust\u00e1le se m\u011bn\u00edc\u00edch trend\u016f stoj\u00ed kimono stranou jako monument tradice, um\u011bn\u00ed a trval\u00e9 kr\u00e1sy. Jeho historie je zrcadlem vlastn\u00ed kulturn\u00ed cesty Japonska, odr\u00e1\u017eej\u00edc\u00ed obdob\u00ed izolace, v\u00fdm\u011bny, konflikt\u016f a m\u00edru. Ka\u017ed\u00fd z\u00e1hyb l\u00e1tky, ka\u017ed\u00fd pe\u010dliv\u011b vybran\u00fd motiv a ka\u017ed\u00e1 vrstva od\u011bvu jsou prodchnuty stalet\u00edmi v\u00fdznamu a estetick\u00e9ho zdokonalen\u00ed. A\u010dkoli ji\u017e nemus\u00ed b\u00fdt od\u011bvem ka\u017edodenn\u00edho \u017eivota, kimono z\u016fst\u00e1v\u00e1 mocnou a \u017eivou sou\u010d\u00e1st\u00ed japonsk\u00e9ho kulturn\u00edho d\u011bdictv\u00ed, drah\u00fdm spojen\u00edm s minulost\u00ed a vynikaj\u00edc\u00ed um\u011bleckou formou, kter\u00e1 i nad\u00e1le uchvacuje a inspiruje lidi po cel\u00e9m sv\u011bt\u011b.<\/p>\n","protected":false},"excerpt":{"rendered":"

        Kimono je jedn\u00edm z nejokam\u017eit\u011bji rozpoznateln\u00fdch od\u011bv\u016f na sv\u011bt\u011b a mocn\u00fdm symbolem japonsk\u00e9 kultury. Je mnohem v\u00edce ne\u017e jen kusem oble\u010den\u00ed; je pl\u00e1tnem um\u011bn\u00ed, n\u00e1dobou tradice a vyj\u00e1d\u0159en\u00edm identity. Jeho elegantn\u00ed, plynul\u00e9 linie a slo\u017eit\u00e9 vzory vypr\u00e1v\u011bj\u00ed p\u0159\u00edb\u011bhy o ro\u010dn\u00edch obdob\u00edch, postaven\u00ed a osobn\u00edm vkusu. A\u010dkoli je dnes vyhrazeno p\u0159edev\u0161\u00edm pro zvl\u00e1\u0161tn\u00ed p\u0159\u00edle\u017eitosti, cesta kimona<\/p>\n","protected":false},"author":1,"featured_media":163635,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37823],"tags":[],"class_list":["post-166138","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-faqs-cs","prodpage-classic"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts\/166138","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/comments?post=166138"}],"version-history":[{"count":0,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/posts\/166138\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/media\/163635"}],"wp:attachment":[{"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/media?parent=166138"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/categories?post=166138"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pandasilk.com\/cs\/wp-json\/wp\/v2\/tags?post=166138"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}